Spoiler Alert: Character Arcs and Functionality in Knock at the Cabin

Knock at the Cabin (2023)

Directed by M. Night Shyamalan 

Written by M. Night Shyamalan 

Starring Dave Bautista, Nikki Amuka Bird, Kristin Cui, Rupert Grint, Jonathan Groff, Abby Quinn, Ben Aldridge 

Release Date February 3rd, 2023 

Published February 3rd, 2023 

Knock at the Cabin is a horror thriller about the apocalypse. Four characters, played by Dave Bautista, Abby Quinn, Rupert Grint, and Nikki Amuka Bird, travel to a cabin in Pennsylvania where they hope to avert a worldwide apocalypse. To do this, they must convince a family of three, played by Jonathan Groff, Ben Aldridge and their daughter played by Kristin Cui, to willing sacrifice one member of their family. The four visitors have had a shared vision of the future and received a vague prophecy related to this specific cabin and whoever lives there. 

In this article we are going to examine the character arcs and how they function in M. Night Shyamalan's nightmare fantasy of the end of the world. To do that, there will be spoilers. If you are wanting to see Knock at the Cabin, you should see the movie first and then come back and engage with this article. 

Leonard - Played by Dave Bautista, over the course of Knock at the Cabin we learn that Leonard is a schoolteacher and that he coaches middle school sports. Leonard is big and imposing but has a gentle quality as he demonstrates upon meeting Wen, the young daughter of Eric and Andrew. As he joins Wen to catch Grasshoppers for a school project, Leonard gently works to make Wen comfortable before he is compelled to reveal why he has come to this mostly empty stretch of Pennsylvania forest. 

Leonard is the de-facto leader of the four people who come to the cabin. It's Leonard who reveals the prophecy and the details of the apocalypse and that each of his fellow visitors will die until Eric and Andrew make a decision about which of them should die to save humanity. And that's pretty much it. Leonard appears wise and Dave Bautista invests him with a particular passion that is very compelling but, he doesn't change much as we see him. The biggest change in Leonard's life happens entirely off-screen. 

By the time that Leonard has arrived at the cabin, he's a devotee of this apocalypse plan and doesn't waver. Perhaps his arc is coming to accept his own fate, dying by his own hand, but again, it's not an arc. Instead of having an arc where he starts at one point of an emotional or physical journey, Leonard is a functional character. Leonard exists to motivate change in Eric and Andrew. I am not saying this as a negative critique, I'm just establishing how he functions in this story. 

Abby - Abby is a line cook and a mother of a son named Charlie. She enjoys cooking and likes making people happy. Like Leonard, the biggest arc of her life happened off screen. Finding Leonard and the rest via a message board and going to Pennsylvania to carry out their role in trying to prevent the apocalypse, happens before we meet Abby. What we see of Abby is that she is manic, anxious, and a little panicked. And that never changes until her character is killed to set off another plague of the apocalypse. Like Leonard, she functions as a motivator for Andrew and Eric. 

Sabrina - Sabrina is a nurse and a supremely kind woman. Though she uses a weapon to break into the cabin in violent fashion, when Eric is injured during the home invasion, Sabrina tends to him and cares for him. She goes out of her way to make Eric comfortable as he has suffered a concussion during the brawl. It's likely just how she was as a nurse, a caring, loving presence. Like her fellow visitors, her arc happened offscreen as she went from a full time nurse with a family to someone who drove 6 hours to be at this place, at this time, to try and stop the apocalypse. Her death doesn't go as planned but she seems prepared to accept it when it comes. 

Redmond - Redmond is the last of our foursome and the only one who gets a scene outside of the main narrative. Redmond is belligerent and agitated but that's explained by the fact that he knows he's the first to die if Andrew and Eric fail to make a choice. It will come about through the arguing back and forth between Eric and Leonard, that Redmond knew Eric and Andrew before coming to the cabin. As Eric recalls, Redmond approached him and Andrew at a bar in Boston and assaulted Eric with a beer bottle after having overheard the two men professing their love to each other. 

Find my full length Spoiler Alert Article at Geeks.Media. 

Movie Review Taking Woodstock

Taking Woodstock (2009) 

Directed by Ang Lee 

Written by James Schamus 

Starring Demetri Martin, Emile Hirsch, Eugene Levy, Imelda Staunton, Jonathan Groff

Release Date August 28th, 2009 

Published August 28th, 2009 

The cultural touchstone that is Woodstock has been examined and reexamined in many different forms. Books, TV shows, movies, documentaries, records, have been used to cover every possible angle of this iconic moment in recent American history. So, it is quite notable that director Ang Lee and his writing partner James Schamus have found something of a new angle for their take on Woodstock.

In Taking Woodstock the festival of peace, love and music provides the background for the self exploration of Elliott Teichberg, played by comedian Demetri Martin. Using the concert as the backdrop for a character based story isn't new but the character and the approach to him is something kind of revelatory.

In early August 1969 the organizers of Woodstock found themselves run out of Wallkill New York. Locals pulled the group's festival permit. Luckily for them a young man named Elliott Teichberg happened to have a festival permit and as chairman of the chamber of commerce in tiny Whitelake New York, he had the power to keep it.

A partnership was forged that would change history. Elliott was not meant to be in Whiteside. His parents Sonia (Imelda Staunton) and Jake (Henry Goodman) have run a failing resort in the area for years while Elliott has moved to New York City. When it looked like the place was finally going under, Elliott moved back home.

He became a part of the town and the youngest chamber of commerce chairman in history when he took the risk to bring Woodstock to Whiteside and with it a life changing experience that he could never have envisioned.

I am making Taking Woodstock out to be a little bigger than it is. It's big for Elliott but the story's scale is exceptionally small. Tiny, well observed moments of Elliott Teichberg finding out little things about himself, taking small but escalating risks and dragging his parents, especially his stingy, entrenched mother, along as well.

Some, maybe most, will find Taking Woodstock to be slow, even meandering. For me, the pace was slow but my interest never seemed to wane. Taking Woodstock is a gentle, immersive experience that floats along on a cloud of marijuana smoke and good vibes.

Comic Demetri Martin perfectly captures Elliott's lost soul innocence and longing. He has a wonderful playful spirit hidden behind a nebbish reserve. When he lets loose it's a gentle catharsis perfectly pitched to Ang Lee's waves lapping against the shore pacing.

Yes, Taking Woodstock is slow but it is intended to be slow. It's intended as a gentle study of a gentle man. In that it is highly successful and for me a warm wonderful moviegoing experience. I don't recommend this one to fans of Transformers 2, but for those who enjoy their movies with a little more leisure, Taking Woodstock is the movie for you.

Movie Review Frozen 2

Frozen 2 (2019) 

Directed by Jennifer Lee, Chris Buck

Written by Jennifer Lee 

Starring Kristen Bell, Idina Menzel, Josh Gad, Jonathan Groff 

Release Date November 22nd, 2019

Published December 6th, 2019 

Two weeks in theaters and Frozen 2 has single handedly revived a sleepy North American box office. To say that Disney has a magic touch with sequels and familiar I.P is not saying much, they’re the master of wringing every last dollar out of their properties. What perhaps sets Disney apart from other companies that increasingly rely on well known properties rather than risking money on new developments, is that Disney trusts creators more. And if that doesn’t work, they can amp up the marketing budget. 

Frozen 2 is a strong example of trusting their creators. By any account of the first Frozen, there did not appear to be much of any sequel potential in the story of Queen Elsa and Princess Anna, at least not theatrically. In a cynical world, Disney could spin romantic, Y.A tales of the love adventures of Anna and Elsa for infinity on the straight to video market. But Disney has grown ambitious since the Toy Story movies proved there was an appetite for sequels in theaters as opposed to the video market that Disney owned for the better part of two decades. 

The creators of Frozen did not rest on the ease and familiarity of the characters of Anna and Elsa by feeding the need to pair Elsa off romantically. That was a natural storytelling alley but the filmmakers sought an adventure that would be more ambitious and capitalize on the strengths that Idina Menzel fueled with her remarkable voice and the original screenplay had given us an Elsa beyond the need for her to have a Prince. 

The original Frozen was an adventure story and the filmmakers knew that an adventure story was where they wanted to go again with the sequel, even if it didn’t necessarily have a natural jumping off point from the original story. The clever idea here was to investigate the back story of Elsa’s powers as it related to the deaths of her parents and the history of the Kingdom of Arendelle which it turns out is darker than we’d ever suspected. 

The story of Frozen 2 has Elsa hearing a voice that drives her to seek out a magical forest locked behind an enchanted mist that she can access because of her powers. Naturally, Anna (Kristen Bell)  insists on joining Elsa on the journey along with Olaf (Josh Gad),  Christoph (Jonathan Groff) and his reindeer pal Sven. Together they will discover the spirit of the elements, Fire, Water, Air, and Earth. There is a fifth element and that is at the heart of the mystery of Frozen 2. 

The story is wonderfully told with big, Broadway style musical interludes that help the story along. While the first film had a surefire pop hit in Let it Go, the makers of Frozen 2 have boldly chosen not to concern themselves with pop hits and have gone solely for songs that help drive the story. It’s a shockingly uncommercial choice and it gives Frozen 2 an even stronger independent identity from its corporate origins. 

The voices of Idina Menzel and Kristen Bell have only grown stronger and more confident in the roles of Elsa and Anna. The comfort in their vocal work lends authenticity to the characters. The same could be said of Josh Gad’s Olaf who rounds into the big beating heart of the Frozen franchise. Olaf, while remaining a predominately comic character, has moments of genuine emotional power in Frozen 2 as he comes to stand in as an avatar for the youngest audience members of the Frozen fandom. 

Olaf is very funny and the youngest audience members will absolutely adore him as they did in the original. Gad carries the comic burden of Frozen 2 while facilitating the other characters to linger in more dramatic adventures. Much of the success of Frozen 2 can be attributed to the laughs brought on by Olaf underlining the action of the other characters who are sprinting toward more dramatic and life changing adventures. 

In some ways, Frozen 2 is actually superior to the original Frozen. The characters are more fleshed out and relatable. Elsa is more human and relatable than in the original and the music explores her depths in ways that Let it Go and the other original Frozen songs could not. The creative team of Chris Buck and Jennifer Lee have also expanded the visual palette of the Frozen universe with daring visuals that include even more gorgeous explorations of ice and a horse made of water that is one of the most beautiful pieces of animation in this young century. 

Frozen 2 has that unique ability to appeal to children with stories of wonder and necessary lessons about life and family while also reaching adults who can appreciate the visual mastery and the wonderful characters who have an adult accessibility. It’s rare to see that combination of traits outside of Disney’s partners at Pixar but Frozen 2 achieves it. Frozen 2 is the number 1 movie in America, and the rest of the world, because of those accessible traits.