Showing posts with label Tate Taylor. Show all posts
Showing posts with label Tate Taylor. Show all posts

Movie Review: Winter's Bone

Winter's Bone (2010) 

Directed by Deborah Granik 

Written by Deborah Granik, Anne Rosselini 

Starring Jennifer Lawrence, John Hawkes, Dale Dickey, Garret Dillahunt, Sheryl Lee, Tate Taylor 

Release Date June 11th, 2010 

Published July 4th, 2010

In the meth soaked outer reaches of the Ozarks, where cable TV and cell phones are out of reach, there lives a culture that remembers the Hatfields and McCoys not as cartoon caricatures but as blood relatives. Blood has mixed beyond where it likely ever should have in this area creating some uncomfortable familial bonds but the barriers that exist between families are still deeply protected and immersed in this conflict through birth is Ree (Jennifer Lawrence).

Ree Dolly has spent most of her 17 years trying to ignore the drug addled world around her. Ree lives day to day struggling to survive in a world without money or the comforts that money can bring. She lives by charity and wit; the gifts of a loving neighbor are accepted not with bruised pride but with a grateful resignation while when charity is not forthcoming hunting squirrels is a proper alternative.

This could be Ree's life for good until she meets the right meth cooking dealer and settles into her own life of addiction and solitude. No time to think about the future however as Ree has problems in the present. Her meth dealing dad has put their house on the line to get out of jail and has now gone missing. The law informs Ree that if dad does not show up for court the house will be taken away as collateral for his bond.

Now it's up to Ree to search the deep black heart of the Ozarks forest for her missing father all the while overturning stones that many don't want turned over. What begins as an impoverished character study evolves into an odd detective story where an amateur gumshoe stumbles into trouble investigating a crime that no one wants to see solved but them.

“Winter's Bone” holds a good deal of fascination throughout its 100 minute run time. Star Jennifer Lawrence gives Ree a hard won determination that captures the audience and holds it enthralled and in support John Hawkes delivers a character with born to lose tattooed on his very soul. Hawkes plays Ree's meth addicted uncle Teardrop and brings such an authenticity to this raw souled wretch that you feel his every appearance on screen like sandpaper on your skin.

Writer-director Deborah Granik captures these performances beautifully and matches the stark portrayals to her stark visual style in a marriage of overwhelming ugly truth. The muted colors match the muted wants of the characters in its desolation. Ree’s motivation is simple and straightforward, she just wants to not be homeless, as are the motivations of the people preventing her from what she seeks.

The background, the decaying trees and icy, windblown exteriors of home and pick-up truck alike match the lives of these characters in both their simplicity and minimalism. These characters aren’t going anywhere and are resigned to that fact but Ree at least will make the most of what little she has. Ree’s sad existence beyond this pseudo-detective story is communicated in devastating fashion by the barren surroundings. This will likely be the only important thing Ree ever does and the downcast settings underline that fact and give the film an all encompassing melancholy.

Yes, “Winter’s Bone” is as bleak as my description but that does not prevent it from being a gripping story told with exquisite skill and determination. Jennifer Lawrence is a revelation while John Hawkes has been an actor on the edge of a breakthrough as a character actor guaranteed to one day win Best Supporting Actor at the Oscars. This might just be his year and indeed Ms. Lawrence’s as well.

Movie Review The Help

The Help (2011) 

Directed by Tate Taylor

Written by Tate Taylor 

Starring Viola Davis, Emma Stone, Octavia Spencer, Bryce Dallas Howard, Jessica Chastain

Release Date August 10th, 2011 

Published August 9th

"The Help" catches you off guard with warmth and humor in the midst of great turmoil. A tremendous cast of extraordinary women will move you to laugh and to cry within the space of moments. This story of racism, civil rights and dignity in the face of undignified circumstances finds glorious moments of grace and humor amidst a story that invites anger and sadness.

Emma Stone stands at the center of "The Help" as Eugenia 'Skeeter' Phelan, a budding journalist who returns to her family home in Jackson, Mississippi in 1963. Things haven't changed much since she left but they are about to. Skeeter's writing career is about to take off after she gets the idea to write a scathing novel that exposes the ugly, racist side of Jackson's high society.

Bryce Dallas Howard plays Hilly, a high strung ex-classmate who touches off Skeeter's controversial idea by angrily insisting that her African American maid, Mini (Octavia Spencer), not use her bathroom. Hilly is convinced that Black people carry different diseases than white people and she intends to start a trend in Jackson of building separate bathrooms in everyone's home for the Help.

Mini is soon fired after she refuses to use the outdoor bathroom in the midst of a hurricane. Eventually, Mini will tell her stories about Hilly to Skeeter for her book which will for the first time tell a story from the perspective of The Help. First to aid Skeeter however, is Aibileen (Viola Davis) who decides that telling her story is necessary after seeing another maid arrested for doing something desperate to take care of her kids.

Soon other maids are talking and Skeeter has a remarkable book that is more than just juicy gossip; it may be an article for change. In the time of the story of The Help Medgar Evers and President Kennedy are assassinated and Dr. Martin Luther King is risking his life to lead the fight for Civil Rights. This historic context lends seriousness to The Help that underlines the film's poignancies.

This remarkable cast has the power to move audiences with just a word or a glance. The emotional strength of Viola Davis is matched by the fearlessness and attitude of Octavia Spencer and each creates a bond with Emma Stone that allows the book writing scenes to crackle with unexpected life and wit.

Bryce Dallas Howard has the most difficult role in The Help and pulls it off with remarkable ease. Howard is the focus of our hatred as the virulently racist Hilly and while it would have been easy to make Hilly a racist punch line, Howard invests Hilly with truth and life.

The revelation of "The Help," however, is not Stone or Davis or Howard but Jessica Chastain. In a role that really doesn't need to be in this movie in terms of plot, Jessica Chastain plays Celia Foote, a reputed gold digger who is desperate to be accepted into high society. Celia begins as a caricature of Southern flightiness but as the film goes on her pluck and spirit become so delightful that you wish she had a movie of her own to show off in.

This is Jessica Chastain's second Oscar worthy performance of 2011 following her stunning turn in the Terence Malick epic "Tree of Life." Chastain's work in "The Help" is such a transformation from "Tree of Life" that I didn't know it was her until I checked the credits after the movie; a demonstration of Chastain's amazing range.

"The Help" is one of my favorite movies of 2011; a smart, moving, funny and warm movie that features one of the most talented casts we've seen assembled in a long while. Emma Stone is about to be a huge star and Jessica Chastain is the next big thing while Viola Davis is the pillar of strength on whom the performances of others are built and find firm foundation.

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...