Showing posts with label Jennifer Yuh Nelson. Show all posts
Showing posts with label Jennifer Yuh Nelson. Show all posts

Movie Review Kung Fu Panda 2

Kung Fu Panda 2 (2011) 

Directed by Jennifer Yuh Nelson

Written by Jonathan Aibel, Glenn Berger 

Starring Jack Black, Angelina Jolie, Lucy Liu, Seth Rogen, David Cross, Jackie Chan, Dustin Hoffman

Release Date May 26th, 2011

Published May 26th, 2011

I long ago discovered that the best thing about the job of film critic is being surprised. It's also the rarest occurrence in the job. Rarely do movies, especially big time, mainstream blockbusters, surprise people whose job it is to write about movies. "Kung Fu Panda 2" surprised me in a big way. The animation, the story and the laughs were each an astonishing improvement over the original.

Roly Poly Kung Fu Master

Jack Black once again provides the voice of Po the panda aka The Dragon Warrior. Now the leader of the vaunted furious five, including Tigress (Angelina Jolie), Crane (David Cross) Monkey (Jackie Chan), Viper (Lucy Liu) and Mantis (Seth Rogen), Po is still a roly poly panda but now he's great at kung fu.

There is still much for Po to learn however, as Master Shifu (Dustin Hoffman) explains; Po now must learn inner peace. Lately, Po has been troubled by nightmares that may actually be memories of his past. Never having known his real parents, Po is suddenly becoming aware of what happened to them and how he ended up in the care of Mr. Ping (James Hong).

A Warrior of Black and White

The key to Po's past happens to coincide deeply with the rise of a new villain in China, a peacock named Shen (Gary Oldman). With his new weapon against Kung Fu, Shen intends to enslave all of China but an old soothsayer (Michelle Yeoh) has predicted his doom at the hands of a warrior of black and white.

Simple Yet Complex

I'll end my plot description there to avoid spoilers. Surprisingly, the creators of "Kung Fu Panda 2" have crafted a plot that requires discretion on the part of critics because the plot has complexity and payoffs that are much more enjoyable the less you know going in. Most kids movies forgo such complications but "Kung Fu Panda 2" writers Jonathan Aibel and Glen Berger along with director Jennifer Yuh have pulled off the remarkably difficult task of crafting a plot that is simple enough for kids to follow yet complex enough to involve adults.

The animation has great depth as well as director Yuh combines modern CG animation with touches of old school, Disney style animation. Avoid the 3D version of "Kung Fu Panda 2" and you will be rewarded with bright, beautiful colors that pop off of the screen in far more dazzling ways than a murky 3D image can deliver.

Kung Fu Panda 2 is Very Funny

I should also mention that "Kung Fu Panda 2" is really funny on top of being an involving story. Jack Black wonderfully inhabits Po and the energy and excitement he brings to each line of dialogue is terrific. What he brings to "Kung Fu Panda 2" that was lacking in the original is a slight touch of sensitivity in his voice that really nails the few really dramatic moments of "Kung Fu Panda 2."

There I go again, selling short comedies. Honestly, "Kung Fu Panda 2" is first and foremost a funny kid's movie. The creators have this time merely added a little sophistication to the storytelling, deepened the character of Po and crafted a back story with real resonance that could sustain yet another sequel.

Dreamworks Animation's Best Movie Yet

"Kung Fu Panda 2" is a wonderful movie. Director Jennifer Yuh and her team have given such careful attention to detail and nuance that they have crafted something far better than you could ever expect of a blockbuster sequel. "Kung Fu Panda 2" is funny and sweet with a big heart and a few honestly moving dramatic moments that recall the best of classic Disney and Pixar animated features and may be the best animated feature thus far crafted by the team at Dreamworks Animation, topping even their delightful "How To Train Your Dragon."

Movie Review: Darkest Minds

Darkest Minds (2018) 

Directed by Jennifer Yuh Nelson

Written by Chad Hodge

Starring Amandla Stenberg, Harris Dickinson, Mandy Moore, Bradley Whitford 

Release Date August 3rd, 2018

Published August 3rd, 2018

I had really hoped that the phase of young adult dystopian drama had passed after the series of Hunger Games knock-offs tried and failed at the box office. I had a deep and abiding hope that after Maze Runner: The Death Cure, still among the worst things I have seen at the movies in 2018, had flopped into theaters I would not have to suffer another overwrought, portentous piece of young adult post-apocalyptic nonsense for a few years.  

Sadly, it’s only been a few months since the pain of the most recent Maze Runner sequel began to subside and already this pathetic sub-genre is back on the big screen. Darkest Minds is the latest young adult flotsam to try and cash in on The Hunger Games in hopes of striking box office gold. Here’s hoping it fails as miserably as the rest as Darkest Minds doesn’t deserve success, it deserves to be buried in a cold wet grave. 

Darkest Minds wastes the talents of young Amandla Stenberg, Rue from The Hunger Games, as Ruby, a teenager with a dark secret, the power to manipulate people’s minds. As we are told via generic news footage, teenagers across the country woke up one morning with remarkable super-powers and their parents didn’t know what to do about them. The only thing anyone could think of was to round up the kids and put them in camps to be studied or killed.  

Some kids are super-smart, others have telekinesis powers and still others have the horrific power to make fire shoot from their eyes and mouths like a kid whose had too many Smoking Hot Cheetos. Ruby belongs to a dangerous group of kids given the distinction or Orange for their ability to manipulate the minds of anyone they come in contact with. Ruby can Jedi mind trick people into doing her bidding, if she can learn to control her gift. 

After escaping an internment camp where she was set to be eliminated after they discover the breadth of her powers, Ruby briefly goes on the run with a freedom fighter named Kate (Mandie Moore) but when she appears to have a partner who Ruby envisions as a bad guy, Ruby runs away and finds herself in a van with a group of fellow teens with super-powers. Liam (Harris Dickman) is the leader, he has telekinesis. Chubs (Skylan Brooks) has super-intelligence and Zu (Miya Cech) can turn electricity into a weapon. 

Together they will seek out a utopia headed up by a legend named the Slip Kid, nicknamed for his ability to get in and out of the camps after being repeatedly captured. Naturally, the utopia will not be all it’s cracked up to be and it will be up to our heroes to point the way toward real freedom. Or, at least, I assume what the plot of Darkest Minds is supposed to be; the film is far more clumsy in execution.

Director Jennifer Yuh Nelson makes the jump from animated features to live action with Darkest Minds and you can sense the dutiful approach to making this as if she were assigned a task and not given a creative opportunity. There is a quality of let’s just get this over with to every scene in the movie and the rushed sensibility comes through in the look of the movie and in the performances that stem from a director picking up a paycheck. 

Amandla Stenberg is giving the role of Ruby her full attention but you can sense here also a dutiful if not deeply committed approach. Everyone in Darkest Minds seems to just want to get through this so they can get on with their careers in more interesting movies that aren’t mandated by the whims of a studio marketing department. You can almost hear the gleeful cry of the marketing team as they chant “Hunger Games Meets The X-Men” over and over and over as they frenzy themselves toward believing they have a hit concept on their hands. 

Darkest Minds is little more than an elevator pitch brought to life and colored in with derivative characters and expository dialogue. It’s unlikely that anyone who made this movie cared about it beyond making sure it wasn’t a full-on, career killing embarrassment. That modest goal is achieved, everyone here can rest assured that what they’ve made isn’t a complete embarrassment, it’s competent and forgettable in the way that will help as these talented people move on and forget that they ever took part in this throwaway nonsense. 

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