Classic Movie Review When Harry Met Sally

When Harry Met Sally (1989) 

Directed by Rob Reiner 

Written by Nora Ephron 

Starring Billy Crystal, Meg Ryan, Carrie Fisher, Bruno Kirby

Release Date July 14th, 1989

Published September 20th, 2017

The classic on this week’s Everyone is a Critic podcast is When Harry Met Sally, director Rob Reiner’s 1989 romantic comedy that arguably set the template for every romantic comedy that came after it. Reiner, whose The Princess Bride turns 30 this weekend and inspired our podcast to focus on Reiner’s work, directed When Harry Met Sally from a script by Nora Ephron who would go on to take the mantel of the leading voice in romantic comedies in Hollywood throughout the 90’s and early 2000’s.

The template is thus, two people who seem ill-suited for each other get repeatedly thrust together by fate before sleeping together, montage together and then break up, montage, and finally have a romantic reunion. These movies could write themselves after a while but in fairness to Reiner, when he conceived of When Harry Met Sally, the template wasn’t quite so set in stone. In fact, in pairing the comic Billy Crystal with the actress Meg Ryan, Reiner found something that still feels very fresh in their unusual chemistry.

Harry (Crystal) and Sally (Meg Ryan) met at the University of Chicago in 1978. Sally happened to be headed to New York to take a job as a journalist and Harry headed the same way for work offered to help pay for the trip and share the driving. They immediately don’t get along as Harry launches into his off-putting diatribe about how men and women can’t be friends because sex always gets in the way. Sally, put off by Harry’s blunt talk about how all men want to sleep with her, goes quiet and the two part ways seemingly to never see each other again.

Five years later, on a plane, Harry and Sally reconnect. Sally is in a new relationship while Harry has an even bigger surprise, he’s getting married. That doesn’t stop him from flirting with Sally and even asking her to dinner when they get to their destination. She says no and once again they part. Finally, we cut to another five years later, both Sally and Harry are fresh out of relationships with Harry still stinging from a recent divorce. In a speech that remains remarkable to this day, Harry lays out the scene of the breakup to his pal played by Bruno Kirby. The brutal honesty and dark humor of the story is magnificent, and Crystal demonstrates the kind of acting chops that few other movies have ever allowed him to show. Crystal is a consummate performer and given a brilliant monologue to deliver he becomes a magnetic presence.

Find my full length review in the Geeks Community at Vocal. 

Movie Review What Happens Later

What Happens Later (2023) 

Directed by Meg Ryan 

Written by Meg Ryan, Steven Dietz, Kirk Lynn

Starring Meg Ryan, David Duchovny 

Release Date November 3rd, 2023 

Published November 6th, 2023 

What Happens Later stars Meg Ryan as Willa and David Duchovny as William or Bill, depending on how well you know him. Some of the time he's known as W. Davis and, by coincidence, Willa's last name is also Davis. Hence they are both W. Davis. This is something that the movie finds adorable though it didn't mean much to me. Regardless, both W. Davis' are in a Midwest airport in the midst of a massive weather event and they are going to be stuck here overnight as the airport shuts down and somehow leaves only them behind. 

That both W. Davis and W. Davis happen to be ex-lovers with a lengthy and notable romantic history from their early 20s in Madison, Wisconsin, is another thing all together. When we meet these adorable travelers each is trying to avoid seeing the other. They recognize each other at different points and each tries to hide from the other without success. When they do connect they will spend the rest of the day connected, bickering back and forth about their past, their present and their future destinations. They will spend the next 24 hours going over their past and revealing things about themselves and how two people can share the same experience and still see what happened entirely different. 

Willa is on her way to Boston from her home in Austin, Texas. On the other hand, Bill is on his way to Austin from his home in Boston. Weird and cute right? Willa claims that she's going to Boston to visit an old friend and perform a cleansing ceremony for her but that's a lie that will be revealed later. Bill is heading to Austin for a meeting with his millennial boss who he cannot understand because the millennial speaks about safe spaces and doesn't like saying no. It's the kind of boomer reductive idea of millennials that has been tired for quite a long time. 

Find my full length review at Geeks.Media 

Classic Movie Review Sleepless in Seattle

Sleepless in Seattle (2023) 

Directed by Nora Ephron 

Written by Nora Ephron, David S. Ward, Jeff Arch 

Starring Tom Hanks, Meg Ryan, Rita Wilson, Victor Garber, Rosie O'Donnell, Bill Pullman 

Release Date June 25th, 1993

Published June 26th, 2023 

Losing my mother in 2013 was the hardest thing that I have ever endured. My mom was awesome. She worked three retail jobs, 80 to 90 hours per week, when I was a kid, just to make sure that myself and my sister had food and a good home. All that time, she remained unsinkable in her spirit and love. She was a human teddy bear, soft and comforting. Her worst quality was that when someone she loved was suffering, she would make that suffering her own, as if she could take our pain away by making it her pain. I consider myself incredibly lucky to have had a mom who was so loving and empathetic. 

My mom fostered my love of movies. I have a distinct memory from my childhood of my mother swooning over Cary Grant. I'd make fun of her for her reaction to Cary Grant movies and she would lean into it by talking about how handsome and charming he was in effusive terms. I can recall the first time I saw my mom cry was the day she was supposed to go see Cary Grant's one man show in Davenport, Iowa. That show never happened as Grant died the night before the show was to take place. My mom showed me that para-social relationships with celebrity weren't a bad thing, they were a human thing. 

The movie Sleepless in Seattle, which features prominent references to Cary Grant, became a favorite movie for my mom. She would watch it any chance she got. She didn't love Tom Hanks as she did Cary Grant, but her heart leapt seeing him fall for Meg Ryan at the last minute. She felt the same rush of emotion every time she watched the movie, even as she'd seen it a dozen times and was fully aware that the happy ending was coming. She always got teary when Meg Ryan took Tom Hanks' hand at the end of the movie. It showed me that being emotional about movies was not just okay, but something that just happens when you witness something beautiful. 

Sleepless in Seattle is a beautiful film. It's a celebration of magical romance and believing in something beyond yourself, the notion of fate. The characters of Sam Baldwin and Annie Reed were fated to be together. The universe conspires to unite them. Through the audacity and resolute stubbornness of Sam's son, Jonah, and the good luck that he has a best friend, played by Gaby Hoffman, whose parents are travel agents, Sam and Annie are brought dramatically together on the most romantic day of the year in one of the most romantic spots on the planet. 

Read my full length review at Geeks.Media 

Movie Review: The Women

The Women (2008)

Directed by Diane English

Written by Diane English

Starring Meg Ryan Eva Mendes, Annette Bening, Debra Messing, Carrie Fisher

Release Date September 12th, 2008 

Published September 13th, 2008

George Cukor's The Women from 1939 is an undeniable classic of wit and feminine mystique. For years many of Hollywood's top actress's including Julia Roberts when she was the biggest star in the world, have dreamed of getting a remake done. It wasn't until uber-producer Diane English, best known for TV's Murphy Brown, put the pieces together that something finally got done.

It should have remained a dream.

Meg Ryan stars in The Women as Mary Haines a rich housewife who devotes her life to her daughter and the many charities she funds. Mary's friends are a devoted lot. Sylvia (Annette Bening) is a high powered magazine editor on the verge of being fired. Debra Messing is the perpetually pregnant Edie. And Jada Pinkett Smith is Alex a character who covers all of the multicultural bases for the movie by being an african american lesbian.

None of these characters has much of a life beyond my one line description of them. The plot revolves around the friends' discovery of Mary's husband's mistress played by the sultry Eva Mendes. Eventually, the friends tell Mary who leaves her husband and finds a life on her own.

And that's pretty well it. If I am to venture a guess I think the movie is meant as a comedy. I didn't laugh much throughout so it's difficult for me to say. I did little much of anything during The Women a movie that was rendered completely unnecessary with the creation of Sex and the City. Carrie and her friends are the logical extension of Cukor's original premise and because it was a TV show it was allowed to be even more in depth and probing of these characters.

No, Sex and the City did not feature an african american lesbian but Samantha had a dalliance with a multi-culti lesbian character. The Sex and the City movie further pushed The Women into the realm of unnecessary by taking its well rounded characters to the big screen, the change in format and the title being the only things that made Sex and the City much different than The Women.

Sex and the City is funnier, sexier, smarter and more caring than this remake of The Women. With Sex and the City out there, it is a wonder why Diane English and Meg Ryan pushed so hard for this film to be made. Was it jealousy? Hubris? Did they think they could do this premise better than Darren Star and company?

Well, they didn't. Skip The Women. Get Sex and the City on DVD.

Movie Review Kate and Leopold

Kate & Leopold 

Directed by James Mangold 

Written by James Mangold, Steven Rogers

Starring Hugh Jackman, Meg Ryan, Liev Schreiber, Breckin Meyer, Natasha Lyonne, Bradley Whitford

Release Date December 25th, 2001 

Published January 24th, 2002 

There has been talk that romantic comedy is a dying genre. The plots and conventions of the genre have become too familiar and many filmgoers are growing more pessimistic about on-screen romance. Kate & Leopold may not be the film to breathe new life into this struggling genre but for what it is, a light little cookie of a film, it's not bad.

You know your watching a romantic comedy when Meg Ryan comes on screen wrinkling her cute button nose that screams, “Love me.” In this film she is the titular Kate, who is more concerned about getting ahead at her job in advertising than finding a meaningful relationship. Her last relationship was with a quirky scientist played by Liev Schreiber. Schreiber is trying to solve the puzzle of time travel so that he can travel through time to meet his great-great uncle Leopold (Hugh Jackman), an inventor who may hold the key to Liev's scientific writer’s block.

After accomplishing time travel he accidentally brings Leopold back to the future with him. From there Kate meets Leopold who she assumes is some method actor. Leopold is immediately drawn to Kate but she at first just thinks he's weird. There is something odd about him, he's chivalrous and well mannered and well spoken. Very unusual for the modern male, but then as we already know he's not modern at all.

The love story develops well and director James Mangold doesn't let the film’s gimmicky premise get in the way of Ryan and Jackman's wonderful chemistry. All great romantic comedies are based on the chemistry of the lead actors, as Ryan has shown with Tom Hanks and Billy Crystal previously.

In Kate & Leopold, Jackman shows himself a worthy replacement for Hanks. Jackman's best work is in his willingness to humiliate himself while holding on to his Victorian era dignity. Jackman becomes a star right in front of our eyes, breaking out of the action genre and proving he can do just about anything as an actor, as he would later demonstrate in a brilliant hosting gig on SNL.

Ryan is her natural cute self in Kate & Leopold, which isn't a bad thing. But there are moments where you can see she is beginning to tire of this kind of role. More than a couple times she looks outright bored by material that she has done more than a few times. Jackman and the very surprising comic turn by Schreiber save the film. He steals every scene he's in with a goofy energy we haven't seen from him before.

Kate & Leopold isn't anything you haven't seen before but as a Friday night rental to relax and watch with your girlfriend, it’s an enjoyable rent that will leave you smiling.

Movie Review In the Cut

In the Cut (2003)

Directed by Jane Campion

Written by Jane Campion, Susanna Moore

Starring Meg Ryan, Mark Ruffalo, Jennifer Jason Leigh, Kevin Bacon 

Release Date October 31st, 2003 

Published October 30th, 2003 

Meg Ryan is at a serious career crossroads. She can no longer get by on her kewpie-doll romantic comedy roles (she's been replaced in those roles by Kate Hudson). She is now desperate to redefine herself in a manner that is appropriate to her age (42! Looks not a day over 30) and fading star power. In The Cut is the first attempt to change people's perception and while she delivers a fine performance, the film that surrounds her is an insultingly stupid, cop movie cliché.

In The Cut stars Ryan as Frannie, a creative writing teacher with an affinity for slang terms. She is planning a book about the subject with help from one of her students, a charismatic young black kid named Cornelius (Sharrief Pugh). The kid has an obvious crush on his teacher and there is the slightest bit of sexual tension between them. When the two meet up at a bar to trade new slang terms, Frannie witnesses a man being serviced by a woman in the bathroom. That woman is later found dead behind Frannie's apartment.

The officer investigating the case is Detective Malloy (Mark Ruffalo) who shows an immediate attraction to Frannie despite her frigid treatment of him in their first meeting. As he investigates the murder, which is linked to a series of murders by a serial killer, Malloy flirts terribly with Frannie and she relents to date him even though he persists with questions about the murder while on the date. Malloy is also quite blunt in his intentions about having Frannie in bed, telling her on the first date that he will fuck her in any way she wants.

Like most women, Frannie can't resist this guy who is obviously bad for her, so bad in fact that she begins to suspect him of the murders and still dates him and beds him. Her suspicions go back to the mystery man in the bar bathroom who's face she didn't see but who's odd wrist tattoo she does remember.

The other people in Frannie's life are her slutty sister Pauline (played with unending skill by Jennifer Jason Leigh), who suggests that Frannie go out with the cop if only to have sex with him. There is also Frannie's ex-boyfriend John (played by the uncredited Kevin Bacon), a mentally unbalanced med student who has taken to stalking her since she dumped him.

Each of the men in the film, including Malloy's partner Detective Rodriguez (Nick Damici), become suspects in the serial killings while female characters line up to be victims. Whether that is meant as an overt statement or not we are left to wonder. What is clear is that we have seen this movie before in a number of straight to video and late night HBO movies. Woman falls in love with a man who may be a killer while other characters act just shady enough to be suspect as well. Then the heroine goes out of her way to blindly place herself in danger in service of the idiot plot.

This is one tired old cliché and one that director Jane Campion should be ashamed to reuse. Campion is too skilled a writer and director for such an awfully conventional thriller plot. Based on a novel by Susanna Moore, who also helped in the adaptation, the only innovation Campion brings to this series of thriller clichés is her arty, pretentious, handheld camera style. Campion's camera bounces around in cars, fades in and out of focus and lends a gauzy haze to nearly every scene and it is eye-catching and quite well conceived. However the stylishness is entirely wasted on this idiot plot.

Of course what everyone is wondering about In The Cut is, how does Meg Ryan look naked? She looks terrific. Unfortunately, as Campion builds the sexual tension in every scene she forgets to make the sex in any way important to the plot. The sex scene between Meg and Mark Ruffalo is one of a number of well-acted scenes by these two excellent actors but the dumb, stupid, idiot plot, undermines both.

Anyone remember the Denzel Washington movie The Bone Collector? Remember how they chose that film’s serial killer by pulling a cast member's name out of a hat (I think that is how they did that). In The Cut does exactly the same thing. The film seems to choose its serial killer randomly and completely outside of the plot and established characters. This forces Ryan into one forced scene of stupidity after another before finally ending with a quiet thud.

It's doubtful that so much talent and skill has gone into making such an awful film. In The Cut is well crafted and well acted but the story is so stupid that you hate it even more than if it had been a complete disaster.

Movie Review In the Land of Women

In the Land of Women (2007) 

Directed by Jon Kasden 

Written by Jon Kasden 

Starring Adam Brody, Kristen Stewart, Meg Ryan, Olympia Dukakis, Makenzie Vega 

Release Date April 20th, 2007 

Published April 25th, 2007 

As a writer myself, I am naturally sympathetic to writers as characters. I was seduced by Sideways because Paul Giamatti's sad sack, unsuccessful novelist, hit just a little close to home. Barton Fink is an almost impenetrable piece; but for the writers of the world it's a work of uncompromising genius because it's about a writer.

So, I was destined to identify in some way with Adam Brody's Carter in the new movie In The Land of Women. As a heart broken writer myself, I can easily relate to the selfish, self loathing, self centered sadness that leads one to write either wondrous prose or sad pathetic trash. Carter's writing is left purposefully vague but the writer's angst is written on Brody's face in a star-making performance.

As Carter Webb; screenwriter for 'feature length softcore erotica', Adam Brody captures that writer's longing to take what has been so desperately percolating in his brain and communicate it to a world he just knows will understand its genius. In Carter's case it's a story about his time in a pricey private high school; far removed from the typical high school experiences of the John Hughes variety.

He's been trying to write this story for years but can't find the words. He will put this story further to the side when his actress girlfriend, Sophie (Elena Anaya), gets her big break and dumps him. Devastated and looking for an escape; Carter takes up an offer to care for his grandmother, Phyllis (Olympia Dukakis), in a tiny Michigan suburb; miles and miles away from his disappointments in Los Angeles.

On his arrival in Michigan Carter finds his grandmother living in filth and slightly demented. On the bright side; his neighbors are a fantastic group of women. There is Sarah (Meg Ryan), mother of two wonderful daughters and the wife of a louse who she knows, without actual evidence, is cheating on her. Smart and headstrong and more than a little quirky, Sarah is the first to befriend Carter when he moves in.

Sarah's daughter Lucy (Kristen Stewart) is equally resourceful and headstrong but far more impetuous than her mother. She takes on Carter after her mom asks her to take him to a movie. Lucy's little sister Paige (Mackenzie Vega), is a strange little thing, funny but just slightly off in every way. This quirky trio each bring Carter into their confidence for their own reasons and through them Carter finds some of the fulfillment his life was lacking.

If you aren't rolling your eyes at that description then you are quite generous. My description doesn't quite do justice to the more subtle pleasures of In The Land of Women. Don't get me wrong, my description is accurate, but thanks to a talented ensemble, the more ugh-worthy moments become palatable and the truly enjoyable moments will have you smiling till the end.

Jonathan Kasdan is the progeny of Hollywood royalty. His father, Lawrence Kasdan, directed Body Heat, The Big Chill and Grand Canyon. Brother Jake Kasdan is a rising star, writer and director in his own right; whose Zero Effect is an underappreciated gem. The pedigree gives Jonathan a professional edge and that professional edge is not just the rub of a famous family.

Jonathan is a legit talent, smart with his camera with a good sense of control over his storytelling. He needs to work on his pacing; at times In The Land of Women drags; nearly to a halt; but, for the most part, the good natured spirit and a very talented ensemble carries over the boring aspects. The story is a little ham-fisted thanks to a couple of truly melodramatic plot points, the disease of the week, and the conveniently evil spouse, but, with time, I'm sure, Jon Kasdan will eventually work out the kinks.

Like his director, Adam Brody is a legit talent. The kid languished for a few overly ironic seasons on TV's The O.C. Now with the yoke of weekly teen melodramatics off of his shoulders he really shows what a funny, sardonic and appealing actor he truly is. His Carter Webb is a lovable sort who has your sympathy from his first pathetic whimper to his final irony laced smile.

Reminiscent of a young Tom Hanks in the looks department, he could be the heir to the throne that Robert Downey Jr was never able to claim. Filling the void of the generation's sad comic voice, Brody is angst rendered in flesh with the perfect sardonic armor and just good looking enough to be appealing beyond his humor. Downey Jr. was set to become to the 80's teens what Brody could be to this upcoming generation, a hipster icon.

Against my better judgment, I liked much of In The Land of Women. The melodramatic elements can be a little irritating and overwrought, and the film drags a bit in the middle but the overall movie works. It works because Jon Kasdan is a director with a passionate voice and a genuine love of these characters and because of a tremendously talented ensemble lead by rising star Adam Brody and a strong comeback performance by the lovable Meg Ryan.

No need to wait for the DVD, take someone you like to see In The Land of Women.