Showing posts with label Julianne Hough. Show all posts
Showing posts with label Julianne Hough. Show all posts

Movie Review: Footloose

Footloose (2011) 

Directed by Craig Brewer

Written by Craig Brewer, Dean Pitchford

Starring Kenny Wormald, Julianne Hough, Miles Teller, Dennis Quaid

Release Date October 14th, 2011

Published October 14th, 2011

Critics can tend to overthink a movie. In the case of "Footloose," that is a deadly pursuit. "Footloose" does not invite inspection. This candy coated musical is all about putting on a show with pluck and good humor and not about the mechanics of great filmmaking. The only intention behind Footloose is to make a quick buck off of nostalgia and if it happens to not completely stink out loud, that's an unintended bit of good luck. 

Ren McCormick (Kenny Wormald) has moved to Bomont, Tennessee from Boston following the death of his mother. Moving in with his Aunt Lulu (Kim Dickens) and Uncle Wes (Ray McKinnon), Ren finds himself not merely in a new home but seemingly a new planet. Bomont, Tennessee could not be any different from Boston. Foremost among the differences is a ban on public dancing put in place by a local crusading Preacher, Shaw Moore (Dennis Quaid).

The preacher's daughter, Ariel (Julianne Hough) immediately catches Ren's eye, setting up a pair of showdown's for Ren and the preacher as he intends to fight the dance ban and date Shaw Moore's daughter. Credit Dennis Quaid for bringing a seriousness and even gravity to "Footloose" that the movie needs in order to keep from tipping completely into parody. Quaid is so good opposite Hough and Wormald that he makes the novice actors better.

Of course, "Footloose" is not about acting or drama, it's about nostalgia, dancing and a good soundtrack. The soundtrack of "Footloose" is a rather bizarre stew of country, hip hop, and covers of tunes from the original movie. Blake Shelton's cover of Kenny Loggins legendary title track is as rousing and cheesy as the original while Deniece Williams' original "Let's Hear for the Boy" makes a welcome comic appearance in the same context it did in the original "Footloose," as Ren teaches his new pal Willard (Miles Teller) how to dance.

Other call backs to the original movie include a reprise of Quiet Riot's "Metal Health" and a cover of Ann Wilson and Mike Reno's cheeseball ballad "Almost Paradise." These nostalgic touches make clear that director Craig Brewer has as much respect for the original "Footloose" as long time fans do. Brewer even manages to keep Ren's angry dance solo dance in the empty factory. No Kenny Loggins in this version, a rather forgettable hip hop song is in its place, but the heavy cheese dramatics are still there in great, unintentional comic effect.

That's another interesting thing about "Footloose;" the film can be enjoyed on an earnest level or an ironic one. If you are inclined to pick away at the movie you can, and you can have fun doing it, the movie has a certain awareness of its place in the movie world but not so much that it ruins a proper ironic appreciation of it. Bottom line, "Footloose" is just plain fun; a terrifically cheesy pop culture dessert all sugar and calories and nothing remotely good for you. But it tastes so good.

Movie Review: Bigger

Bigger (2018) 

Directed by George Gallo

Written by George Gallo 

Starring Tyler Hoechlin, Kevin Durand, Julianne Hough, Tom Arnold, Colton Haynes, D.J Qualls, Victoria Justice

Release Date October 12th, 2018

Published October 10th, 2018

Bigger stars Tyler Hoechlin, former Teen Wolf star and current Supergirl co-star, as Joe Weider. If that name sounds familiar it’s because it is the name behind the greatest fitness empire history. Joe Weider is, perhaps, best known for having discovered Arnold Schwarzenegger but his life was far more than that as he revolutionized the fitness game by creating bodybuilding as we know it and changing the way the world viewed getting in shape. 

Bigger begins poorly by taking us back, unnecessarily to the early life of Joe Weider and his brother Ben (Aneurin Barnard). We learn that Joe’s mother wanted him to be a girl and never came around to having two sons. She mistreats the brothers throughout their life and while Weider would go on to say that what his mother withheld from him and Ben became the impetus for building his empire to fill that void, it rings hollow if you consider it as him crediting emotional abuse for being successful. 

The film begins to get watchable when Tyler Hoechlin finally takes the role as Joe and Ben leave Toronto behind and move on to college and empire-building. Unfortunately, this leads to another brief derailment in Joe’s first marriage. Former Nickelodeon star Victoria Justice plays Kathy Weider and the characterization here is pretty odd. Initially, the chemistry between Justice and Hoechlin isn’t bad but director George Gallo fumbles that very quickly. 

Needing to get Kathy out of the story to move on to the more interesting part of Joe Weider’s life, Gallo chooses to have Kathy pretend she has completely forgotten who she married. From their first meeting to their first date through their marriage, Joe is consistently only interested in bodybuilding, nutrition and health. It’s all this version of Joe Weider ever talks about. He shoots everything including his first kiss through the prism of health and fitness as a metaphor for life and love. 

So when Kathy returns home to find Joe and Ben working on their muscle and fitness magazine in their dining room Kathy, seemingly out of nowhere, takes umbrage. Kathy is shocked that the man who has talked almost nonstop about his plans to legitimize weightlifting as a sport and a lifestyle is suddenly spending his time building his dream. She turn angry and bitter and by the end of the scene an editing dissolve sends Kathy packing. 

Amid the tumult of Joe’s personal life, his professional life becomes a struggle as a more established bodybuilding publisher named Hauk keeps preventing the best bodybuilders in Canada from working with Joe. Hauk, played by character actor Kevin Durand, is a loutish, boorish, bully who tries to keep the Weider brothers from getting into his field of business. When Joe finally gains a foothold by proving his methods of training and nutrition are superior, Hauk finds other ways to try to derail his competition. 

Kevin Durand is by far the worst thing about Bigger. I get that he’s a villainous character whom we are supposed to dislike and distrust but Durand’s big, broad, oafish performance stretches credulity. Sure, Mr Hauk is not remembered to this day for a reason while the Weider’s went on to riches and fame and that does seem to indicate that much of what Bigger says about Hauk is based in some reality, Durand’s caricature of Hauk is far too silly and broad to be taken seriously. 

I have spent more time complaining about aspects of Bigger than praising the movie which is strange considering I am recommending the movie. So, let’s talk about the positives. I really liked Tyler Hoechlin’s performance as Joe Weider. I enjoyed how earnestly and honestly to the exclusion of all other things, Joe Weider was dedicated to his craft. The script is a tad broad but Hoechlin had me believing in Joe Weider’s obsessive personality that finds him looking at sex as something athletic and marketable. 

Hoechlin also sparks well with Julianne Hough as Joe’s second wife, legendary pinup Betty Weider. Betty was a model who Joe first spied on the cover of a magazine. Eventually, he would use his connections via his good friend Jack Lalanne (Colton Haynes) to arrange a meeting that he then uses to cast Betty for a photo shoot with one of his bodybuilders. The bodybuilder in question turns out to be Joe himself and the two begin falling madly in love. 

As I said, the chemistry between Hoechlin and Hough is terrific. Unfortunately, director George Gallo nearly ruins this relationship as well with his whipsawing female emotional developments. For no good reason, Betty nearly breaks up with Joe because he talked about fitness in the bedroom. Once again, it’s a case of marriage amnesia as Betty is forced to briefly forget the man she married and ask that he be an entirely different person who doesn’t speak exclusively via the language and metaphor of bodybuilding and fitness. 

I’m not kidding when I tell you that I found the single minded way that the script and Hoechlin play Joe Weider is charming. As a character, Joe Weider is fully formed, he is a bodybuilding obsessive who single mindedness drive can either making him irresistibly earnest and naive or can drive people to want to smack him in the face to see if they can find an actual human being beyond the tightly coiled musculature. 

Bigger is not groundbreaking, it’s barely even something I can recommend. Joe Weider doesn’t have a real arc in the traditional sense. Weider appears to move from success to success in his career without fail and even in lean times his single minded approach to getting what he wants sustains him. Tyler Hoechlin mines that to create a fully formed if quite odd character. Joe Weider was an oddball but Hoechlin makes him a really interesting oddball, even as the movie around him crumbles under any real scrutiny. 

Hoechlin is so winning that I can’t help but recommend Bigger. Oh and one more note: the bodybuilder turned actor who portrays the young Arnold Schwarzenegger, circa 1968, is outstanding. Calum Van Moger looks ludicrously like a young Schwarzenegger. It’s uncanny when he’s first revealed and when he’s posing in the first Mr Olympia, Von Moger unveils that classic Schwarzenegger grin as one final flawless touch on a very minor performance. 

Movie Review Safe Haven

Safe Haven (2013)

Directed by Lasse Hallstrom 

Written by Dana Stevens

Starring Julianne Hough, Josh Duhamel, Cobie Smulders, David Lyons

Release Date February 14th, 2013 

Published February 15th, 2013

I love "Safe Haven." I truly, love this Nicholas Sparks adapted romance starring Julianne Hough and Josh Duhamel. I just don't love it for the reasons that the filmmakers intended. "Safe Haven," directed by Oscar nominee Lasse Hallstom, has an ending that is so balls out goofy it turns an otherwise banal romantic thriller into one of the most gloriously cheeseball movies of all time.

A woman on the run

"Safe Haven" stars former "Dancing with the Stars" pro Julianne Hough as Katie, a woman on the run from a dangerous past. Flashbacks inform us that Katie may have murdered her abusive husband. We find Katie as she is boarding a bus that will eventually whisk her away to the idyllic paradise of Southport, North Carolina.

Southport is a town so small that no one bothers to do background checks or require a proof of ID before giving someone a job and renting them a home; what luck for a woman who may or may not be wanted for murder. Back in Katie's, not her real name mind you, home town in Boston a very determined and sweaty detective (David Lyons) is pulling out all the stops to track her down.

Of course there is a love story

Naturally, while Katie is trying to keep a low profile she will fall in love; this is a Nicholas Sparks adaptation after all. The love interest is Alex (Josh Duhamel), a widower with two adorable tots and an irresistible southern manner. He's smitten immediately but Katie needs a pushy neighbor named Jo (Cobie Smulders, "How I Met Your Mother") before she gives up her seclusion for romance.

For most of "Safe Haven" we are treated to boilerplate Nicholas Sparks romantic drama as Katie and Alex fall in love and Katie's past looms as the final act obstacle to their happily ever after. Then the final minutes of "Safe Haven" arrive and like a phoenix from the ashes of mediocrity "Safe Haven" arises to become an all time cornball classic; a true epic of cheesy badness.

No spoilers, I promise

I will not spoil the ending in this review because I want you to see it for yourself. I realize that this flies in the face of being a professional critic; recommending a bad movie, but I can't help myself; I love how bad this movie ends and I want to share it with you. The ending of "Safe Haven," for those who haven't read Sparks' novel, is joyous nonsense; a twist even M. Night Shyamalan would find contrived.

So wonderfully dumb is this ending that it took me nearly biting through my bottom lip to keep from bursting out in girlish giggles. Until the final 10 minutes, give or take a minute, I was ready to forget about "Safe Haven." Once the final credits began to roll however, I wanted to stand up and applaud and thank Lasse Hallstrom for the gift he's given to bad movie lovers everywhere.

"Safe Haven" is the first, and likely the only, must see bad movie of 2013.

Movie Review Megalopolis

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