Life or Something Like It (2002)
Directed by Stephen Herek,
Written by Dana Stevens
Starring Angelina Jolie, Edward Burns, Stockard Channing, Tony Shalhoub
Release Date April 29th, 2002
Published April 29th, 2002
It seems there is a new Angelina Jolie story every week. Whether it's making out with her brother, entering into an ill-advised marriage or feuding with her celebrity father Jon Voight, Angelina Jolie can't do anything without making the papers. One is left to wonder, when will Jolie's movies become as notable as her personal life? Her latest work, Life or Something Like It, is another step in the wrong direction, a film only notable for the fact that it is worse than her last film.
Life finds Angelina Jolie under a poorly fitting blonde wig as Lanie Kerrigan, a TV features reporter at a Seattle TV station. Like any conventional movie character Lanie has it all, looks, money and a wealthy baseball star boyfriend. Indeed life is perfect, until her boss reteams her with her ex-boyfriend, a cameraman named Pete (Edward Burns). Lanie and Pete had some sort of previous relationship though the film is unclear about what exactly happened, we do know they don't like each other, which in movie parlance means they will end up together. (That, by the way, is not a spoiler. If you didn't know they were ending up together please purchase my book Romantic Comedies for Dummies).
Lanie and Pete argue and fight until they do a story about a street performer who some believe can tell the future. Tony Shalhoub plays Prophet Jack who tells Lanie she has only a week to live. Lanie does the only thing any rational person could do in that situation, she believes him. If a crazy homeless guy told you that you were going to die of course you would believe him, right?. From there the film devolves into your typical romantic comedy cliches without providing one original moment.
I can't say I was disappointed in Life Or Something Like It, going in I knew what I was seeing. I had hoped that an actress of Angelina Jolie's talent could provide a more interesting performance even in such a conventional romantic comedy. She doesn't. And what of Edward Burns, wasn't this guy supposed to be something special? Since his debut in the surprisingly good Brothers McMullan, Burns had been hailed as the next Woody Allen. He has yet to show the talent that was expected of him.
Director Stephen Herek, who's RockStar has become a guilty pleasure movie for me, returns to his genre safe work that helped ruin Eddie Murphy's career (Holy Man). Herek has the same lame crowd-pleasing instincts that mark the worst Hollywood hacks. Nothing challenging, nothing different, everything safely market tested for proper effectiveness. Honestly this kind of filmmaking turns my stomach.
Say what you will but I am tired of this cookie cutter Hollywood swill like Life Or Something Like It. I realize that not every film can be a genre buster but shouldn't every movie aspire to something other than just box office?