Movie Review Totally Killer

Totally Killer (2023) 

Directed by Nahnatchka Khan

Written by David Matalon, Sasha Perl Raver, Jen D'Angelo 

Starring Kiernan Shipka, Olivia Holt, Julie Bowen 

Release Date October 6th, 2023 

Published October 12th, 2023 

Totally Killer stars Kiernan Shipka as Jamie, a High School student with a typically standoffish relationship with her mother, Pam (Julie Bowen). The two fight and disagree as mothers and daughters are wont to do but when Pam is murdered, Jamie is devastated. The killer is one familiar to the town they live in, a vile serial murderer known as the Sweet Sixteen Killer. The moniker comes from the killer's M.O, stabbing his victims 16 times. The killer made a splash in 1987 when he killed three teenagers who happen to have been Pam's best friends as a kid. 

The killer left a note indicating that he'd planned on killing Pam all along though why he waited until now to get around to it is unclear. Nevertheless, Jamie is despondent until her best friend, Amelia (Kelcey Mawema), reveals that she has built a time machine for their school project. It's based on a design created by Amelia's mother, Lauren (Kimberly Huie), who gave up her inventing dreams when she became a single mom. Amelia believes that she can send Jamie back to 1987 which would give Jamie the chance to stop the killer before he's able to take even one victim, thus saving her mom in the future. 

This time travel theory is put to the test the same night when the Sweet Sixteen killer tracks down Jamie and chases her right into Amelia's time machine. Stabbing the control panel, the killer inadvertently sends Jamie back in time. Arriving in 1987, Jamie must now convince people that she's from the future to stop the murders but, she has to be careful not to change too much of the past or it could lead to her not having a future. In the past, Jamie meets her mom, played as a teen by Olivia Holt, and finds out that she's a mean girl. 

Pam was the leader of a group of bullies known as The Molly's. They're The Molly's because the four of them all dress like Molly Ringwald. It was the three other Molly's, Tiffany (Liana Liberato), Heather (Anna Diaz) and Marisa (Stephi Chin Salvo), who were the original victims of the Sweet Sixteen Killer. From here, the movie lays out several potential killers including the future school Principal, Doug, the future Gym Teacher Randy, and future Podcaster, Chris, who happens to specialize in documenting and exploiting the Sweet Sixteen Murders as a True Crime Podcaster. 

Find my full length review at Horror.Media 

Horror in the 90s Popcorn

Popcorn (1991) 

Directed by Mark Herrier 

Written by Tod Hackett 

Starring Jill Schoelen, Tom Villard, Dee Wallace Stone, Ray Walston, Derek Rydall 

Release Date February 1st, 1991 

Box Office $4.205 million 

Popcorn is a minor miracle of a horror movie. The film should have been a complete disaster. The film ran through three directors, two lead actresses, and a screenplay credit fight that ended with the credited screenwriter being a fake name. There is no good reason that Popcorn turned out as well as it did. And yet, the film has developed a minor cult following. Despite having been passed on by Black Christmas director Bob Clark and then taken away from director Alan Orsmby, who directed a significant portion of the film, and switching lead actors after the film had begun production, Popcorn is a wildly fun and exciting horror flick. 

Popcorn follows the denizens of a college film class as they seek funding for their short films by throwing a horror film festival at a rundown local movie theater. Having somehow secured three cult horror movies from the 1960s, the plan is to use the wild, over the top marketing gimmicks of these movies to sell out the place and use the money to make short films. The plan comes together when one of the students manages to legendary movie props from the dramatic and iconic Dr. Mnesyne (Ray Walston). With his tools, the students can recreate the weird wonderful time when the movies in their festival were briefly the most innovative and popular of genre fare. 

The story of Popcorn however, truly centers on one of the students, Maggie (Jill Schoelen). Plagued by nightmares, Maggie hopes to take her wild dreams and turn them into her own short horror movie. What she doesn't know yet is that her dreams are based around a real childhood drama. When Jill was very young, her film director father murdered her mother on stage after the showing of his own short film for which the ending was unshot. The ending was instead acted out live on stage with the murder of Jill's mother. Jill was also meant to die but she was rescued at the last moment. 

Jill knows none of this so when a ragged looking can of film is found among the movie props they've borrowed for the festival, she's unaware that it is her father's legendary lost short film. She does however, recognize some of it as she and her fellow film students watch it out of curiosity. The short film happens to look a lot like the scenes from Maggie's nightmares. The question that will eventually emerge as Popcorn goes along, is Maggie's father actually dead? We may find out as her fellow students consider showing this creepy short as part of the festival. 

Find my full length review at Horror.Media 

Classic Movie Review Demolition Man Take 2

Demolition Man (1993) 

Directed by Marco Brambilla 

Written by Daniel Waters 

Starring Sylvester Stallone, Wesley Snipes, Sandra Bullock, Nigel Hawthorne, Benjamin Bratt, Denis Leary

Release Date October 9th 1993

Published October 11th, 2023 

Demolition Man is a desperate, sad, and pathetic attempt by Sylvester Stallone to cast himself as the 'cool guy.' There was this character archetype of the 80s and 90s, one pioneered by Eddie Murphy, for the most part. It's a character who is the smartest, funniest, coolest guy in any room that he's in. I call these characters Bugs Bunny types. Bugs Bunny was always one step ahead of whoever he was on screen with. Bugs was never the subject of the joke, he was the one delivering the punchline. No one got over on Bugs Bunny, he always came out on top by being funnier, smarter, and more dynamic than anyone else on screen. 

Whether Eddie Murphy was aware of it or not, his Beverly Hills Cop persona is an R-Rated version of a Bugs Bunny archetype. Axel Foley is Bugs Bunny. He's always three steps ahead of everyone in a scene. Axel is the funniest, smartest, and wittiest person in every moment. No one can keep up with Axel or Bugs Bunny and no one is allowed to get one over on Axel or Bugs Bunny. There is an element of the archetypal Simpson's character Poochie in Axel Foley as in the few moments that Axel is off screen, everyone has to be talking about Axel and wondering what he's doing at that moment. 

I don't mean this to demean Eddie Murphy or his performance as Axel Foley, it's merely an observation. Being like Bugs Bunny is a solid compliment. There is also the matter of coming timing and instinct that make Eddie Murphy such a comic icon. His bravado, that swagger, it's unlike anyone we've seen in this kind of role. Why am I lingering on Beverly Hills Cop, Bugs Bunny, and Eddie Murphy in a review of Demolition Man? Because Sylvester Stallone wants so badly to be as cool as Eddie Murphy. 

It's very clear that the lead role in Demolition Man was written with someone of Murphy's comic timing and instinct in mind. It's clear that the movie would benefit from having a fleet footed comic voice at the heart of the story. It's also clear that having Sylvester Stallone and his sad, desperate, egotism at the heart of the movie, drags the whole thing down. Stallone is not an actor with strong comic instincts. He's lumbering, he speaks slowly, and he's not cool, no matter how much he might want you to believer it. He's simply not believable as the smartest, funniest, most dynamic guy in any room that he's in. 

Thus, what should be a fast paced action comedy, becomes a flat, lumbering, lumbering, clumsy, testosterone heavy, bloated explosion-fest. In order to frame Stallone as the coolest guy in any room, the rest of the cast is forced to dial back their performances to match Stallone's slow, witless cadence. So, we have a character played by a young and lovable Sandra Bullock who is rendered almost unwatchable as she bravely battles her way through some of the worst dialogue in any movie ever. And you have a remaining supporting cast that is not allowed to have either screen time or presence that might compete with Stallone or make him look any less dynamic than he already appears. 

Only Wesley Snipes is allowed to shine opposite Stallone and thus why Snipes disappears for so much time in Demolition Man. Though Snipes' Simon Phoenix is the big bad of Demolition Man, his colorful villain is kept off screen for lengthy periods of time while the screenwriters desperately try to craft scenes to make Stallone look cool. The world building in Demolition Man might appear, on the surface, to be similar to any other sci-fi movie set in the future. But, look closer, if you do, you can see a series of innovations that are clearly inventions intended to make Stallone appear more relatable and especially cooler than anyone else in the movie. 

One example that stands out as the kind of gag that is written for an Eddie Murphy type comic actor that falls flat as delivered by Stallone, involves bathroom habits of the future. I'd rather not linger on the famed 'three seashells' of Demolition Man, but the gag is one that Murphy would have thrived in riffing on. There would undoubtedly be a fast paced, curse word laden rant that Murphy would riff off the top of his head about the 'three seashells.' In the hands of Murphy, it's a masterpiece of raunchy humor. In the hands of Sylvester Stallone, the bit dies an unmourned death that raises far too many needless questions that distract from the story being told. 

For those that aren't familiar with Demolition Man, the story goes that Sylvester Stallone is John Spartan, a cop in 1996 Los Angeles. Spartan is a good cop who plays his own rules, a classic cliche of 80s and 90s action movies. John Spartan has been given the awkward moniker, Demolition Man, because his style of being a cop involves a remarkable level of property damage and death. In pursuing the violent criminal gang leader, Simon Phoenix (Wesley Snipes), Spartan is accused of getting a group of hostages killed and Spartan himself is convicted and placed in a cryo-prison. 

Frozen inside a giant ice cube, John Spartan is sleeping his life away until 2036 when his old nemesis, Simon Phoenix escapes from the same cryo-prison under strange circumstances. In 2036, there is no crime, no music, no salt, no sugar, and society is a pristine, plasticized bore. The Police still exist but they don't have much to do. Thus, when Simon Phoenix commits the first murders in more than 30 years, no one in the Police Department is prepared to deal with his level of violence. A young cop named Lenina Huxley offers an unusual solution, thaw out legendary cop John Spartan, reinstate him to the Police and have him track down Simon Phoenix. 

That's the plot of Demolition Man and there are the building blocks of a good idea in there. It's a classic fish out of water scenario in which a man from a different time suffers comical culture shock in a future he doesn't understand. It's a premise rife with easy culture clash gags that might be elevated by a comic mind like Eddie Murphy. Sadly, with Sylvester Stallone in the lead, the jokes basically devolve to dimwitted observations about how boring the future is without cool stuff we had in the past. 

Find my full length review at Geeks.Media 

Documentary Review Mr. Organ

Mister Organ (2023) 

Directed by David Farrier 

Written by David Farrier 

Starring David Farrier, Michael Organ 

Release Date October 6th, 2023 

Published October 6th, 2023 

And then it hits you, he can talk and even confess to these people living in this place because he knows, and we know in many ways, no one will believe them. 

That was the thought that punched me in the gut as I finished watching David Farrier's incredible new documentary, Mister Organ. Once again, the director and creator of the brilliantly funny, brutal, and insightful documentary, Tickled, has found himself tangled in the most unlikely of webs. As a journalist in New Zealand, David became curious about a series of complaints that were filed by people who claimed to have been scammed by what David refers to as a 'Clamper.' 

A clamper is someone who literally uses a wheel clamp on cars. In this case, the clamper was clamping the wheels of cars parked near an antiques store in Ponsonby, Aukland, New Zealand. The pattern went that someone would unknowingly park near the store, unaware that they were parking on private property. The minute they were away from their vehicle, the clamper would strike and place clamps on the wheels that would prevent the car from leaving. When these unsuspecting people returned to their vehicle, they would be accosted by this clamping man and forced to pay an excessive amount of money in order to get the clamps removed. 

Technically, the clamper is correct that these people were parked 'illegally' but the way he held people up for more and more money led to police complaints and eventually David doing a story on the antiques store and the antics of this clamper in trying to force people to pay more and more money in this obvious scam. After David's story comes out the antiques store soon closes. David remains interested in the clamping man and the store owner, Jillian Bashford who seems to employ the clamping man but also claims in public not to know the man. Ah, but she most assuredly does know him and indeed, David may know of him as well. 

In the past, a man known as Michael Organ had claimed to have been of royal lineage. He'd claimed to be a lawyer and he had spent time in jail after he had stolen a yacht. So, records of Michael Organ do exist but there is so much more to this story. For the legend of Michael Organ, or is it Prince Michael Organ Shirinsky? What is his name? Is it even Michael Organ? You won't know what to believe, even after the documentary has ended. 

"If Michael went to hell, the Devil would be banging on the door of heaven asking God to get him away from Michael." That is by far the most cogent and thoughtful summation anyone could give of the character of Michael Organ based on what you see of the man in this remarkable documentary. Who says this line is a brilliant bit of magic that I won't reveal, you must see it for yourself. This is devastating stuff to watch unfold. Farrier meticulously and relentlessly unfolds a terrifying story that is all too familiar to people who've been in abusive relationships. 

Find my full length review at Psyche.Media

Horror in the 90s Meet the Applegates

Meet the Applegates (1991) 

Directed by Michael Lehmann 

Written by Michael Lehmann, Redbeard Simmons 

Starring Ed Begley Jr, Stockard Channing, Dabney Coleman

Release Date February 1st, 1991 

Box Office $485,000 

Writer-Director Michael Lehmann is to be respected for his... big choices. After making a splashy debut with Heathers, now beloved cult classic, Lehmann continued taking big risks. He made Hudson Hawk and allowed star Bruce Willis to walk all over him while no one could agree on what the movie should be. Lehmann's Hudson Hawk experience led him down a path to directing some of the most conventional yet memorable comedies of the late 90s, movies like Airheads and The Truth About Cats and Dogs. It's clear that Hudson Hawk chased the weird out of Michael Lehmann. 

My thesis statement for that observation is Lehmann's other pre-Hudson Hawk endeavor. While Heathers is remembered for its wild dark humor and unexpected levels of deathly violence, Lehmann took things a step further and a step stranger in 1991's Meet the Applegates. Despite having a cast led by three veteran actors of remarkable reputation, Ed Begley Jr., Stockard Channing, and Dabney Coleman, Meet the Applegates is one of the most bizarre, awkward, and peculiar movies ever made. 

In the jungles of South America, a remarkably racist and bleakly comic scene unfolds. Missionaries are teaching a collection of horrifying stereotypes about what America is like. The lesson tells the story of a family of four, parents Dick and Jane and their kids, Sally and Johnny. These four people, who don't exist, are the ideal 'nuclear family.' Just as the missionaries are completing their lesson, a construction crew breaks through and begins clearing the jungle. They are tearing down the rainforest and strip mining the place. 

In this process however, the construction crew unleashes a dormant type bug with... unique powers. These bugs, the Brazilian Cocorada, use chameleon-like powers to impersonate other species. In this case, the species they choose is human. Finding the book about the perfect nuclear family, four of the bugs take on the personas of Dick (Ed Begley Jr.), Jane (Stockard Channing), Sally (Camille Cooper) and Johnny (Robert Jayne). Using these human shells, the bugs move to the suburbs with a plan to destroy America in revenge for the destruction of the rainforest. 

This is all inferred on my part. The film quite jarringly shows the bugs murdering the missionaries and then credits. Then we are in the suburbs and a few visual clues tell us that these are the bugs in human form. Their mission becomes clear only after an expository conversation with Aunt Bea (Dabney Coleman). Aunt Bea is also a bug in disguise and he/she acts as the handler for the Applegates, giving them their mission and helping them to carry it out. Dabney Coleman in a dress is a haunting visual that should be funny but never is. 

Read my full length review at Horror.Media

Movie Review The Creator

The Creator (2023) 

Directed by Gareth Edwards 

Written by Gareth Edwards, Chris Weitz 

Starring John David Washington, Gemma Chan, Ken Watanabe, Sturgill Simpson, Allison Janney 

Release Date September 29th, 2023 

Published October 2nd, 2023 

The Creator stars John David Washington as Joshua Taylor. Make note of that biblical name, it means something. Joshua is a double agent of the future. In this future world, A.I was built to make life easier for Americans. That worked until the A.I got too real and decided to nuke Los Angeles. Some time after that, America has banned A.I and is at war with New Asia, a country that has become a haven for A.I living in among the human population as equals. Joshua is a spy who was tasked with getting close to Maya (Gemma Chan), who is believed to be the daughter of the Nirmata, the A.I creator. 

Nirmata, we are told, has been working on a weapon that could turn the tide of the war between America and New Asia. This new A.I weapon is evolving quickly and will carry the ability to destroy non-A.I technology, like that used by the U.S military. Joshua's assignment works better than expected as not only does he get close to Maya, the two fall in love and Maya gets pregnant. That's when things hit the fan as the Americans decide to attack without warning Joshua first. In the attack, it appears that Maya and the rest of Joshua's band of A.I brothers, are killed. 

Returning to America, Joshua takes a crappy job and appears ready to spend the rest of his life guiltily drinking himself to death. That's when he's approached by General Andrews (Ralph Ineson) and Colonel Howell (Allison Janney). They have proof that Maya is still alive and they want Joshua to go to New Asia on a mission to reconnect with her and by extension, get close to the new A.I weapon so that it can be destroyed before it evolves to destroy the American military. That's the plan anyway, these things in movies tend to fall apart and fall apart they do. 

Find my full length review at Geeks.Media 

Classic Movie Review The Wizard of Oz

The Wizard of Oz (1939) 

Directed by Victor Fleming 

Written by Noel Langley, Florence Ryerson, Edgar Allen Woolf 

Starring Judy Garland, Frank Morgan, Ray Bolger, Burt Lahr, Jack Haley 

Release Date August 25th 1939 

Published September 25th, 2023 

The Wizard of Oz is a rich template for movie makers past and present. It's a movie that created a dynamic that became the model for thousands of movies that followed it. Movies that you would never assume have a connection to The Wizard of Oz are in many unique ways connected back to Victor Fleming's wildly imaginative, influential and generationally beloved adventure. In 2022, an entire documentary was released that charted the many ways David Lynch movies were influenced by Lynch's unending fascination with The Wizard of Oz. That's how wildly influential and groundbreaking The Wizard of Oz was and is more than 80 years later. 

Dorothy Gale (Judy Garland) is a sheltered child living in Kansas on a farm that seems days away from any neighbor or civilized area. It's close enough for her to attend school and for her to cross paths with a vile neighbor named Almira Gulch (Margaret Hamilton). Ms. Gulch claims that Dorothy's beloved Dog Toto chased her cat and bit her. She has talked to the local sheriff and intends to take Toto to be euthanized. Toto manages to escape and return to Dorothy and the two make a run for it, running away from the only life Dorothy has ever known. 

Find my full length review at Geeks.Media