Firewall (2006)
Directed by Richard Loncraine
Written by Joe Forte
Starring Harrison Ford, Paul Bettany, Virginia Madsen, Mary Lyn Rajskub, Robert Patrick, Robert Forster, Alan Arkin
Release Date February 10th, 2006
Published February 9th, 2006
It's been a tough millenium for Harrison Ford. Since the year 2000 the man who was once our number one action star has had one hit movie, 2000's What Lies Beneath. Ford has worked sparingly since, and each of his three projects has been creakier and more tired than the last. In 2002, K-19: The Widowmaker featured Ford with an embarrassing Russian accent in a film that was otherwise entirely forgettable.
Hollywood Homicide (2004) was meant to share some of Ford's action-star status with Josh Hartnett. That slipshod effort, however, did nothing for either actor. Now comes the nadir of Ford's recent career, a techno-thriller called Firewall.
Jack Stanfield (Harrison Ford) is the top bank security officer in the field. His computer network is seemingly impenetrable. In fact, its only flaw is Jack himself. In a situation that he or someone from the bank might have predicted, a group of bank robbers lead by Bill Cox (Paul Bettany) has been watching Jack and his family. When Jack takes a late-evening meeting with Cox he has no idea that Cox's thugs have taken his family hostage.
The plan is not all that ingenious really. The bad guys threaten to kill Jack's family unless he will use his security knowledge to find the robbers a way to steal the cash. Naturally, the evil plot involves framing Jack for the theft while the bad guys sneak off to the Carribean with their cash in one of those offshore accounts that are so ubiquitous amongst movie criminals.
Firewall is merely the latest in a new genre called the techno-thriller. It's a genre that requires actors to spout techno-jargon while outwitting one another at computer terminals. What sets Firewall apart is star Harrison Ford who, at 63, could not possibly seem more out of place. The crotchety action star never for a moment seems comfortable with the techno-jargon. Only when the techno-thriller devolves into fistfights does Ford rouse slightly from his discomfort.
Criticizing Harrison Ford is not easy, especially for a fanboy like myself. The man has earned undying appreciation for being Han Solo, Indiana Jones and Jack Ryan. However with his last film, Hollywood Homicide, and now Firewall, the man once considered America's number one action hero is more than showing his age. Ford looks tired throughout Firewall and it's not just because of the character's stressful situation.
Watching the clearly bedraggled action hero vainly beat on his much younger nemeses and expect us to accept it is sad to watch. Someone needed to pull Ford aside and tell him that this role is no longer his strong suit. Ford should be seeking the kind of elder statesman roles that befit someone of his age and stature. Never one to seek awards recognition, Ford might consider chasing more challenging and more rewarding pictures. Certainly no one would begrudge one of our great heroes were he to launch an attempt at being taken seriously.
Director Richard Loncraine, who directed a British thriller called Bellman & True with a very similar plot to Firewall, brings a levelheaded professionalism to his direction. Loncraine is a veteran who knows how to build tension, but working within the constrictions of this genre and a sub-par script by Joe Forte, there is not much even a pro like Loncraine could do.
Loncraine, however, must take some of the blame for taking care of his star's vanity. It is Loncraine who allowed Ford to monopolize the film with his vain attempt at recreating past heroic glories. I would not want to be the director who has to tell Harrison Ford that he just doesn't have that action juice anymore, but someone needed to take responsibility and the director should have been the one.
It took about 15 minutes into Firewall before my eyes began rolling. Once the villains begin talking about encryption codes and servers I wanted to walk out. These computer terms became tired tropes around 1998 when Sandra Bullock ran them into the ground in the identity-theft thriller The Net. They were painfully dull once again in 2000's Swordfish with Hugh Jackman and John Travolta. And I had hoped they had passed for good after Michael Douglas' oh so lame Don't Say A Word. Sadly, Firewall rolls the clichés right back out and reminds us why they were so lame the first time.
Don't Say A Word is an even-closer cousin to Firewall, and not just because Douglas is in Ford's age bracket. Both films indulge another tiresome commonplace plot device, the all-seeing cameras. Big Brother plays a big part in Firewall as the baddies have invented all sorts of neato electronic gizmos to spy on the security expert and his family. In fact these items, along with their laptops and the leader's high-performance sports car, lead one to wonder why they need to rob a bank at all. Simply sell that high-tech equipment and there is a million bucks in your pocket right there.
Firewall is not Harrison Ford's first disaster--Random Hearts, Six Days Seven Nights and Hollywood Homicide could each qualify for that. Firewall, however, is somewhat sadder than the rest. This is the first time that Ford has looked worn out, beaten and defeated. Maybe that was the intent of the performance and, if so, it was a bad decision. Ford looks tired. He looks like a guy in need of retirement or a very long vacation and that just makes the film sad to watch.
