Movie Review Halloween 2 (Remake)

Halloween 2 (2009) 

Directed by Rob Zombie 

Written by Rob Zombie 

Starring Scout Taylor Compton, Malcolm McDowell, Sheri Moon Zombie, Brad Dourif, Danielle Harris

Release Date August 28th, 2009

Published August 27th, 2009 

Rob Zombie just doesn't know when to quit. Thinking that he is pushing the envelope, Zombie adds one more swing of the knife, one more snap of the bone, one more stomp of a boot to a skull. He can't leave well enough alone and what should be an exercise in horror and fear becomes a twisted, sadistic and just plain sad insight into Zombie's own twisted psyche. This guy wasn't hugged enough as a kid.

Halloween 2 picks up the story of young Laurie Strode (Scout Taylor Compton) who just survived being attacked by crazed killer Michael Myers. With her parents gone Laurie is staying with the sheriff (Brad Dourif) and his daughter. It is exactly one year later and Halloween is once again upon us.

We learn quickly that the body of Michael Myers was never recovered, though another survivor of Myers's attack Dr. Loomis (Malcom McDowell) assures those buying his new book that Michael is dead. He's not. As Halloween looms Michael Myers is seen walking the plains.

Like an evil Caine from Kung Fu, Myers has apparently been wandering the countryside for the past year waiting for Halloween to arrive. Why would a psycho killer wait a year? There is some gobbledygook about Michael's late mother and a deeply set psychosis but really, the only reason Michael has waited is because the movie is called Halloween.

That's about all the depth that writer-director Rob Zombie is capable of. Zombie is a hack who thinks gore is the end all be all of horror. Forget suspense. Forget characters you care about and invest in, the most important thing for Rob Zombie is getting just the right amount of entrails and just the right sound of a knife hitting skin and bone.

There is zero story, a nothing plot, the film is a series of gory set pieces in which a victim is chosen and that victim is dispatched in the loudest and most blood spattered, innards spilling fashion Zombie can dream up. For some, the lower brain oriented, this will be enough. For those with a brain, it will not.

Halloween 2 is as or maybe more brain dead than the 2007 film. Both are supremely inferior to John Carpenter's original which wastes no time with the vague notions of pop psychology that Rob Zombie uses to break up the monotony of blood and guts. Carpenter's killer was a force of nature and his unknown qualities were part of what made him fearsome.

Rob Zombie can't understand this and thinks that the demonstration of human evisceration was what made Halloween a cultural touchstone. He is, of course, wrong and his complete misunderstanding of his chosen genre is part of his overall hackery. Lame dream sequences, overwrought sound effects, overkill gore and awful acting, directing and editing make Halloween 2 one terrifically bad movie.

Movie Review Halloween (Remake)

Halloween (2007) 

Directed by Rob Zombie 

Written by Rob Zombie

Starring Scout Taylor Compton, Sheri Moon Zombie, Tyler Maine, Danielle Harris, Malcolm McDowell

Release Date August 31st, 2007

Published September 1st, 2007

A question for fans of the Rob Zombie version of John Carpenter's horror classic Halloween (if there are any). What did you enjoy about this movie? This is honest curiosity. I watched Halloween aghast not necessarily because of the ample, overwrought gore. No, rather because Halloween manages to be sloppier and less professional than either of Zombie's previous two bad movies.

More to the point of my curiosity however is the question of what you really did enjoy. The film isn't frightening, it's too ineptly put together to be frightening. It's certainly not humorous, the violence and attitude that Zombie brings to the film is far too self serious for humor. Is it that you find this misogynist,  fantasy titillating? If that's the case boys, get out of mom's basement and get yourself a girlfriend or maybe some counseling.

Laurie Strode (Scout Taylor Compton) has no idea where she came from. The life she has known since being very small is one of loving parents and a beautiful home. She has no idea that she has a brother and that her brother changed her life forever by killing their parents. It turned out for the best for young Laurie, unfortunately her brother Michael did not turn out so well.

Committed to an institution for the criminally insane at the age of 10, Michael at first refused to acknowledge what he did, despite the caring entreaties of Doctor Samuel Loomis (Malcolm McDowell. After 15 years and a couple more murders while incarcerated, Michael refuses to speak to anyone and Dr. Loomis is gone, having turned Michael's murderous life story into a bestseller.

It's Halloween; 15 years to the day Michael murdered all but his little sister. He is to be moved to another, more secure institution, when he decides he's had enough. Killing everyone in his path, Michael escapes and begins the trek home. Only Dr. Loomis is able to determine Michael's whereabouts and even his motivations. Michael is going home to see his little sister.

In John Carpenter's original Halloween no reason is given for why as child Michael Myers killed his older sister. Like more than a few horror fans, Rob Zombie was not satisfied not knowing why Michael became evil. Thus Zombie invents a family and an injurious back story that includes a vile, abusive step father (William Forsythe), a stripper mom (Sherry Moon-Zombie), and a resentful older sister (Hannah Hall).

Michael also has trouble at school where he is constantly made fun of by classmates. 10 year old Daeg Fanch is quite convincingly disturbed for a 10 year old and I credit Rob Zombie for finding the kid and giving him one creepy looking clown mask. That is where my praise of Mr. Zombie will end. The new backstory doesn't explain Myers' supernatural strength and ability to survive multiple bullet wounds and impalings.

What John Carpenter knew and what Rob Zombie ignores, is that not having a full backstory for Michael Myers allowed Carpenter to make him into whatever he wanted, including giving Myers the air of the supernatural. The backstory provides something of a psychological background but Zombie's reaching for realism sinks the film from a logical standpoint. Michael Myers can't survive all of those bullets, impaling's, and falls from great heights if you are aiming for 'realism'.

Of the many failings of Rob Zombie's Halloween is the lack of any kind of suspense. Zombie's approach to Michael Myers' taking of victims has as much suspense as a hammer hitting a nail. Put Myers in a room and whoever else is in the room with him is guaranteed death. That is, except for the lead actress who, at the very least, has to last to the ending. Whether she survives or not, I won't spoil it.

Maybe Zombie was too busy ogling his young female cast to consider that their deaths should have some significance or drama. Zombie's main concern throughout Michael Myers' second act killing spree is making certain that each of the young girls is topless before they are fileted like fish. That these actresses are playing under age characters, high schoolers, seems not to have bothered or put off Zombie in any way.

And yet, there is a classic horror movie clichéd conservatism to Zombie's approach. I have always been fascinated with the moralistic streak that horror films have and Rob Zombie's Halloween is no exception. As in many classic horror films the young victims, male and female, are decimated by the killer after having had pre-marital sex. Michael Myers, like his brethren Freddy and Jason, is the hand of a punishing god, killing for the sins of man.

Zombie lacks the intellect or insight to explore this horror movie moralism and abandons any notion of it after he has sliced and diced his nude teenagers.

Rob Zombie's Halloween pales in comparison to the compact, suspenseful horror of John Carpenter. A master of the genre, Carpenter knew that realism and grossout are not the real tools of the horror trade but rather that suspense and tension are what keep audiences on the edge of their seats. Yes, Carpenter spilled a great deal of blood and he knew how to use death for shock value but his skills far exceed those of Rob Zombie and that is why Carpenter is a legend and Rob Zombie is a low life hack.