Showing posts with label Bryan Tyree Henry. Show all posts
Showing posts with label Bryan Tyree Henry. Show all posts

Movie Review Godzilla X Kong: The New Empire

Godzilla x Kong: The New Empire (2024) 

Directed by Adam Wingard 

Written by Terry Rossio, Simon Barrett, Jeremy Slater 

Starring Rebecca Hall, Bryan Tyree Henry, Dan Stevens Kaylee Hottle 

Release Date March 29th, 2024 

Published April 2nd, 2024 

My apathy towards Godzilla x Kong The New Empire knows no bounds. I saw the film a little before the release and was so unmoved by the movie that I forgot to write a review of it prior to the release. It's such a nonexistent movie for me that I have had to read through the Wiki description of the plot, more than once, to recall the plot of the movie. It's so boringly slick and stupidly loud that the only lasting impact Godzilla x Kong The New Empire had on me was a slight damage to my hearing in my right ear, I think I was too close to the speakers on the right side. 

Godzilla x Kong: The New Empire takes Godzilla and King Kong and makes them partners. It's a team up movie in the monster-verse. You can hear the marketing buzzwords bouncing off the walls. King Kong is struggling to adjust to life in Middle Earth, sorry, The Hollow Earth, the inside of the Earth where he hopes to find more giant apes like himself. Thus far, he's made no progress and has spent his time in pain from a toothache. Indeed, the opening act of Godzilla x Kong: The New Empire spends most of its time dealing with Kong's bad tooth. 

Rebecca Hall, gritting her teeth while picking up a big budget paycheck, returns to the franchise as Dr. Ilene Andrews, Monarch Corporation's leading expert on King Kong. It was Dr. Andrews who helped discover the hollow earth and helped get Kong there and away from Godzilla who remains on the surface of the Earth, protecting it by destroying large swaths of it when fighting other 'titans' for dominance. In a moment the movie sure thinks is cute, Godzilla uses the Colisseum in Rome as a Godzilla sized doggy bed. 

The plot kicks in when Godzilla becomes agitated by a signal coming from the hollow Earth. 

Find my full length review at Geeks.Media 




Movie Review Spider-Man: Across the Spider-Verse

Spider-Man: Across the Spider-Verse (2023) 

Directed by Joaquim Dos Santos, Kemp Powers, Justin K. Thompson 

Written by Phil Lord, Christopher Miller, David Callahan 

Starring Shameik Moore, Bryan Tyree Henry, Jake Johnson, Oscar Isaac, Hailee Steinfeld 

Release Date June 2nd, 2023 

Published June 2nd, 2023 

Spider-Man: Across the Spider-Verse is a gorgeous piece of animation. It's a visionary work in the feature animation realm, a treat for the eyes. The innovative style of Spider-Man: Into the Spider-Verse evolves here into brilliant new combinations of art styles and storytelling adventure. It's exciting to watch as the artists behind Spidey press the boundaries of what we can expect from an animated feature. That alone would be worth the price of admission but thanks to the work of writers Phil Lord, Christopher Miller, and David Callahan, Spider-Man: Across the Spider-Verse is far more than just gorgeous to look at. 

Spider-Man: Across the Spider-Verse opens on Spider-Girl, Gwen Stacy (Hailee Steinfeld). She misses the friends she made when portals opened between worlds in Spider-Man: Across the Spider-Verse. Worse however, is the fate of her best friend, Peter Parker, who, Gwen's world was a picked on pipsqueak who tried to change his lot in life through science. Peter dies in an accident at prom after his transformative medicine turns him into a monster and Gwen/Spider-Girl is forced to fight him to protect their classmates. His death happens just as Gwen's cop-dad arrives and sees Spider-Girl standing over Peter's fallen body. He assumes that she killed him. 

This scene is soon followed by the attack of a new and desperately out of place villain, a version of The Vulture, but not one from this universe. Someone or something is tearing new holes in the fabric of the universe and villains are bungling their way through to unfamiliar universes. Unbeknownst to Gwen, Spider-people from other universes are being brought together to try and repair the multiverse and via Spider-Woman (Issa Rae), and the leader of this group, Miguel (Oscar Isaac), Gwen is recruited to help save the multiverse. 

This is Gwen's chance to reconnect with her friend, Miles Morales (Shameik Moore). Miles has grown a few inches since the last time they saw each other but other than that, he's the same awkward, sweet, kind and strong young man she first met. Miles is dealing with school and his parents and a new villain who may be the key to why the multiverse is in grave danger. A villain calling himself The Spot (Jason Schwartzman) is found by Miles while attempting to steal an ATM from a bodega. The Spot has the ability to open tiny portals that he can climb through and arrive at different locations. 

Find my full length review at Geeks.Media 



Movie Review Causeway

Causeway (2022) 

Directed by Lila Neugebauer 

Written by Elzabeth Sanders, Luke Goebel, Ottessa Moshfegh 

Starring Jennifer Lawrence, Bryan Tyree Henry, Linda Emond 

Release Date November 4th, 2022 

Published October 29th, 2022 

Apple TV 

12 minutes 49 seconds into Causeway... 

What have we learned?  Jennifer Lawrence is a former soldier dealing with PTSD. Having been shipped home to recover she'd entered a halfway house facility and was cared for by Sharon, a nurse. We don't know exactly what the nature of Lynsey's injuries are. We don't see any physical scars. We see her unable to walk at first. We see Sharon having to help her do tasks such as use the bathroom. We see her going through physical therapy and learning to walk again. 

And, before she leaves Sharon's care, Lynsey is running again and has recovered her physical capacity to the point where she thinks she's ready to redeploy. Sharon tells her to slow down. At the point where we have stopped, Lynsey is leaving rehab with Sharon and will be returning to her hometown. She claims that her mother will be picking her up at the bus station and that her brother may or may not be around as well. 

In terms of the filmmaking, director Lila Neugebauer favors dark, naturalistic interiors. The darkness of the cinematography is a visual companion to the darkness of Lynsey's mental state. Thus, when seen jogging and driving a car, and seeming happy, the lighting of the scenes is brighter, sun peeking through clouds, if you don't mind the metaphor. On the bus however, as Lynsey is riding home, we are back in the dark interior. Rain on the bus window, no lights on inside the bus, deep black shadows surrounding Lynsey as she takes a pill and darkness dominates the scene despite the fact that she's seated next to a window. 

Is 12 minutes 49 second long enough to be considered an opening act or do we have to wait a little longer to make that determination? These 12 minutes and 49 seconds are important to establishing who Lynsey is and what she's struggling with but are they merely exposition? They do seem to lack energy, though I can't imagine how one might get energy into such scenes. I'm curious but not wholly satisfied with the start of Causeway. 

Lethargy is part of Causeway but I don't mean that as a negative. Indeed, the tone matches the setting, a hot New Orleans summer. Lynsey gets a job as a pool cleaner and the hard work and sweat, paired with how generally tired Lynsey's brain injury has left her, the lethargy makes sense, it's part of the story. It also creates a tone of struggle and catharsis that presents physically while building to the emotional catharsis. 




Classic Movie Review Amazon Women on the Moon

Amazon Women on the Moon (1987)  Directed by Joe Dante, Carl Gottlieb, Peter Horton, John Landis, Robert K. Weiss  Written by Michael Barrie...