Bad Boys 2 (2003)
Directed by Michael Bay
Written by Ron Shelton, Jerry Stahl
Starring Will Smith, Martin Lawrence, Gabrielle Union, Peter Stormare, Theresa Randle
Release Date July 18th, 2003
Published July 17th, 2003
Director Michael Bay cut his teeth on innovative music videos and commercials until his 30-seconds-at-a-time style caught the attention of producers Jerry Bruckheimer and Don Simpson. In Bay, the producers saw a director who fit perfectly their MTV-style films; movies filled with hit soundtracks, quick edits, pretty girls, and massive explosions. For his part Bay was malleable, without a hint of the headstrong behavior that would take a film's authorship from the high-profile producers.
The music video style of bay was very evident in his first Bruckheimer/Simpson collaboration, 1994's Bad Boys. Now, a mere nine years later, Bay continues in the same whipsaw, bombastic style that made him Bruckheimer's pet director and makes Bad Boys II yet another Bruckheimer assault on the intelligence of the American film-going public.
That they reteamed Will Smith and Martin Lawrence, the stars from the original Bad Boys, is the end of the praise I can give the makers of Bad Boys II. It is Smith and Lawrence's snappy chemistry that provides the film's only moments of pleasure. However, even the charming sass of the leads can't save this loud, dumb disaster.
Smith and Lawrence are again Miami narcotics cops Mike Lowery and Marcus Burnett. Mike is still the player, the dog, the trust fund baby, while Marcus is the hard-working family man forever henpecked by his loving wife Theresa (Theresa Randle; reprising her role from the first film, though only in a cameo). Mike and Marcus are tracking a shipment of ecstasy supposedly being shipped in from Cuba. We are told that since September 11, 2001, security on the ocean has gotten tighter and the drug dealers are adapting quickly, finding new ways to ship drugs into America. In this case, a Cuban dealer named Johnny Tapia (Jordi Molla) is shipping drugs and money inside dead bodies.
Not only are Marcus and Mike after Tapia, so is the DEA, lead by Marcus's sister Sydney (the ungodly hot Gabrielle Union). Mike and Sydney have a little secret they have been keeping from Marcus; they secretly hooked up about a month earlier and the relationship is getting serious. While Sydney goes undercover inside Tapia's organization, Mike and Marcus try to protect her while compiling evidence to arrest Tapia (or, more to the point, find an excuse to shoot him.)
Indeed, in the Bay-Bruckheimer world, cops don't arrest people, they compile enough evidence for a justifiable homicide. The script is clever enough to call attention to the carnage with a running gag about Marcus's being in therapy and no longer wanting to kill people. Smith's hotshot Lowery has no such qualms about violence, taking shoot-first ask-questions-later to new heights; he makes Dirty Harry look like an expert in police procedure.
Now, I'm not asking for realism, but some level of professionalism isn't out of the question. If police want to get upset about their portrayal in rap music, where is their outrage about their portrayal in Bad Boys II? Here, Cops are portrayed wanton cowboys who leave as much carnage in their wake as the bad guys they collar? Why is that acceptable but portraying cops as abusing their power out of line? It can't possibly be that Cops like being portrayed as Bad Boy cowboys is it?
At a bloated two hours, 37 minutes, Bad Boys II is an interminable jumble of massive explosions and flying bullets. And while Michael Bay may feel that this is his specialty, being good at it doesn't make it entertaining. As he does in Armageddon, The Rock, and Pearl Harbor, Bay delights in blowin' stuff up good and may in fact have collected more bullets and explosions than ever before in Bad Boys II. Like an overlong Motley Crue video, Bad Boys II whips forward with jump-cut edits, fiery explosions, and busty stripper chicks, including a naked dead girl the guys stop to ogle while searching for evidence. Classy.
I have a lot of goodwill for Smith and Lawrence and would love to see them work together again, but on a different project. In Bad Boys II, their quick, jokey banter is completely overwhelmed by Bay's over-the-top obsession with pyrotechnics.
