Showing posts with label Shia LaBeouf. Show all posts
Showing posts with label Shia LaBeouf. Show all posts

Lawless and Tom Hardy's Dichotomies and Paradoxes

Lawless (2012)

Directed by John Hillcoat 

Written by Nick Cave

Starring Tom Hardy, Shia LaBeouf, Gary Oldman, Mia Wasikowska, Jessica Chastain, Jason Clarke, Guy Pearce

Release Date August 29th, 2012 

'Lawless' and Tom Hardy's Dichotomies and Paradoxes

Sean Patrick

Sean Patrick, Yahoo Contributor Network

Aug 27, 2012

MORE:Tinker Tailor Soldier SpyLawlessTom HardyNick CaveThe Weinstein Company

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Tom Hardy returns to theaters this week in "Lawless." The story of legendary 1920's bootleggers The Bondurant Brothers, "Lawless" is the latest violent epic from the team of director John Hillcoat and writer Nick Cave ("The Proposition").

In an interview released by The Weinstein Company, the film's distributor, Tom Hardy talked about why accepted the role of Forrest Bondurant in "Lawless"

"I take characters as they come that interest me… that have scope and diversity; different ranges and colors and characteristics that are interesting and I find paradoxes and dichotomies of man."

Here is a look at how this philosophy has influenced Hardy as his star has risen in Hollywood; his most diverse and fascinating 'paradoxes and dichotomies.'

"Bronson"

Hardy's break out role is among the most fearsome and daring introductions of any actor, I have ever seen. "Bronson" is all about performance and Hardy commands the screen with such vigor that he damn near wins you over toward admiring his utterly psychotic character; based on a real life English criminal who's been in prison for nearly his entire adult life. Here Hardy finds a wonderful dichotomy a man of complete charm who is utterly incapable of putting that charm to good use and instead becomes a violent sociopath.

"Inception"

As a reaction to the grit of his "Bronson" character Hardy chose to show off his dashing handsome side in the brilliant, Oscar nominated Christopher Nolan movie "Inception." Hardy's Eames is a chameleon who in the world of this movie can enter people's dreams and become just about anyone. Here Hardy in a supporting role explores the paradox of a man who can become anyone yet is fully self-assured and comfortable with who he really is.


"Tinker, Tailor, Soldier, Spy"

In the quiet English thriller "Tinker, Tailor, Soldier, Spy" Hardy is once again a chameleon. As Ricki Tarr, a British spy charged with dangerous, often very violent tasks, Hardy plays the dichotomy of a man with no identity who finds himself in love for the first time and wishing he could reveal who he really is. When the love of Ricki's life is taken from him his identity becomes further fractured and he becomes even more dangerous. In any other movie this would lead to fights but in tight lipped, close to the vest style of British intelligence Ricki's dangerous side is expressed through the other characters and their concern for how his sanity might affect their well-being.

"Warrior"

The struggle for identity is once again central to Hardy's work in the family drama "Warrior." In the real life story of two brothers who rise through the ranks of Mixed Martial Arts to face each other for a championship prize Hardy plays a heroic former soldier who is eager for no one to know of his heroism. His reasons for hiding who is would constitute a spoiler so I will not delve to deeply there. That struggle however plays strongly opposite the other pain that drives him; the pain derived from his broken childhood. These two competing pains drive Tommy to feel little pain when he's fighting, yet another fascinating paradox.

"The Dark Knight Rises"

The paradoxes of Hardy's Bane in "The Dark Knight Rises" requires more spoilers than I am comfortable revealing even with a film that's already been seen most of the world. I can tell you that Hardy's unique magnetism and charisma shot through the prism of a sociopath every bit as dangerous as his 'Charlie Bronson' is a paradox every bit as interesting as the character touches the film adds to Bane late in the film.

"Lawless"

In his latest film, Hardy enjoys the notion of Forrest Bondurant as a naïve, almost childlike man who is capable of horrendous violence. At once innocent and dangerous, Hardy's Forrest is just the kind of mixture of warring characteristics that have driven Hardy throughout his rise to stardom.

Movie Review Indiana Jones and the Kingdom of the Crystal Skull

Indiana Jones and the Kingdom of the Crystal Skull (2008) 

Directed by Steven Spielberg 

Written by David Koepp 

Starring Harrison Ford, Shia Labeouf, Cate Blanchett, Karen Allen, Ray Winstone, John Hurt

Release Date May 22nd, 2008 

Published May 20th, 2008

In full disclosure mode, I write this review while wearing an Indiana Jones t-shirt. The fact is, as long as Indiana Jones and the Kingdom of the Crystal Skull hit the screen I was going to love it. As an Indy nerd who spent last Thursday watching all three original Indy adventures back to back to back plus a two hour documentary feature, I have waited very impatiently for a new Indiana Jones for 19 years.

As we rejoin the adventure of archaeologist and treasure hunter Henry "Indiana '' Jones Jr it is 1952 and Indy has been kidnapped by Russian infiltrators. They want Indy to help them locate an artifact being held by the US government at Area 51. The artifact is related to a top-secret excavation that Dr. Jones took part in briefly at Roswell New Mexico.

Naturally, Indiana Jones isn't one for treason and after a chase, a gun battle, and another chase, he nearly gets the artifact back. He will need to keep trying to get it because red scare paranoia has the FBI calling him a traitor. Forced out of his teaching gig by the FBI, Indy heads for New York only to be sidetracked by a kid named Mutt (Shia Labeouf).

Mutt has a letter from an old friend of Indy's who claims to have found the lost city of gold and includes a map. With Mutt in tow, Indy heads for South America with the Russians hot on his heels as well. If you guessed that the City of Gold is also related to that Roswell gig, kudos for your observational prowess.

Indiana Jones isn't overly complicated in its plotting but it's not stupid either. The script from George Lucas with some spit polish by three other writers, proceeds with a similar logic to the first three Indy films balancing outlandish supernatural phenomena with old school adventure movie thrills.

Steven Speilberg's direction is relaxed and assured like an old friend retelling a story we've heard before but with just as much energy, vigor and life as ever before. Working with Oscar winner Janusz Kaminski there is a little extra polish to the old school look of Indy but not so much as to distract from the old time feel.

Harrison Ford is restored to his world-weary charming self as Indiana Jones. His persona seeming ever more strained and stressed in his most recent action movie roles, Ford is chilled out and laid back as Indy and he has not lost a bit of the light touch humor and hard ass tough guy persona that has made Indiana Jones an icon.

I was going to love this movie just for existing; so imagine how geeked I am that Indiana Jones and the Kingdom of the Crystal Skull is so awesome. Great story, great direction, great acting, welcome back Karen Allen, welcome Cate Blanchett and Shia Labeouf and Ray Winstone, everything about Kingdom of the Crystal Skull works.

I love this movie.

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