Movie Review Reign Over Me

Reign Over Me (2007) 

Directed by Mike Binder

Written by Mike Binder

Starring Adam Sandler, Don Cheadle, Jada Pinkett-Smith, Liv Tyler, Saffron Burrows, Donald Sutherland

Release Date March 23rd, 2007

Published March 22nd, 2007

I've never been a fan of Adam Sandler's big screen work. If Will Ferrell's work sometimes feels like a series of SNL skits, Sandler's work is like Mad TV in comparison. Jokes so obvious that the audience chuckles before the punchline, dirty sight gags that only Sandler and his team hangers on find funny, and story's so blindingly dumb that you lose IQ points watching them unfold, Sandler is the ultimate in movie flotsam, for the most part.

However, after his turn in P.T Anderson's wonderfully quirky Punch Drunk Love, I was forced to admit that, when he is directed, Sandler has some real talent. Now with his turn as a 9/11 widowed husband in Reign Over Me; I am forced to once again reconsider Sandler and his talent. As the only good thing in an otherwise shallow wasteland of male midlife whining, Sandler manages to steal the show from none other than Oscar nominee Don Cheadle. Impressive, if you're also an award winning actor, mind blowing if you are Mr. Sandler.

Allen Johnson's (Don Cheadle) life has grown stagnant. Every night is spent at home with his loving wife Janeane (Jada Pinkett Smith) and everyday spent in the office of his quiet dental practice which, though he started it, has begun to treat him as just another employee. Allen's boring life gets a charge of excitement from two very strange sources.

Driving down the street one day Allen sees his old college roommate Charlie Fineman (Adam Sandler). Though Charlie is so scattered that he seems not to remember Allen the two decide to get some coffee and soon they are spending a lot of time together. Charlie was once just like Allen, only happier. He had a beautiful wife and 3 daughters. Sadly, Charlie's family died in one of the planes that hit the world trade center. Since then Charlie has receded into a childish fantasy world of rock music and video games.

The other source of chaos in Allen's life is a wacky dental patient named Donna (Saffron Burrows). She arrives in his office asking about a cosmetic procedure though there is nothing wrong with her teeth. Soon she is offering Allen no strings attached oral sex. When Allen rebuffs her advances, she sues him and yet still wants him as her dentist. If you guessed that she and Charlie will eventually cross paths, well you are not as psychic as you are a student of plot mechanics.

Reign Over Me is the latest aimless, masturbatory exercise in arrested development from writer-director Mike Binder whose scattershot resume includes the exceptional drama The Upside of Anger and the brutal TV series The Mind of the Married Man. Binder is funny and sometimes very insightful. He's also full of shit, navel-gazing, meathead who can't seem to grow up.

Reign Over Me falls somewhere in the middle of Binder's oeuvre. It's at times quite full of shit and at times; honest and insightful. The most truth comes in the pain etched in the performance of Adam Sandler who doesn't so much shed his well worn comic fratboy persona as temper that persona with deep sadness and desperation.

Sandler makes the material work and pulls the character of Charlie away from the grandstanding grief monster written by Binder and into truer, more thoughtful territory. Sandler's own history with arrested development, perpetual child types actually serves him well in giving depth to Charlie. When we see the ways in which Charlie has regressed, with video games and his obsession with the music of his youth, it's very easy to follow Sandler into this territory.

Where the full of shit aspects of Reign Over Me come into play are in any scenes featuring women. Binder does a poor job of writing realistic women and though Liv Tyler and Jada Pinkett Smith struggle to try and give depth to their poorly written characters, they are undone by Binder and his boys club mentality. That ludicrous Binder mentality is especially on display in the character of Donna played by model and actress Saffron Burrows.

Burrows plays a mentally unstable woman who expresses her insecurity and instability by offering oral sex to Cheadle's Allen. She then irrationally sues him but wishes to retain his dental services and again offers sex. Why does this character exist? What does she bring to Allen's journey in the film? These questions are unanswerable, though the explanation could be Binder's inability to avoid shoehorning sex jokes into a film that is lacking them.

What's good about Reign Over Me is Adam Sandler's nuanced and affecting performance. Sandler hasn't been this good since his quirky, oddball performance in Punch Drunk Love, a film that grows more maligned by every Sandler performance. Punch Drunk Sandler and Reign's Sandler have a great deal in common. They are socially inept, damaged souls seeking something bigger than themselves but emotionally stunted to their very soul.

Reign Over Me Sandler is edgy and daring, willing to risk audience sympathies with his rash, childish outbursts and more daringly by allowing the film to use this character to exploit the sadness of 9/11. This is where Sandler truly shines. In a lesser performance writer-director Mike Binder's grandstanding would seem shallow and callous. Sandler makes it work by establishing the grandiose, over the top sadness of this character that carries over the terrific scene where he breaks down.

The rest of Reign Over Me is just another full of shit episode of Binder's former TV show with Don Cheadle dulling his skills to play to Binder's level of myopic male arrested development. The way the character of Allen is written, it is as if he doesn't need a reason to be unhappy and seeking release, he's a dude and dudes need to get out of the house and away from their wives sometimes. That is; literally, the level of Binder's insight into this character.

Reign Over Me is two different movies. One is a shallow exercise in male pattern selfishness. The other is a dark tale of sadness and loss featuring a shockingly good performance from an unexpected actor. If I told you that Don Cheadles was starring alongside Adam Sandler and that Sandler was the one delivering the knockout performance, would you believe me? Well that is what I am telling you and, trust me; I'm more shocked than you are.

Movie Review: The Private Lives of Pippa Lee

The Private Lives of Pippa Lee (2009)

Directed by Rebecca Miller 

Written by Rebecca Miller

Starring Robin Wright, Mike Binder, Alan Arkin, Winona Ryder, Zoe Kazan, Keanu Reeves, Blake Lively

Release Date: November 27th, 2009

Published November 26th, 2009 

One woman re-traces the story of her life as she worries her mind is slipping away in “The Private Lives of Pippa Lee.” Robin Wright stars as Pippa Lee, a wife and mother whose life is defined by those roles. As a very young lost soul, Pippa met and fell in love with the much older Herb Lee (Alan Arkin).When we meet Pippa Lee, she and Herb have moved into a retirement community in Connecticut. While Herb says they moved in order to protect assets from his life as a publishing magnate from taxes, both are concerned that Herb's mind has begun to slip. 

In the middle of the night someone has been wandering the house leaving a major mess. It turns out not to be Herb but Pippa who has been sleepwalking and that isn't all. She is sleep-driving and sleep-smoking, driving in the night to a local 24-hour shop to buy cigarettes. Afraid she is losing her mind, Pippa tracks back in her mind to her mother, Suky (Maria Bello), a woman addicted to amphetamines who didn't merely dote on her daughter but overwhelmed her as a living doll plaything.

Pippa's mother's addiction and massive mood swings lead to Pippa's own drug experimentation and eventually to her running off to New York to live with her lesbian aunt and her girlfriend, Kat (Julian Moore). Blake Lively plays teenage Pippa with a constantly dazed expression and sad eyes. It is teenage Pippa who meets and falls for Herb. 

Though I recount the plot to you in a somewhat linear fashion, writer-director Rebecca Miller, tells the story in a flashback style, cutting between Pippa's life in the retirement community and her life before and during the early parts of her marriage to Herb. The storytelling doesn't really jibe; the past doesn't comment on the present or really explain it. Pippa's memories are sort of random. That's not necessarily a criticism, Pippa is searching her memory for a meaning that is missing from her life and it makes sense that her search is futile.

The story deepens when Pippa meets Chris, the son of one of the other retirees. He has just ended a long relationship and now lives with his mother while working at the 24-hour shop where Pippa sleepwalks. To say what happens between Pippa and Chris would go too far, but I can tell you, it's not entirely what you might expect. That is the wonderful thing about Rebecca Miller's direction in “The Private Lives of Pippa Lee,” she and star Robin Wright Penn avoid typical choices. Penn's performance begins as off-puttingly thin. It grows to an irksome sort of oddity and then blossoms into something strangely, hypnotically fascinating.

If I had walked out half way through “The Private Lives of Pippa Lee” I would say Robin Wright was terrifically awful. However, I stuck with it and eventually I found that even the irritating qualities had an odd fascination. As I got used to Pippa's irritating qualities they began to reveal things about her and I was slowly won over. By the time Pippa makes her dramatic final decision I was totally with her and shocked by how much I was willing to join up for more of her journey.

The movie ends as if it could have gone on for another half hour and been just as intriguing. It's just the right hopeful note and if you can make it to the end, as I did you  will be surprised how satisfying yet abrupt the ending is.

“The Private Lives of Pippa Lee” is a strange and wonderful little movie with a performance by Robin Wright at its center that will divide people in hatred and glowing praise. It's a risky performance and one that will, in the long run, come to define the odd career of Ms. Wright who never quite blossomed into the leading lady so many expected her to be. Instead she is a working actress who’s made daring choices. Daring is the least of what can be said of Robin Wright's performance in “The Private Lives of Pippa Lee.”