Showing posts with label Thomas Bezucha. Show all posts
Showing posts with label Thomas Bezucha. Show all posts

Movie Review The Family Stone

The Family Stone (2005) 

Directed by Thomas Bezucha 

Written by Thomas Bezucha 

Starring Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker

Release Date December 16th, 2005

Published December 16th, 2005 

Streaming on Starz via Amazon Prime 

The amazing Diane Keaton has become an icon of grace and sensibility. Her Oscar nominated roles in Reds , Annie Hall and Something's Gotta Give are marvelous examples of her range and exceptional talent. Even lesser works like The First Wives Club are elevated by her presence. Casting Diane Keaton is like buying insurance against a bad script. Even a script as weak as the one for Keaton's latest film The Family Stone, looks a lot better for having her in it.

It doesn't hurt that Keaton's involvement helped entice an A-list of actors to play her children, Rachel McAdams, Dermot Mulroney and Luke Wilson, in this tepid holiday dramedy. Proof that a great cast can make the bitter pill of cliche go down like eggnog.

Diane Keaton stars in The Family Stone, as Sybil the matriarch of a large brood of grown children. With her college professor hubby, Kelly (Craig T. Nelson), Sybil is welcoming her five kids, and their various tagalongs, home for christmas. This year the Stone's are playing host to one particularly interesting guest. Her name is Meredith and if all goes according to plans she will soon be the oldest Stone son Everett's (Dermot Mulroney) fiancee.

Unfortunately for Everett, Meredith's stick in the mud, buttoned up personality has already rubbed his family the wrong way. Everett's youngest sister Amy (Rachel McAdams) has met Meredith and decided she hates her. Amy has busily poisoned the family well, including older sister Susannah (Elizabeth Reaser), middle child Thad (Tyrone Giordano) and his partner, Patrick (Brian J. White). Dad and his other son Ben (Luke Wilson) at least attempt to be open to Meredith.

The Family Stone breaks down to a sort of red state-blue state conflict. The Stones are liberal, ivy leaguers with a gay son who is also deaf and dating a black guy and Meredith represents the uptight, conservative business-minded red staters. The conflict is a battle for Everett's soul. Will he return to his old liberal open-minded self or marry Meredith and become a Bush voter?

Supposedly helping Meredith fight this battle is her sister Julie (Claire Danes) but unfortunately her late arrival only serves to make things worse.

The Family Stone attempts to mix screwball family comedy and heartfelt family drama with subplots including a dramatic disease and a chase scene to stop a character from leaving town forever. It's a difficult and well-worn mixture and one the film bears only because of the expert cast. There is nothing new or innovative about writer-director Andrew Bezucha's approach to this commonplace material, so he relies on this likable group of pro actors to carry it off and, to a certain degree, it works.

Sarah Jessica Parker delivers the film's best performance. Her Meredith is sympathetic as the outsider in a group of overbearing tightly knit liberals. In the hole from the moment she arrives, she has our sympathies.  However, Meredith is never merely a victim. Her lack of social graces and occasions of running at the mouth when she shouldn't combined with a complete lack of a sense of humor make some of the family's negativity toward her understandable. Parker plays the conflicts well, especially playing against her natural likeability.

Parker is let down on more than one occasion by the script that forces in nearly every well-worn trope of this genre. There is the aforementioned chase scene, a comically inept fight scene and of course plenty of spilled food for characters to roll around in. That we forgive many of these cliches is a function of the lovable qualities of this terrific cast.

The Family Stone is a cousin to a number of memorable family Christmas comedies like Home For The Holidays starring Holly Hunter, the romance and family drama from Love Actually and the movie-of-the-week style tragedy of Meryl Streep's One True Thing. Andrew Bezucha does not lift elements from these films as much as mimic them with his own twist. These are well known tropes that each of these films use to push dramatic buttons and The Family Stone is merely the latest film to engage them.

The cast of The Family Stone makes the familiarity work for them. Like watching old friends gather at a holiday party you can't help but enjoy the way the cast bonds, bickers and eventually falls in food. A more pessimistic viewer might expect more from this excellent cast but that is reviewing the film that The Family Stone is not. Remarking on the film it is, The Family Stone is not to be taken seriously and likely not to be remembered by this time next year.  It is just an average good natured holiday comedy.

Not for the cynical, The Family Stone is an overly familiar holiday family movie that pushes all of the same emotional buttons as is the norm of the genre. That it manages to be quite often funny and occasionally heartfelt is due to a cast of real pros. Like the revival of a favorite play, you know what is going to happen next because you have seen it so many times before, you watch to see this new group of actors give new life to the material. The Family Stone makes familiarity work by dressing it in a whole lot of star power.

Movie Review Monte Carlo

Monte Carlo (2011) 

Directed by Thomas Bezucha 

Written by April Blair, Maria Maggenti, Thomas Maggenti 

Starring Selena Gomez, Leighton Meester, Katie Cassidy

Release Date July 1st, 2011 

Published July 2nd, 2011

With Selena Gomez on the cover of the September issue of Elle Magazine, their LatinX special, I went and found one of the few times when I have had the chance to write about Selena Gomez. In 2011, Gomez co-starred with Leighton Meester and Katie Cassidy in the forgettable but pleasant teen comedy Monte Carlo. Selena Gomez proved to be a very natural lead for a teen comedy and because of her, Monte Carlo is more enjoyable than many similar teen girl comedies.

Monte Carlo is the story of three friends who travel to Paris for one of the worst tours of all time and stumble upon one truly unexpected adventure that finds one of them impersonating a tabloid superstar, all three jetting off to Monte Carlo, and each finding love in unique ways. Is it a great adventure? No, but for what it is, it's not bad.

Selena Gomez is the star of Monte Carlo as Grace, a Texas High Schooler who has just graduated. Her plan is to head off to Paris with her best friend, Emma (Katie Cassidy) but her mom (Andie McDowell) and step-dad (Brett Cullen) have an addition to her plans. Dad will upgrade Grace and Emma's travel plans if they don't mind having his daughter Meg (Leighton Meester) join the trip.

Naturally, there is tension between Grace and Meg; they haven't exactly bonded since their parents got together. They will need to get along however as once the trio arrive in Paris they quickly find themselves abandoned by their terrifically awful tourist group. The tour scenes are quite funny with the speedy tour guide dragging the group past Paris's greatest landmarks in less time than it would take to snap a picture.

Stuck in the rain and miles from their modest hostel accommodations, the girls stop off at a luxury hotel to dry off. That's when the adventure begins. At the hotel Emma and Meg encounter Cordelia Winthrop Scott (Gomez) and find that Grace is a dead ringer for the heiress. After overhearing that Cordelia is pulling a disappearing act that will have her out of the way for a week the girls hatch an accidental plot to replace her.

The plan was just to take Cordelia's luxury suite for a night in order to get out of the rain but the following morning finds the trio ushered to a limo and on to a private jet headed to Monte Carlo. From there the plot cleverly conspires to keep the girls from escaping. Most films of this sort, modest, middle budget, niche comedies, skimp on character motivation. Monte Carlo actually takes care to make sure that the characters are moving in particular directions for particular reasons.

Grace may not want to keep up the Cordelia charade but when she finds that a children's charity will suffer without Cordelia on hand to raise funds, she changes her tune. It helps that she is immediately smitten with Theo (Pierre Boulanger) the scion of the charity founder. Meg too wants to escape this situation but when she falls for an Aussie vacationer her plans change as well.

Monte Carlo is far from brilliant comedy but within its modest ambitions it is successful at earning smiles and a few minor laughs. The young stars are sweet and best of all they perform with purpose in a movie that has a clear motivation and coheres to a specific plot. Again, I cannot express how nice it is to watch a movie, especially a teen-centric comedy, that cares why characters do the things they do.

Selena Gomez was on the track for stardom ever since she started out as a regular playmate for Barney the Dinosaur. Gomez is sweet, smart and pretty and the makers of Monte Carlo showcase her playfulness as well as her beauty. Monte Carlo gets extra credit from me for portraying Gomez's young romance with a light and comic touch. The romance is sweet and chaste and fitting of the young and playful tone of the rest of Monte Carlo. 

Leighton Meester also showed big star potential in Monte Carlo. Meester's roles prior to Monte Carlo had shown her to be a bland beauty with a mostly blank, expressionless face. In Monte Carlo however, especially in chastely romantic scenes with Aussie hunk Luke Bracey, Meester is lively and fun in an effortless yet PG friendly way. Considering that the role Meester took on just before Monte Carlo was the unwatchable supposed 'thriller' The Roommate, Monte Carlo was Casablanca by comparison. 

Monte Carlo doesn't reinvent the teen comedy wheel but in its formulaic, PG comedy way, it's a pleasant distraction and a breath of fresh air compared to a kid comedies of the same time period, 2010 and 11, like Mr. Popper's Penguins or even a rom-com like Something Borrowed, both of which looked downright amateurish compared to the effortless family friendly fun of Monte Carlo which is both kid flick and modest rom-com.'


Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...