Fahrenheit 9/11
Directed by Michael Moore
Written by Documentary
Starring Michael Moore, George W. Bush
Release Date June 25th, 2004
Published June 24th, 2004
Say you have a job that pays you a coupla hundred grand a year. It's a good job, well respected. Now let's say you have outside interests, investments that stand to make yourself, members of your family and your friends more than a billion dollars but it requires that you do things in your job that are somewhat less than ethical, immoral even. Is it not fair to ask where your loyalty lies? That is one of the central questions of Michael Moore's brilliant and scathing documentary Fahrenheit 9/11, a title that implies the temperature at which freedom burns.
The above question asked more specifically is posed to the Bush administration and it's supporters. The President, his family and friends have and continue to, benefit from investments with Saudi businesses that have at least vague, often provable links to terrorists. Those investments make them more than a billion dollars while the American people only pay George W. Bush 400 grand per year. If Bush pushes foreign and domestic policies in specific directions, those investments are likely to pay off bigtime. So all that stands between corruption of the highest office and the ethical wielding of Presidential power is the word of George W. Bush. Sorry, but that is not good enough for me.
There is far more to Fahrenheit 911 than the above example. Things such as the flight that carried Osama Bin Laden's family out of the United States after September 11th 2001 without so much as a Law and Order style interrogation. The flight, arranged at the highest levels of our government left the country a week after Osama Bin Laden had attacked America, his family is allowed to leave the country without even being asked where Osama might be hiding.
Conservatives want to talk about Michael Moore's timeline of events after 9/11 and the opening of the skies to commercial and in this case private aircraft. Moore's timeline is in fact correct. What conservatives can't explain is how Muslims with an obvious tie to Osama Bin Laden, they are family for pete's sake, are allowed to leave a week after the tragedy, while other Muslims with no ties to Bin Laden were being held for six months to year until the FBI, CIA and Homeland Security were absolutely certain there were no terrorist ties.
Oh did I mention the Bin Laden's were one of the families that the Bush's have their money tied up with? Another sick irony exposed by Michael Moore in this film is how the Bin Laden families investments in American defense contractors made the family large sums of money as America built up toward it's military hunt for Osama and the subsequent war in Iraq.
Speaking of the war, Michael Moore has a few important things to say about Iraq. Recycled news footage shows just some of the innumerable contradictory statements that the administration made in order to make its case for war. The film also goes to Iraq and using never before seen video shows our soldiers, injured, disillusioned and angry, but also doing their job with bravery and commitment to the cause. They aren't sure what that cause is, but they do it anyway.
The finale of the film follows a mother from Moore's hometown of Flint, Michigan named Lila Lipscomb. Ms. Lipscomb was a supporter of the war but letters from her son and his eventual death in combat changed her mind. She goes to Washington wishing to ask what it was her son died for. This is one of the film’s most powerful moments, one where you wish Moore might turn away, turn the camera off. However, when you think about it, Lila Lipscomb can't turn the camera off. Camera or no camera, her pain is there and that pain is what Moore captures and the fact that Lila Lipscomb is not the only mother who is mourning a son.
The film’s biggest headline grabbing sequence shows those infamous seven minutes after the second plane hit the trade center and it became clear America had been attacked. Those seven minutes in which President Bush sat there in that Florida classroom listening to a kid read a book about a goat. Seven minutes captured on a video camera by the teacher of the class, not the media. Bush sits and looks powerless, lost, far less than the leader of the free world.
This is one of the most fascinating and powerful works of documentary art I have ever seen. It's also quite funny as well, which can be somewhat disorienting as occasionally during the film a funny, ironic moment is followed or preceded by something important or meaningful. That temporary disorientation is nothing compared to the feelings I had after the film which take a while to process and put into words. I am truly blown away by this film, not that I'm the least bit surprised that George W. Bush is a corrupt liar who manipulates his office for the betterment of his and his associate’s wallets. That I knew. What shocks me is how there are still so many that want this guy re-elected.
