Horror in the 90s Misery

Misery (1993) 

Directed by Rob Reiner 

Written by William Goldman 

Starring James Caan, Kathy Bates 

Release Date November 30th, 1990 

Box Office $61.3 million 

The first images seen on screen in Misery are utterly meaningless. A Lucky Strike cigarette, unlit, an empty champagne glass, and a bottle of Champagne. Visually, you can read into this a celebration about to occur. Indeed, the subject of Misery, writer Paul Sheldon, played by James Caan, is about to finishing typing the final words of his final novel featuring the character Misery Chastain. Paul has decided to end his highly successful franchise and the opening visuals of the movie are an indication of the celebratory nature of this decision. 

But what do these images foreshadow for the remainder of the story? Nothing really. Paul Sheldon will soon be involved in a car wreck. He will be rescued by someone who just happens to be 'his biggest fan.' Annie Wilkes (Kathy Bates), the fan, finds his novel and is none too pleased to find that her favorite book character is being killed off. Thus, she sets to set the author straight. She will hold him captive and torture him in order to get him to write a different, happier book, one more fitting her vision of Misery Chastain as her favorite book character. 

In the context of a novel, it's very clear that Stephen King is commenting upon the fickle nature of readers and their relationship to authors. King, whether he openly acknowledged it or not, was truly writing about having been pigeonholed and seemingly forced to write to the tastes of his readers rather than to what spoke to him as an author and artist. That subtext is underlined in the novel form. As a movie, it doesn't resonate quite as much. We can get a sense of the commentary occurring, but this is a movie, not a novel, moreover it's an adaptation of Stephen King and not King himself sub textually crying out at his audience to let him choose his subjects. 

Find my full length review at Horror.Media 

Movie Review: Cloudy with a Chance of Meatballs

Cloudy with a Chance of Meatballs (2009) 

Directed by Christopher Miller, Phil Lord

Written by Christopher Miller, Phil Lord

Starring Bill Hader, James Caan, Anna Faris

Release Date September 18th, 2009

Published September 18th, 2009

Sony has been trying to break into the big time of the animation biz for nearly a decade now. They've had modest success with movies like Open Season but no real home run shots like those of the industry standard Pixar. Their latest attempt to hit one out of the park is close, atleast a double in the gap.

Cloudy With A Chance of Meatballs is a clever, quick witted and imaginative kids flick that never talks down to the target audience and finds more than a few moments everyone can enjoy.

Flint Lockwood (Voice of Bill Hader, SNL) has always wanted to be an engineer. As a small child he invented liquid shoes, a shimmering paste that hardened on your feet. Unfortunately, he could never take them off, but it kinda worked. His loving mom always supported his imagination while his fisherman father James (James Caan) just wanted him to learn to fish.

The island on which Flint was born and raised has long lived on the towns only export, Sardines. Now, Flint thinks he can change all of that. His latest invention converts water into food. While the town is gathered for the latest Sardine related tourist trap, Flint launches his new invention, accidentally, into the sky.

Meanwhile, an erstwhile weather reporter, Sam Sparks (Anna Faris) is desperate for a big weather scoop to make her career. She happens upon Flint and as they are bonding over mutual failure their salvation falls from the sky in the form of a juicy hamburger. Flint's invention is caught in the clouds and turning the rain to food, a major coup for a young weather reporter.

Not surprisingly things start out in fun and games with the town loving all of the new food and Sam getting scoop after literal scoop, Ice Cream snow, all the while falling for Flint and his wild imagination. Then the machine gets out of control and the movie switches to action mode involving a tornado of Spaghetti, a pit made of sharp peanut brittle, and sentient pizza.

The movie is based on a bestselling kids book and translates smoothly to the big screen easily capturing the spirit and good nature that made the book so popular. Bill Hader is terrific as the voice of Flint over and under playing at just the right pitch. Anna Faris's high pitched voice already sounds like a cartoon and she, like Hader, is perfectly at home here.

Cloudy With A Chance of Meatballs doesn't rewrite the book on digital animation and it may not launch Sony into upper echelon of animation where Pixar resides but it does help further establish a beachhead in what is the most consistent box office segment, kids animated feature.

The key is remembering that just animating a story doesn't make it a hit, you have to  team animation with strong storytelling and great voice talent. Cloudy With A Chance of Meatballs does just that.

Movie Review Get Smart

Get Smart (2008) 

Directed by Peter Segal 

Written by Tom Astle, Matt Ember 

Starring Steve Carell, Anne Hathaway, Dwayne The Rock Johnson, Alan Arkin, James Caan, Terrence Stamp

Release Date June 20th, 2008 

Published June 19th, 2008 

Steve Carell's clueless guy act is beginning to wear thin. But, one last big shot of that persona isn't so bad. The cluelessness of this Carell character happens to be a necessity for the legendary character Carell is playing in Get Smart. In Get Smart, Steve Carell is playing Maxwell Smart the fictional center of the 60's TV show Get Smart whose best known for his bumbling, oblivious, cluelessness. So, one last time Steve Carell, throw on that blank mug, that beatific smile, and that air of unearned confidence and we will laugh along with you.

Maxwell Smart is Control's top analyst. His assessment of terrorist activities is beyond detailed. He knows what major terrorists take in their coffee. He hopes this attention to detail and hard work will earn him a promotion to field agent for Control in their continuing battle with CHAOS, the international terror group bent on global domination. Unfortunately for Max his promotion is denied until a CHAOS attack on Control leaves much of the agent roster dead. Now Max will have to go into the field and with the aid of Agent 99 (Anne Hathaway), he will be asked to track down the nuclear weapons obtained by CHAOS head Siegfried (Terrence Stamp), and his number 2 man Shtarker (Ken Davitan).

That Max and Agent 99 develop a flirtation and eventually a little romance is something you may initially reject, Carell and Hathaway don't look like a great match, but by the end of Get Smart I was not only believing in the romance, but actively rooting for it. It's one of a surprising many things that director Peter Segal gets right in Get Smart. Segal, a veteran of Adam Sandler features, has never shown much skill for good storytelling. In Get Smart however, Segal seems more assured, mature, and prepared. It helps to have strong special effects and a great cast that also includesAlan Arkin, Dwayne 'The Rock' Johnson, and David Koechner, but Segal really does quite a good job directing this remarkable collection of talent. 

Having only seen a few reruns of Get Smart over the years I cannot claim to know the series in anything but the most vague terms. That said, of what I know of the show the new Get Smart hits a few of the right notes. Carell's Max hits the catchphrases, "Missed It By That Much" and "Sorry Chief", with precision. If Carell's Max is slightly less bumbling than Don Adams' original it's likely a necessity given the complex stunts and effects that far outstrip the far smaller scale TV show

Alright Steve Carell, now it's time for you to show us something. Get Smart was a lot of fun. Now let's find a new comic persona and do something different. It was a good run as the genial doofus, now I want to see something closer to your Little Miss Sunshine character, though less suicidal. It doesn't have to be too radical a departure, just something slightly less doofus. You've done well with the doofus thing, but now you can effectively leave it behind. 

At Least on the big screen, a couple more seasons on The Office is fine with me.