Rebound (2005)
Directed by Steve Carr
Written by Jon Lucas, Scott Moore
Starring Martin Lawrence
Release Date July 1st, 2005
Published July 2nd, 2005
Director Steve Carr has a resume only a mother could love. From the dregs of Eddie Murphy's career, Dr. Doolittle 2 and Daddy Day Care, to the Chris Tucker free, as well as laugh free, Next Friday. For his latest flick, Rebound, Carr finally found a family movie Eddie Murphy could turn down. Call on the B team, Murphy's apparent new understudy Martin Lawrence. Desperate for a hit, Lawrence has turned to the genre to which Eddie sold his soul, the mildly offensive utterly forgettable family film.
Worse yet Rebound is a formula sports film with the requisite team of misfits who overcame odds to be champions. Ugh!
In Rebound Martin Lawrence plays coach Roy McCormick, a hotshot in either college or the pro's, the scripting is so poor we are not sure where Coach Roy is from. What we do know is that his ego is out of control. Coach Roy misses games for magazine photo shoots and his out of control temper, think Bobby Knight edited for a PG rating, have gotten him thrown out of the league.
There was an incident with a bird but the less said about that the better.
Lucky for Roy his agent; Tim Fink (Breckin Meyer), get it FINK (that joke would have killed on Happy Days), has found him a loophole. If Coach Roy can find another job and show himself to be a model citizen he can get back in the league. Enter the Smelters; a ragtag bunch of middle school ballers who are so bad they have not scored a point in a game, forget winning one.
The kids are somehow able to fax an offer directly to Roy's agent and he immediately accepts the job. The kids happen to attend Roy's old school where he first fell in love with the game. Golly; maybe Roy can find his love of basketball again and learn a valuable lesson about teamwork. And wouldn't you know it, one of the baby ballers happens to have a sexy single mom (Wendy Raquel Robinson) who has been assigned to keep an eye on Roy by the school's lackadaisical principle (Megan Mullally, far too talented for this).
If this sounds almost exactly like Mighty Ducks or 2001's long forgotten Hardball with Keanu Reeves or even the original Bad News Bears well; I gather it's supposed to. There is apparently someone in Hollywood in charge of recycling this plot every couple years when a down on his luck star needs a paycheck fast or when a young hack Director needs a product to pad his resume.
Director Steve Carr has the visual imagination of a blind squirrel. I take that back, a blind squirrel might get lucky and find something interesting to film once in a while, I hear they occasionally find a nut. Carr does have a handle on this genre's newest innovation, bathroom humor. In his Dr.Dolittle 2 it was animal noises, Daddy Care Care poo poo jokes and in Rebound we have a child who vomits under pressure.
Children apparently enjoy these jokes but a long term study of the effects of this type of humor on children finds our kids getting dumber and dumber every year. Something must be done damn it!
I am certain that Martin Lawrence was once funny. I remember laughing at something he did. It's just been a long while since Martin has done anything entertaining. His last few films are so abysmal that just listing them raises the bile in my throat. What's The Worst That Could Happen, Black Knight and National Security are cinematic flotsam that mark one of the worst career trainwrecks in Hollywood history.
That Rebound somehow manages to be even worse than what has come before in Lawrence's career is a stunning result. However, indeed it is worse and blindingly so. There is just nothing of any redeeming value in Rebound right down to the poor child actors. Not one of these supposed cute kids makes an impression beyond a vague sympathy for the fact that each will carry this pock mark on their resume the rest of their careers.
Formula filmmaking at its most insidious, Rebound makes me sad to be a film fan. If this is how Hollywood repays the loyal filmgoer it is no wonder that ticket sales are lower than expected. Forget cell phones, ticket prices, or people who talk during movies, the reason fewer people are going to the movies is garbage like Rebound that takes up space in so many multiplexes.
