Movie Review Fifty Shades Freed

Fifty Shades Freed (2018)

Directed by James Foley

Written by Niall Leonard 

Starring Dakota Johnson, Jamie Dornan, Rita Ora, Luke Grimes, Victor Rasuk, Jennifer Ehle, Marcia Gay Harden

Release Date February 9th, 2018 

Female sexuality remains a barrier for many men. Think about it, we still have laws in many places in this country that REQUIRES half the population to wear a shirt when they go outside, because apparently boobs have some mysterious and dangerous power to them. This is reflected in modern movie culture which, despite having gone through periods marked by movies like Last Tango in Paris and 9 and ½ Weeks, has somehow become more uptight.

This, I believe, explains part of the fascination and cultish devotion surrounding E.L James’ 'Fifty Shades' franchise. Despite what are some obvious flaws in the storytelling, the freedom of Anastasia Grey’s sexuality, in the movies at least, if not the books which I have refused to read, marks a departure from most of modern popular culture. Dakota Johnson’s assured and enjoyed nudity may happen in the form of an insipid pop melodrama but taken on its own context, it’s among the most mature displays of sexuality in modern popular culture.

This brings us to the latest film in the 'Fifty Shades' franchise, Fifty Shades Freed. I will not argue that Fifty Shades Freed is a good movie; it’s most certainly not, from the perspective of just being a movie. However, as a ripe and rare display of female sexuality, again, apart from the book which I have heard is less kind to the Anastasia character than the movies, all credit to Dakota Johnson.

Fifty Shades Freed picks up the story of Anastasia Steele and Christian Grey (Jamie Dornan) at their wedding, a surprisingly austere affair. We are thrust immediately into the nuptials which aren’t nearly as lavish as you’d imagine; especially when compared to the rest of the movie which is little more than architecture porn. Ana and Christian seem to have reached a place of mutuality though his jealousy is easily peaked, as when Ana decides to go topless in San Tropez.

Find my full length review in the Geeks Community on VocalFind my full length review in the Geeks Community on Vocal

Movie Review Perfect Stranger

Perfect Stranger (2007)

Directed by James Foley 

Written by Todd Komarnicki

Starring Halle Berry, Bruce Willis, Giovanni Ribisi, Gary Dourdan

Release Date April 13th, 2007 

Published April 12th, 2007 

The film is called Perfect Stranger but, sadly, Bronson Pinchot and Mark Linn Baker are nowhere to be found. Without question, after watching this basic cable reject thriller starring Halle Berry and Bruce Willis; I would have much preferred a big screen update of the small screen fish out of water comedy Perfect Strangers than the seemy, lurid, sleazy melodrama Perfect Stranger.

If you weren't buying the idea of an Oscar curse after last week's Hillary Swank debacle The Reaping it should become an undeniable fact after you see Halle Berry in Perfect Stranger.

When her childhood friend Grace (Nicki Aycox) is found to be the murderer, investigative journalist Roweena Price (Halle Berry) decides to go undercover and get the man she believes is responsible. His name is Harrison Hill (Bruce Willis) a high powered ad executive with a penchant for women who are not his wife and a kinky fascination with online chatting.

With the help of her newspaper researcher and computer wiz, Miles (Giovonni Ribisi), Roweena creates two different false identities, one is Catherine Pogue who takes a temp job in Hill's ad agency. The other is the online persona of Veronica who engages Hill online and uses his love on dirty talk against him. Can she get him to admit to murder or at least divulge incriminating details? That would be what a logical story arc might require, but that is not what you can expect from Perfect Stranger.

Directed by James Foley, Perfect Stranger is an unending sleazefest. A movie so icky you will need a shower afterward. Foley's idea of building a contentious, titillating thriller is to craft the worst possible set of characters and awkwardly aim them at one another. Then, when that gets dull, he simply trains his camera, uneasily, on the near naked form of Halle Berry in scenes so creepy that even the attractive Ms. Berry comes off sleazy.

What Bruce Willis was doing in Perfect Stranger is anyone's guess. This is the most ineffectual and forgettable performance of Willis' career, a career that includes both Hudson Hawk and Color of Night. The charismatic Diehard star here is wooden and lost in a sea of tawdry, basic cable cliches. His high powered ad man is basically a plot placeholder whose actions barely give context to this goofball thriller plot.

Giovonni Ribisi is the most effortlessly creepy actor working today. Whether it's his rat- like features or those serial killer eyes, he has that creep quality that makes him perfect for creepy roles in movies like Perfect Stranger. So, why then does director James Foley feel it's necessary to try and make him even creepier than he already is? In Perfect Stranger, Ribisi is allegedly a good guy and yet he may be the sleaziest of the sleazy characters in the film.

On top of a goofball thriller plot that employs one of the least believable, or logical, twists you've ever seen, director James Foley and writer Todd Komarnicki also toss in political scandal and a war protest. The film opens with a ludicrous exchange between Berry's undercover 'reporter' and a Republican Senator from New York whom she's got the goods on in an intern scandal ala the Mark Foley. Representative Foley from Florida is not related to director James Foley; as far as I know.

What is the point of Perfect Stranger? It's not entertaining, the characters are too sleezy for this to be conventionally entertaining. Is it supposed to be titillating? I assume so but with all of the sleeze poured onto the screen any and all attempts at being sexy or alluring are undone. Even the unbelievably beautiful Halle Berry is hard to admire in Perfect Stranger because of the way the camera doesn't capture her but rather leers at her in the way a dirty old man might watch a stripper.

Perfect Stranger is a sleezed out; late night cable movie dressed in big budget Hollywood clothes. Any movie that could make a man uncomfortable while ogling Halle Berry is clearly one big creepy mess. Admittedly, there is a twisted part of my psyche that wants you dear reader to see this movie just so you too can experience one of most outlandish, ludicrous twist endings ever put to film.

Rumor has it that director James Foley filmed three different endings for Perfect Stranger with three different twists. If this is the one he thought was the best; one can only imagine the laugh out-loniness of the endings he rejected. Maybe those endings will be on the DVD, in which case a camp classic of awfulness could be in the making.

Movie Review Confidence

Confidence (2003) 

Directed by James Foley 

Written by Doug Jung 

Starring Edward Burns, Rachel Weisz, Andy Garcia, Paul Giamatti, Donal Logue, Dustin Hoffman 

Release Date April 25th, 2003

Published April 25th, 2003 

It's all been done.

That is the problem with modern Hollywood filmmaking, the perception that there is nothing new that can be done. That every story is a familiar concoction of similar films. It's a product of Hollywood's adherence to genre and demographic marketing that certain elements are put into films where they don't belong in order to appeal to mass audiences. Take for example the con man movie Confidence starring Edward Burns, a familiar story of cons and con men that doesn't simply lack originality but feels so familiar that it becomes predictable.

Burns stars as Jake Vig, if that ain't the name of a movie con man, I've never heard one. Jake and his crew including Gordo (Paul Giamatti) and Miles (Brian Van Holt), specialize in petty scams involving thousands of dollars and moving quickly from place to place. However, the crew's latest con has found them sticking around longer than they are used to, and playing with larger sums of money than before. Not only is the con bigger than usual so is the man being conned, though they don't realize it at first.

In possession of 100 grand after scamming some small time bag man, Jake and his crew find that the money is that of a sadistic mobster known as the King (Dustin Hoffman). Rather than being upset with Jake, the King is impressed with his skills. Nevertheless, he wants his money back. So Jake hatches a new con, a fleece on one of the King's rivals that will not only get the King's money back but net everyone around five million bucks.

Jake and his crew can't pull this con off alone so Jake recruits a skillful pickpocket named Lily (Rachel Weisz). Lilly’s part is to seduce a low level VP in a stock scandal that includes Swiss banks, the Cayman islands and various other familiar con movie locales. The mark is a mob lawyer and money launderer played by Robert Forster, and the dupe VP is well played by “Drew Carey” vet John Carroll Lynch.

The film is told in flashback in a noir tribute to the thirties con man movies. It begins with Burns on the ground and in voiceover explaining he is dead. The device is effective and set's the film in motion but the noir feel doesn't hold up long. After the opening moments the film takes on a more modern look and feel and abandons noir all together.

Edward Burns in recent interviews has stated that he was far more committed to acting in Confidence. He broke his old pattern of working on one film while writing another, which helped him to be more focused than he has been previously. The change is noticeable, this is the most lively Burns has been in any role since She's The One. Unfortunately, on his best day as an actor he's still reminds of Ben Affleck minus the charisma.

Director James Foley skillfully directs this con game and it's Mametesque script, which is no surprise. Foley was the man who successfully wrestled Mamet's Glengarry Glen Ross to the screen. Confidence isn't as brilliant as that film but the script has it's moments especially those handled by Hoffman who once again shows what a true pro he is.

I neglected to mention that Andy Garcia turns up as an FBI agent on the trail of the con men. Watching Garcia makes you wish he and Burns could have switched roles. Shave the shaggy beard, blacken the hair and throw on a nice suit and Garcia could do the role with his eyes shut. Nothing against Ed Burns, he gets better as an actor each time out, but Confidence demands a pro and Garcia could have been that pro.