Ad Astra (2019)
Directed by James Grey
Written by James Grey, Ethan Gross
Starring Brad Pitt, Donald Sutherland, Ruth Negga, Tommy Lee Jones, Liv Tyler
Release Date September 20th, 2019
Published September 19th, 2019
Ad Astra stars Brad Pitt as astronaut Roy McBride. We meet Roy as he is working on what appears to be the International Space Station or some approximation of such. The station is just above the atmosphere of the Earth, something that becomes urgently important when the station is struck by some sort of energy surge. As the station begins to explode, Roy is sent hurtling back to the Earth.
By some miracle, Roy survives and upon his rather brief recuperation, he is brought into a secretive meeting of military brass. The men in this meeting inform Roy about a secret mission involving Roy’s father, Dr Clifford McBride, that sent him to what was believed to be his death on a space station near Neptune, the farthest that man has ever travelled in space. Roy was told that his father had died but here, he is told that his father may be alive and his survival is related to these energy surges that now endanger all of mankind.
The military men want Roy to leave everything behind and travel to Mars where he will, via an American-Martian outpost, be able to send his father a message that they hope will help to stop these energy surges. It’s a lengthy journey and there are many things about his father and his mission that Roy is not yet aware of. One man who does know is Col Thomas Pruitt (Donald Sutherland). Despite his advanced age, Pruitt is to escort Roy on his mission and carry with him a secretive agenda.
To say much more about the plot of Ad Astra would be to give away too much of this exceptional story. Directed and co-written by James Gray, the underrated auteur behind the brilliant Lost City of Z and The Immigrant, Ad Astra continues a remarkable hot streak for the director. Gray is a director who chooses challenging subjects and attacks them from unique angles. It’s been a hallmark of his work and it continues with the unusual journey of Ad Astra.
Ad Astra carries influences as varied and fascinating as Apocalypse Now and 2001 A Space Odyssey. Ad Astra lacks the bold un-commerciality of 2001, but for being more straight-forward than 2001, it retains some of the artistic touches of Kubrick’s legendary adventure including a colorful visual palette, a deliberate pace, and a deep respect for space travel. I know that making such a comparison is big but aside from being a good deal more mainstream in ambition, the 2001 comparison is reasonable in terms of the remarkable artistry and care on display.
The Apocalypse Now comparison is far more typical as Marlon Brando delivered the definitive crazed man of authority in that Francis Ford Coppola masterwork. Tommy Lee Jones in Ad Astra however, earns that comparison. Jones is electric in the role of Brad Pitt’s father, a driven and desperate man on a mission. Jones has been great in any number of roles but I dare say this role exceeds even his greatest work in No Country for Old Men and his Academy Award winning performance in The Fugitive.
Yes, you can infer that issues of fathers and sons permeate the story of Ad Astra. The issues of loyalty, duty, love and resentment are sewn into this story. These issues underline the action throughout and bring depth and a compelling emotionality to a movie that from time to time can feel as remote as the space wherein it exists. Brad Pitt and Tommy Lee Jones have a tremendous chemistry but it’s the ways in which writer-director James Gray weaves them together when they aren’t on screen together that make Ad Astra so remarkably compelling.
Ad Astra is one of my favorite movies of 2019. The film ranks next to another ingenious and brilliantly artistic Brad Pitt movie, Once Upon a Time in Hollywood as one of the best in an underrated 2019 at the movies. Brad Pitt went away for a little while, if you follow the tabloids you know he had some issues to overcome, and the time away from the spotlight has sharpened his gifts and helped to hone his eye for movies with great moments.
Ad Astra is filled with incredible moments that culminate in a final act that is one of my favorites of the year. The final act of Ad Astra is exciting, unexpected and filled with dramatic energy. It’s a perfect ending for a strange often off-kilter movie with a very unique energy and suspense. I adore the third act of Ad Astra and would put it up against the third act of any movie of the last decade or indeed the movies I have compared it to already in this review.
I am perhaps heaping too much praise on Ad Astra. I am risking hyping the movie to a degree that it may not be able to achieve for you, those who’ve not yet seen it. So be it, I think Ad Astra is deserving of my over-praise. The movie is exceptional and a must-see.
