Why Did I Get Married? (2007)
Directed by Tyler Perry
Written by Tyler Perry
Starring Janet Jackson, Malik Yoba, Tasha Smith, Michael Jai White, Richard T. Jones, Jill Scott
Release Date October 12th, 2007
Published October 13th, 2007
Filmmaker Tyler Perry had a number of interesting ideas sprinkled within his over the top dramas Diary of A Mad Black Woman and Madea's Family Reunion. Those ideas unfortunately, were overshadowed by Perry's bizarre need to dress in drag and play the matronly Madea character. This larger than life character could be entertaining but he/she was also a hurricane that destroyed the reality surrounding her/him.
One moment would be deeply dramatic, the next minute Madea storms through and we are taken out of the moment. Perry smartly leaves Madea behind in Why Did I Get Married and his interesting ideas now have a functioning reality to work within. Smart, funny and with a great big heart, Why Did I Get Married is the most mature and professional work of Tyler Perry's career.
Four couples get together year after year for a joint vacation and therapy session. For one week these couples talk about everything in their relationships and ask the honest and forthright question, why did I get married? That is also the title of the book written by Patricia (Janet Jackson) who is happily married to Gavin (Malik Yoba) and acts as unofficial counselor of the group.
Joining Patricia and Gavin for the weekend are the seemingly stable Terry and Diane, the erratic and bickering Angela (Tasha Smith) and Marcus (Michael Jai White) and the completely failing Sheila (Jill Scott) and Mike (Richard T. Jones) who show up separately though Mike does not come alone. For one week in a Colorado cabin secrets will be revealed, fights will be had and each of the couples will face crises that threaten their stability.
Tyler Perry has one of the most loyal followings in all of film, almost a cult. I never understood before but after Why Did I Get Married, I'm beginning to understand. Perry makes movies that no one else is making. I'm not just talking about films aimed at African American audiences, though that's true. Rather, I'm talking about the stories he tells, the issues he confronts. Few filmmakers have the patience or interest in these subjects.
Why Did I Get Married isn't just about marriage, fidelity, family or faith but it uses these characters, these couples to explore each of these issues with depth and understanding. Some points are simplified but the film rarely devolves to overarching melodrama. Perry's storytelling is calm and assured and never goes out it's way to be dramatic.
Perry's naturalism, the easy rapport he has with his actors, each contribute to the good natured, familiar vibe of Why Did I Get Married. This is a movie of great humor and great heart with characters you quickly come to care about. The material is naturally dramatic and Perry deftly handles the drama by establishing what is at stake in each of these relationships and resolving them in ways that are suitably dramatic but also realistic.
Tyler Perry made a mistake in his first two films putting himself in drag as the character Madea and distracting from the many interesting and important themes he was tackling. The drag conceit was far too jokey and amateurish and, especially in the otherwise quite serious Diary of Mad Black Woman, made it impossible to take the films seriously despite their deeply meaningful intentions.
Abandoning the Madea character does wonders for Perry's dramatic intentions. Without the drag queen distraction, Perry is free to make strong points about love, marriage, family and faith in easier to swallow bites. Without Madea, Perry seems smarter and higher minded. We can now take seriously what was once seen as foolishness.
Few filmmakers deal with the issues that Perry brings to the fore and he is to be commended for that. More often filmmakers examine these issues sub textually, within genre conceits. Perry takes on marital and family issues head on and has some very interesting things to say.
It seems blasphemous to compare Tyler Perry to Woody Allen or Ingmar Bergman but in dealing so directly and honestly with relationship material, Perry is in their tradition. Less angsty and much more of a softy and a romantic, Perry bravely tackles the kind of issues that most filmmakers deal with indirectly or with snide humor.
Perry has a long way to go in terms of directorial craftsmanship. But, in terms of straight ahead honesty, he's well ahead of the game.
