In the Cut (2003)
Directed by Jane Campion
Written by Jane Campion, Susanna Moore
Starring Meg Ryan, Mark Ruffalo, Jennifer Jason Leigh, Kevin Bacon
Release Date October 31st, 2003
Published October 30th, 2003
Meg Ryan is at a serious career crossroads. She can no longer get by on her kewpie-doll romantic comedy roles (she's been replaced in those roles by Kate Hudson). She is now desperate to redefine herself in a manner that is appropriate to her age (42! Looks not a day over 30) and fading star power. In The Cut is the first attempt to change people's perception and while she delivers a fine performance, the film that surrounds her is an insultingly stupid, cop movie cliché.
In The Cut stars Ryan as Frannie, a creative writing teacher with an affinity for slang terms. She is planning a book about the subject with help from one of her students, a charismatic young black kid named Cornelius (Sharrief Pugh). The kid has an obvious crush on his teacher and there is the slightest bit of sexual tension between them. When the two meet up at a bar to trade new slang terms, Frannie witnesses a man being serviced by a woman in the bathroom. That woman is later found dead behind Frannie's apartment.
The officer investigating the case is Detective Malloy (Mark Ruffalo) who shows an immediate attraction to Frannie despite her frigid treatment of him in their first meeting. As he investigates the murder, which is linked to a series of murders by a serial killer, Malloy flirts terribly with Frannie and she relents to date him even though he persists with questions about the murder while on the date. Malloy is also quite blunt in his intentions about having Frannie in bed, telling her on the first date that he will fuck her in any way she wants.
Like most women, Frannie can't resist this guy who is obviously bad for her, so bad in fact that she begins to suspect him of the murders and still dates him and beds him. Her suspicions go back to the mystery man in the bar bathroom who's face she didn't see but who's odd wrist tattoo she does remember.
The other people in Frannie's life are her slutty sister Pauline (played with unending skill by Jennifer Jason Leigh), who suggests that Frannie go out with the cop if only to have sex with him. There is also Frannie's ex-boyfriend John (played by the uncredited Kevin Bacon), a mentally unbalanced med student who has taken to stalking her since she dumped him.
Each of the men in the film, including Malloy's partner Detective Rodriguez (Nick Damici), become suspects in the serial killings while female characters line up to be victims. Whether that is meant as an overt statement or not we are left to wonder. What is clear is that we have seen this movie before in a number of straight to video and late night HBO movies. Woman falls in love with a man who may be a killer while other characters act just shady enough to be suspect as well. Then the heroine goes out of her way to blindly place herself in danger in service of the idiot plot.
This is one tired old cliché and one that director Jane Campion should be ashamed to reuse. Campion is too skilled a writer and director for such an awfully conventional thriller plot. Based on a novel by Susanna Moore, who also helped in the adaptation, the only innovation Campion brings to this series of thriller clichés is her arty, pretentious, handheld camera style. Campion's camera bounces around in cars, fades in and out of focus and lends a gauzy haze to nearly every scene and it is eye-catching and quite well conceived. However the stylishness is entirely wasted on this idiot plot.
Of course what everyone is wondering about In The Cut is, how does Meg Ryan look naked? She looks terrific. Unfortunately, as Campion builds the sexual tension in every scene she forgets to make the sex in any way important to the plot. The sex scene between Meg and Mark Ruffalo is one of a number of well-acted scenes by these two excellent actors but the dumb, stupid, idiot plot, undermines both.
Anyone remember the Denzel Washington movie The Bone Collector? Remember how they chose that film’s serial killer by pulling a cast member's name out of a hat (I think that is how they did that). In The Cut does exactly the same thing. The film seems to choose its serial killer randomly and completely outside of the plot and established characters. This forces Ryan into one forced scene of stupidity after another before finally ending with a quiet thud.
It's doubtful that so much talent and skill has gone into making such an awful film. In The Cut is well crafted and well acted but the story is so stupid that you hate it even more than if it had been a complete disaster.
