Spoiler Alert: The Absence of Consequence in Infinity Pool
Movie Review Infinity Pool
Movie Review Pearl (2022)
Pearl (2022)
Directed by Ti West
Written by Ti West
Starring Mia Goth, David Corenswet, Tandi Wright, Emma Jenkins
Release Date September 16th, 2022
Prequel to X (2022)
X was a brilliant homage to 70s grindhouse horror from a director in Ti West who has mastered the form of homage. My proof for for his mastery comes with his new movie Pearl. The horror movie starring the utterly brilliant Mia Goth, riffs brilliantly on MGM movies of the 30s and 40s mimicking them down to the credit font and pitch perfect score. Using the innocent memories of movies like The Wizard of Oz for a series of transgressive gags feels so fresh and different that this horror movie becomes honestly refreshing.
Mia Goth stars as the title character, Pearl. Pearl is a teenage dreamer, a 19 year old who dreams of nothing but the burgeoning movie industry. The movies in her small hometown have become her home respite from a difficult home life. Pearl's mother, Ruth (Tandi Wright), is a severe German taskmaster who believes that her daughter should have to suffer as she has to provide a home and a roof over Pearl's head. Ruth has become the primary worker on their Texas farm after Pearl's father (Matthew Sunderland) was struck with Spanish Flu and suffered complete paralysis.
The first indication that something might be a little off about Pearl comes via her father. After a night of arguing with her mother, Pearl takes her father to a pond on their land that is home to an alligator that Pearl has been feeding for some time. Pearl pushes dad's wheelchair to the edge of the dock while calling on the gator which responds to her. It appears that Pearl may dump daddy in the lake until mom arrives to make the save. The juxtaposition of Mia Goth's sweet, simple innocent look and the malevolence of her actions is part of the electric charge of watching Pearl.
Similarly the way Pearl chooses to bathe in front of her father's paralyzed form, his darting eyes demonstrating his extreme discomfort, is another unsettling symbol of Pearl's transgressive personality. These scenes pitched against the numerous references to classic MGM musicals and those oh so innocent adventures of the 40s and 50s makes Pearl in general a movie that transgresses our expectations and conspires to make us part of dark meta joke of Pearl.
Click here for my full length review of Pearl at Horror.Media.
Movie Review Suspiria
Suspiria (2018)
Directed by Luca Guadagnino
Written by David Kajganich
Starring Dakota Johnson, Tilda Swinton, Chloe Grace Moretz,Mia Goth, Angela Winkler
Release Date October 26th, 2018
Published December 15th, 2018
I’m embarrassed to say that I am completely defeated by Suspiria. I have no idea what this movie is intending to say. I recognize that the filmmaking is lush and gorgeous and a few scenes in the movie are striking and memorable, but I cannot, for the life of me, find a point in the fine filmmaking. Suspiria isn’t scary enough for full on horror, despite some high level gore, and it doesn’t appear to have much of a political message. So what the hell did I just watch?
Suspiria stars Dakota Johnson as Susie Bannion, a former Quaker turned wannabe dancer who has moved to Berlin to study under the famed Madame Blanc (Tilda Swinton). Susie has done this on spec, she is not even guaranteed the chance to try out. The school year has already begun and there may not even be space. But, Susie takes the chance nevertheless and something in her dance strikes a chord so deep in Madame Blanc that Susie earns her way in.
Meanwhile, in a prologue, we’ve met Patricia (Chloe Grace Moretz), a deeply troubled young girl who is visiting her psychiatrist, Dr Klemperer (also played by Tilda Swinton under heavy and convincing, old man makeup). The doctor believes that Patricia’s rants about witches at her dance school, the same one that Susie is to attend, are delusions. However, when Patricia goes missing, Dr Klemperer is forced to look at her delusions in a different manner.
Caught in the midst of all of this, the disappearance of Patricia and the arrival of Susie, is Sara (Mia Goth). Sara was Patricia’s closest friend and has been tasked by Madame Blanc with helping Susie get situated, in Patricia’s former room no less. Sara slowly becomes suspicious and her suspicions drive much of the plot in the second act or is it the 4th? The film is divided into multiple parts with a prologue and an epilogue and an epic length, nearly an hour longer than Dario Argento’s original Suspiria.
The style of Suspiria is top notch. The gorgeous deep focus cinematography of Call Me By Your Name cinematographer, Sayombhu Mukdeeprom takes a few notes from Argento’s original, especially with the use of the color red, but has its own unique beauty in the remarkable angles and striking use of light and dark. I have no problems whatsoever with the technical side of director Luca Guadagnino’s production.
The issues in Suspiria arise when I attempt to bring the film into some kind of greater focus. I am trying to extract a point. One fellow critic I read said the decision to set the film in Berlin, the original was set in Freiburg, Germany, was intended to evoke the division of the city after World War 2 juxtaposed with the division of the self, i.e the public and the private, the duality at the heart of so many of us, the side we show others and the side we keep to ourselves.
I kind of see that but it doesn’t help me understand the film's final act of blood and dance. I genuinely have no clue what happened in the final act of the movie. I could describe it in full spoiler mode because I don’t know what I would be spoiling if anything. The final blood-soaked scenes are striking but what they have to do with anything either in the story the film is telling in text or metaphorically in subtext.
I’m embarrassed because I am usually rather adept at sussing out metaphors and deeper meanings, it’s kind of my thing. If I can’t suss one directly, I can usually assign one but for the life of me, I can’t figure out what Suspiria is intended to say about women, sexuality, dance, or witches. Maybe it’s not intended to mean anything and is just an experiment in form. If that’s the case, it’s not very clear from the characters who seem to be striding toward some kind of point, even if I can’t seem to follow it.
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