Movie Review Megan

Megan (2023) 

Directed by Gerald Johnstone 

Written by Akela Cooper 

Starring Allison Williams, Violet McGraw, Amie Donald. Ronny Chieng 

Release Date January 6th, 2023 

Published January 6th, 2023 

Megan stars Allison Williams as Jenna, a roboticist with a knack for creating robots. Jenna's first creation is a Furbie style toy that can learn and carry on unique conversations, far beyond the canned responses of other similar toys. However, Jenna's big goal is to create a fully autonomous, learning, thinking and talking robot. In fact, we even see her misappropriating funds from her employer in a failed attempt to create Megan, a fully autonomous robot. 

Meanwhile, as Jenna is recovering from an 'explosive' failure, her life is being upended on the other side of the country. In Oregon, Jenna's sister, brother in-law, and niece, have been in a car accident. The parents of Cady (Violet McGraw) have died in the accident leaving the care of their daughter to Jenna. Never mind that Jenna is ill-equipped for being a parent, she's stuck with the kid and a failed robot and a deadline to try and make a new product in less than a day. 

In order to facilitate the plot of Megan, having Cady around inspires Jenna to revisit her failed Megan experiment. This time, it doesn't explode and when Jenna shows off the new Megan to her boss, David (Ronny Chieng), he compares Megan to the creation of the automobile. In order to get Megan working and demonstrate her capabilities, Jenna pairs Megan with Cady and the creepy robot becomes Cady's new best friend and primary caretaker. You can probably imagine why that's not a good thing. 

This is, of course, a horror movie. Thus, Megan is a horror movie villain whose particular villainy is explored in the second act followed by a third act showdown. The makers of Megan are not trying to reinvent the wheel. Thus, you can likely predict the nasty twists and turns of the second act as Megan destroys those who pose a threat to her new best friend Cady. Victims line up to be victims and are dispatched thusly. I will say, at least one of the murders, involving a power washer of all things, is unique, but there is nothing surprising happening and not much in the way of tension either. 

Click here for my full length review at Horror.Media 

Movie Review Leprechaun

Leprechaun (1993) 

Directed by Mark Jones

Written by Mark Jones 

Starring Warwick Davis, Jennifer Aniston, Ken Olandt, Mark Holton 

Release Date January 8th 1993 

Published January 9th, 2023 

Reflecting the movie Leprechaun 30 years later, it's a movie that should not exist. To steal phrase from a popular podcast, 'How did this Get Made?' How did a filmmaker look at a box of Lucky Charms and think to himself: Leprechaun horror movie. The existence of Leprechaun is perplexing enough but then, when you actually watch the movie, the questions only grow. This bizarre amalgamation of horror tropes, looney tunes gags, and endless continuity errors is undeniably entertaining but not for many of the reasons the filmmakers intended. 

Leprechaun begins on the sight of our titular anti-hero, the Leprechaun (Warwick Davis), savoring his pot of gold. Then, smash cut to a limousine somewhere in North Dakota. Inside the limo is Dan O'Grady (Shay Duffin), fresh from a trip to Ireland and flush with new found money. It seems that Mr. O'Grady, at some point unseen by us, captured and robbed the Leprechaun of his precious gold. Unfortunately for Dan and his beloved wife, Mrs. O'Grady (Pamela Mant), the Leprechaun wasn't keen on this idea and has followed Dan back to America for revenge. 

Cut to 10 years later. Dan O'Grady is gone after having trapped the Leprechaun in a crate in his basement with the aid of a four leaf clover, the kryptonite of the Leprechaun world. A father and daughter, J.D and Tory Redding, John Sanderford and Jennifer Aniston, are moving into the former home of the O'Grady's. Through a series of coincidences involving the unusual trio of young men hired to paint their new home, the titular Leprechaun escapes and goes on a rampage in search of his lost gold. 

Leprechaun began life as a straight ahead horror movie. Writer-Director Mark Jones admits that he looked at a box of Lucky Charms and that's where the idea came from. What with Halloween and Christmas having successfully launched horror franchises, why not St. Patrick's Day? That kind of mercenary logic is how you get something as strange and memorable as Leprechaun. This was 100% not a passion project for anyone, it was strictly a means to creating a cheap, repeatable holiday horror franchise. 

The only element that no one could have predicted was how much actor Warwick Davis would take to his Leprechaun character. The beloved star of Willow appears to delight in the role of a murderous Leprechaun. Davis is having a blast in this big broad character and it's hard not to enjoy just how much he is enjoying the nonsense he's involved in. Little of what he does or that the character is capable of makes any lick of sense, but Davis performs all the nonsense with such relish you can't help but have a little fun. 

Click here for my full length review at Horror.Media 

Classic Movie Review Giant

Giant (1956) 

Directed by George Stevens 

Written by Fred Guiol, Ivan Moffat

Starring Elizabeth Taylor, Rock Hudson, James Dean, Carroll Baker 

Release Date November 24th. 1956 

Published January 8th, 2023 

The latest presentation of The Film Foundation is the 1956 epic, Giant, starring Elizabeth Taylor, Rock Hudson, and James Dean. It's the story of money and privilege on the growing Texas prairie of 1956, a time when cattle and oil battled for land and financial supremacy. And a rare moment where a woman confronted the sexism of the time to demand her place in the world. It's also a 3 hour plus movie that takes a while to get to a place where something genuinely interesting takes place. 

The story kicks in when Jordan 'Bick' Benedict, travels to Maryland to purchase an expensive horse. The rich man selling the horse happens to have a beautiful daughter, Leslie (Elizabeth Taylor), who challenges him and within days of his arrival, becomes his wife. The two return to Texas where Bick's sister, Luz (Carroll Baker) is less than welcoming of her new sister in-law. Their conflict plays out quickly with Luz's death bringing an end to the brief chapter. 

Luz's death precipitates a rivalry between Bick and Luz's favorite ranch hand, Jett Rink (James Dean), who refuses to take Bick's money. Instead, he takes a piece of Bick's land that is believed to be relatively worthless. This being Texas however, the property is soon found to be valuable, bursting with oil. This furthers the rivalry between Jet and Bick, though that really takes a while to develop. Just as soon as Jet is pumping oil, the film jumps more than a decade into the future. 

I am embarrassed to say this, but it is true, I was bored throughout Giant. I recognize the large story being told and the skillful way in which George Stevens captures it all, but the story failed to grab me. I just couldn't stay interested in the sexless, chemistry free relationship of Elizabeth Taylor and Rock Hudson. They have three kids, but they have the romantic chemistry of acquaintances who happen to be married. The separate beds they sleep in are a sign of the times in 1956 but they are also, unintentionally symbolic of Hudson and Taylor's lack of bedroom compatibility. 

Then, there is James Dean, a legend who died young and left a blazing legacy. The James Dean of Giant is a creepy weirdo, a wiry, weird little troll of a man. He's supposedly the villain of the picture but he's so rarely on screen in the first two hours of Giant that he hardly registers beyond his deeply mannered and strange performance. The intention appears to be to make Jett Rink the big bad guy of the movie, but he doesn't really do much aside from some of the hammiest drunk acting I've ever seen in a movie. 

Find my full length review at Geeks.Media. 

Movie Review Firenado

Firenado (2022) 

Directed by Rhys Frake Waterfield, Scott Jeffrey 

Written by Tom Joliffe 

Starring Sian Altman, Nicola Wright, Stephen Staley

Release Date January 3rd, 2023 

Published December 29th, 2022 

Firenado is as dopey and low rent as that title indicates. It's also kind of fun, as that title implies. The story goes that a group of weather scientists figured out a new way to study tornados with the ultimate goal of controlling a tornado. Finding a tornado in a remote area, the group lets loose their technology only to accidentally grow the tornado beyond their control. Naturally, because the movie is called Firenardo, the out of control and over-powered tornado passes over the top of a gas station. 

While pressing the boundaries of credibility, the gas pumps light the tornado on fire and the tornado grows further out of control. Our group of scientists, including Anna (Sian Altman), a student learning about meteorology, Helena (Nicola Wright) an assistant to the professor in charge of the experiment, Professor Devlin (Toby Wynn Davies). There is another guy there too, but he doesn't matter much. He's a brief comic relief character who is offed quickly amid the early destruction of the tornado. 

There is a secondary plot in Firenado because apparently stopping a tornado that is on fire is not enough for one movie. Thus, we get a heist plot. A group of criminal's plans to enact a heist in the midst of the storm. Unaware that the tornado they are planning to use for cover has become a firenado, the criminals attack a safe house where an accountant, Pierce Moore (Daniel Godfrey), is hiding out with millions of dollars. 

Somehow, the scientists are also on their way to this safe house. The scientists are working their way across the countryside warning people to run from the Firenado with minimal success. They happen to arrive at the safe house just as the criminals do and a shootout ensues, somehow, until the firenado catches up. Then we get a chase scene and another multi-million dollar safe house and a burgeoning romance between Pierce and Anna and it's... a lot. It's a lot. 

You might be surprised to know that a fire tornado, or Firenado, is a real thing. Not the way it happens in this movie, obviously, but they do happen. It's rare but, most often they occur related to atmospheric conditions surrounding forest fires. There is little, really no chance that a tornado hitting a gas station will lead to a 'Firenado,' as happens in this movie. That said, of course, this movie is not based on any real danger. Instead, Firenado is a very silly B-movie looking to capitalize on the already dated trend of placing odd things inside of Tornados like Sharks, Ghosts, Dinosaurs, and Cars. 

Find my full length review at Geeks.Media 

Movie Review Armageddon Time

Armageddon Time (2002) 

Directed by James Gray 

Written by James Gray 

Starring Anthony Hopkins, Anne Hathaway, Jeremy Strong 

Release Date November 4th, 2022 

Published November 10th, 2022 

Armageddon Time  stars Michael Banks Repeta as Paul, a young man in 1980 New York City attending public school. Paul comes from a Jewish background but his family has hidden that behind the name Graf. At school, Paul is unremarkable, a minor rebel who mocks his teacher. He finds a friend in Johnny (Jaylin Webb), a fellow outcast, a young black kid whose been held back at least once. Johnny is in trouble a lot, mostly because his teacher just assumes Johnny is the one causing trouble. 

At home, Paul has a loving, if somewhat angry family. Paul has somehow convinced himself that his family is rich though we can clearly see that there are middle class at best. Regardless, Paul takes liberties with his parents, especially by ordering take out even after his mother, Anne Hathaway, has cooked an expansive dinner for their entire family. His father, played by Jeremy Strong, is loving but can be overbearing and outright abusive. 

That abusive side comes out when Paul finds trouble at school. With Johnny, Paul is caught smoking marijuana in the school bathroom. Paul's father finds out and give his son a frightening beating with a belt in a scene that director James Gray is smart not to romanticize. Many of Gray's generation, my generation, as well, tend to act as if a father who beat their kids was a 'disciplinarian' and not an abuser. Gray and Jeremy Strong give the father character in Armageddon Time a more complex rendering as a man who loves his kids but also feels at a loss at how to care for them. It's clear he was also beaten as a child and he sees it as the only way forward as a parent. 

Paul gets pulled out of his public school and placed in a rich private school with the help of his benevolent and loving grandfather, played by Anthony Hopkins. At this rich private school Paul runs in the same circle as the sons of the Trump family. When they see Paul talking with Johnny at the gates of the school, their sneering racism causes Paul to pull away from his friend. At the urging of his grandfather, Paul tries to repair his friendship but his plan to do so only causes more problems. 

At his new school, the line between white and black, the privileged and the less than privileged, is brought into stark contrast when Maryanne Trump (Jessica Chastain in cameo), visits the school and delivers a speech. The speech is like a message directly to Paul, and thus to us, about where you stand and who you stand for. Will you be part of the future she proposes led by the rich elite, or stand with those in need of help. 

I think... honestly, I am not entirely sure what James Gray is going for overall. There are elements of class warfare, and something being said about white-privilege and the racial divide. That said, what point James Grey is trying to make is undermined by his storytelling choices. The lasting memory of Armageddon Time is that of a young black kid acting as a functionary in the coming of age of a young white kid. The young black kid has no life, no dimension, he exists to teach a lesson to our main character. 

Find my full length review at Geeks.Media. 

Classic Movie Review The Adventures of Baron Munchausen

The Adventures of Baron Munchausen (1989)

Directed by Terry Gilliam 

Written by Charles McKeown, Terry Gilliam 

Starring John Neville, Sarah Polley, Eric Idle, Robin Williams 

Release Date March 10th, 1989 

Published January 3rd, 2023 

Terry Gilliam's delirious, chaotic, and fantastic, The Adventures of Baron Munchausen, is now part of the Criterion Collection. Released in 1989, this wildly over the top, sensory overload inducing film remains, 34 years after release, as alive and full of imagination as ever. Even as special effects and cinematography have evolved past the somewhat aged looking Munchausen, Gilliam's dedication to practical effects gives his masterpiece a timeless look. 

The story of The Adventures of Baron Munchausen begins on the stage where an acting troupe is acting out the supposedly fictitious adventures of Baron Munchausen. The story kicks into gear when the real Baron Munchausen (John Neville), charges the stage and demands to be allowed to tell the story of his adventures correctly. Thus, the Baron launches into a fantastical story about his conflict with the Grand Turk, one that began with a reasonable wager and ended with the Baron and his men leaving with all of the wealth of the empire. 

The Baron's remarkable and vivid tale is interrupted when that same Grand Turk and his army begin to bombard the English city where this tale had been told. Caught off guard, it appears that the English are to be overrun by the Turks until the Baron makes a big movie, creates for himself an airship on which he will fly across the galaxy to gather his servants to help fight the Turks. Stowing away on the Baron's airship is Sally Salt (Sarah Polley), a plucky youngster who is one of the few who believes that the Baron's fantasies are real. 

And boy are they real as, indeed, the Baron takes Sally to the Moon where The King of the Moon (Robin Williams), imprisons them. There they are able to recover The Baron's top assistant, played by Eric Idle. Naturally, there is an amazing escape that leads to another remarkable adventure that includes a brief bit of romance wherein The Baron is smitten with the wife of a dangerous bandit king. Uma Thurman is luminous as the Queen while the inimitable Oliver Reed chews the very large and practically crafted sets. 

The Adventures of Baron Munchausen is a wildly imaginative masterwork. It's pure chaos but in the best possible way. The flights of fantasy and the visual delights never rest while the extraordinary cast provides even more color with big, broad, and hilarious performances. Star John Neville grounds the story with elegant dignity and roguish charm, while Sarah Polley never succumbs to the cliches of a plucky child sidekick. Her Sally is an urgent part of the plot as she plays the part of the Baron's conscience. 

Find my full length review at Geeks.Media. 

Movie Review Human Resources

Human Resources (2022) 

Directed by Braden Swope 

Written by Braden Swope, Evan Swope 

Starring Hugh McCrae Jr, Anthony Candell, Sara Jose, Tim Masuradze 

Release Date January 10th, 2023 

Published January 3rd, 2023 

Human Resources opens on a terrific piece of visual filmmaking. With a very low budget, director Evan Swope knows that he needs to set the tone for his movie without the bells and whistles of a big production. So, he relies on the most basic components of good filmmaking: sound design and camera work. We open inside Brooke's Hardware Store. An eerie breeze blows through the store creating an innate sense of dread. A worried yet determined employee walks into a room that is marked with signs telling him not to enter. 

Keith, the employee, goes ahead and enters. Inside, he begins to call out for someone or something. He's here to confront whatever entity has created this sense of dread at his place of work. Through a terrific sequence of camera movements, strong and fast editing choices, and tremendous sound design, we watch Keith search for, and, unfortunately, find something that ends up getting him killed. Barely a word of dialogue is spoken and yet, in less than four minutes, the premise of Human Resources is established. This business harbors a dark secret that will be uncovered as the movie plays out. 

Cut to daytime, a new employee is needed at Brooke's Hardware. The General Manager, Brian (Tim Masurdze, tells his store manager, Gene (Anthony Candell), to hire Sam Coleman (Hugh McCrae Jr). Though Sam has little work experience, and a less than impressive resume, Gene agrees, and Sam is brought on board. Once at his new place of work, Sam is trained by Sarah (Sarah Jose), a cynical, long-time employee of Brooke's Hardware who advises Sam not to let working this dead end job become his whole life. 

Together, Sam and Sarah stumble over the mystery of Keith, our opening kill victim. Keith had begun to document the creepy, odd and frightening goings on at Brooke's Hardware. Employees prior to Keith had been going missing. The store was always strangely empty, except on Black Friday when the story would be overrun with customers. Brian and Gene are very serious about Black Friday and how it keeps the entire store afloat for the whole year. If that sounds suspicious, it's intended to be. In the clever script by director Braden Swope and his brother, Ethan Swope, the suspicious elements are all cleverly employed. 

Bubbling under the surface of Human Resources is how our modern economy calls on low wage employees to dedicate themselves to work. Gene talks about culture and teamwork and builds up working a Brooke's Hardware as a calling as much as it is a job. Meanwhile, employees are paid a pittance for their time while being expected to work hard and over-deliver on their effort. Work hard for nothing in return because work itself is somehow a reward. Ugh! Human Resources takes this idea and rightly turns it into a premise for a horror movie. 

I really adored the direction of Human Resources. The smart choices, the limited exposition, it's a welcome breath of fresh air. Little dialogue is wasted in telling us the plot. Instead, the basics of filmmaking deliver important details visually. The characters interact as human beings who know and work together would, not as movie characters who must also explain to the audience what the plot is and what we should be aware of. The direction tells us far more than the script and that's the mark of good filmmaking and smart writing. 

Find my full length review at Horror.Media