The Proposition (2005)
Directed by John Hilllcoat
Written by Nick Cave
Starring Guy Pearce, Richard Wilson, Ray Winstone, and Danny Huston
Released March 10th, 2006
Published March 8th 2006
A house is riddled with bullets. Inside, a group of supposed outlaws fights for their lives. Most of the homes inhabitants are killed save for two. These two are members of the famed Burns Gang, middle Burns brother Charlie (Guy Pearce), and youngest brother, Mikey (Richard Wilson). Captured by the Captain (Ray Winstone), the brothers are given death sentences but with a caveat.
Mikey will be taken into custody with a noose waiting for him on Christmas day. Charlie can save Mikey's life if he travels to a remote part of the Australian outback, where even aborigines fear to tread, and track down his older brother Arthur (Danny Huston). Arthur is wanted for the brutal rape and murder of a close friend of the Captain's wife (Emily Watson). The proposition that the Captain offers is a dangerous gamble, a mob waits back in the small Aussie village where the captain presides. If they find out the Captain had captured Charlie and released him, no reason will be a good enough explanation.
That is the plot outline of The Proposition, a brutally violent morality play set in early 20th century Australia; a place with more than a passing resemblance to the old west of American legend. The Proposition shares more than a passing resemblance to the western legends of John Ford and the Italian westerns of Sergio Leone, only darker and more violent. The Proposition is graphically violent with a purpose.
Directed by Aussie video director John Hillcoat, best known for the early videos of INXS, from a script by rocker Nick Cave, who also composed the films eerie, old west soundtrack, The Proposition is stylish and often breathtakingly so. With the help of cinematographer Benoit Delhomme, director Hillcoat crafts gorgeous images of the outback juxtaposed against ghastly violence and gore.
Danny Huston has never had such a meaty role. Often left with mustache twirling villains or officious corporate worms, Huston defies his type casting with this twisted but oddly soulful killer. At one moment musing poetry and another twisting a knife into a man's chest, it is Huston's wild far away eyes that communicate his malevolent character. Much of the violence that Arthur Burns performs, his most sadistic actions, happen off-screen, out of our view. His true, vile, criminality is left to our imagination which allows it to become as twisted as we make it.
Guy Pearce creates Charlie Burns from his bones. Slimming his already skinny frame down to the pulpy, knotted muscle, Pearce is a feral animal with cold dead eyes who has somehow retained a shred of humanity that his older brother has not. His moral dilemma over the proposition is really a coming to grips with his own crimes. His puzzlement over killing his brother comes from the question of whether the murder will be enough to save his own tortured soul.
Ray Winstone rounds out the three leads with a performance that early on feels very one note. Winstone is introduced as corrupt cop who is torturing Charlie and Mikey into doing his bidding. However, as the story progresses, the Captain becomes the films moral compass and Winstone deepens the role with grace and sadness.
The Proposition is not for everyone. It is not classically entertaining like the kind of film you catch on late night cable and can watch repeatedly. For true film buffs and fans of hardcore westerns, The Proposition is the kind of movie you go to the movies to see. For the average moviegoer, I would say find something else to rent on Saturday night. For those who appreciate film technique, a director in complete control of tone and pace and violence that has the purpose of leaving a mark in your imagination, The Proposition is the movie for you.
