Showing posts with label Brian Tyree Henry. Show all posts
Showing posts with label Brian Tyree Henry. Show all posts

Movie Review: Don't Let Go

Don't Let Go (2019)

Directed by Jacob Aaron Estes

Written by Jacob Aaron Estes

Starring David Oyelowo, Brian Tyree Henry, Storm Reid, Mykelti Williamson

Release Date August 30th, 2019

Published August 29th, 2019 

Don’t Let Go is a pulse-pounding stunner of a time travel thriller. David Oyelowo stars in Don’t Let go as Detective Jack Radcliff, an L.A cop with a very close relationship with his niece, Ashley (Storm Reid). Ashley’s dad, played in a cameo by Bryan Tyree Henry, is a troubled songwriter and part time drug dealer, who has recently gotten deep in over his head. It’s led him to neglect his daughter, and place his family in danger. 

How much danger? When Jack goes for a visit to his brother’s home, he finds the door standing open. Inside, he finds his brother’s wife on the floor, shot dead. Upstairs, Jack finds the body of his brother, dead from a gunshot wound to the head which we see in grisly detail as Jack’s grief overcomes him and he clutches his brother's gaping skull, attempting to hold closed the already fatal wound. 

The most devastating blow however, is yet to come. After finding his brother’s body, Jack goes looking for Ashley and finds her shot to death in the family bathroom, her attempt to flee through a window cut short. It’s a stunning scene and one played by David Oyelowo with a forlorn resignation and jarring emotionality. Oyelowo may be slight in build but his emotional stature is towering and in this scene, devastating. 

In another universe, we would get a straight ahead cop procedural in which Jack tracks down the killers, held back by the rules of law and probably some insider corruption that keeps the baddies ahead of his every move until he’s able to outwit them. That’s not, however, what Don’t Let Go is. This is nothing remotely typical. Written and directed by Jacob Estes, best known for the indie thriller Mean Creek, Don’t Let Go has a time travel conceit that subverts expectations in wonderfully inventive and genuinely surprising ways. 

Days after laying his family to rest, Jack’s phone rings and the display claims that the call is coming from Ashley’s phone. The calls keep coming until finally Jack answers and finds Ashley on the other end. No, she’s not survived by some miracle, she’s actually calling from two weeks in the past, a time before the murder. How is this possible? The filmmakers don’t appear to care about that and neither should we. 

The most important thing to consider in order to find Don’t Let Go as compelling and excited as I did, is not to get caught up on why this is happening. For me, the rest of Don’t Let Go is so interesting, so unique and attention grabbing, I simply bought into the story and went where the movie wanted to take me. I bought into the suspense, I bought into the blood and guts and I bought into this complicated premise that might prove to be a dealbreaker for less committed audience members. 

You cannot overestimate how incredible David Oyelowo is in Don’t Let Go. Oyelowo has remarkable instincts, his eyes are so alive and compelling. You never catch Oyelowo acting and yet the look on his face demonstrates wheels turning and remarkable effort. The blood, the sweat, the dirt, Oyelowo lives this role and I found his intensity and commitment impossible to resist. The same could be said of his young co-star, Storm Reid. Reid impressed me in Ava Duvernay's wonderful, A Wrinkle in Time and she's equally as impressive here as she attempts to solve her own murder. 

Don’t Let Go absolutely came out of nowhere for me. The generic title made me believe this was going to be a minor and forgettable and perhaps that low bar helped a little. Writer-director Jacob Estes makes a strong case that Don’t Let Go with its unusual time travel premise and heart-stopping suspense is just a really great thriller. The pace is perfectly calibrated and the film score is among the best of 2019. 

Don’t Let Go is exceptional and at a time where we lack in great thrillers, the film stands out that much more for being a classic piece of genre filmmaking.

Movie Review: Widows

Widows (2018) 

Directed by Steve McQueen

Written by Steven McQueen, Gillian Flynn 

Starring Viola Davis, Elizabeth DeBicki, Brian Tyree Henry, Colin Farrell, Carrie Coon, Robert Duvall 

Release Date November 16th, 2018 

Published November 15th, 2018

Widows is one heck of a great movie. This firecracker of a suspense thriller isn’t just a rare occasion for women to stand at the front of such a genre flick, it’s just, as a movie, a really, really great movie. Writer-director Steve McQueen, whose 12 Years a Slave won Best Picture in 2012, says he’s been nursing a version of Widows for nearly a decade but finally felt that now was the right time to launch a mainstream feature after having established himself as an indie darling. 

Widows stars Viola Davis as Veronica, the wife of a criminal named Harry Rawlings who's just been killed during a heist. In the heist two million dollars burned up along with Harry’s corpse, two million dollars that belong to a gangster named Jamal Manning (Brian Tyree Henry) who has decided that Veronica needs to be the one to pay him back. She has 30 days to raise two million dollars or something bad will happen. 

Harry has left Veronica one thing that might help her out of this situation. It’s a book length description of a five million dollar heist that appears fool proof. Veronica certainly thinks show as she begins to believe that she can pull off this heist if she can recruit some help. With the help of one of Harry’s few friends that didn’t die with him in his fatal job, Veronica approaches the wives of the men who died with Harry and tells them that Manning will be coming after them if she can’t pay him. 

The other women who lost their husbands are Linda (Michelle Rodriguez) and Alice (Elizabeth Debicki). Linda lost her clothing store when her husband died deeply in debt. Elizabeth meanwhile is being pushed toward high end prostitution by her domineering mother (Jackie Weaver) now that her meal ticket husband is dead. Both are responding to Veronica’s threat but their circumstances are playing a role here as well. 

In the background of the heist is a battle for political power, also involving Jamal Manning. You see, the missing two million was intended to help Manning buy his way into respectability as the new Alderman of Chicago’s 18th Ward, a seat held by the Mulligan family for decades. Robert Duvall plays the aged Tom Mulligan who had planned on essentially gifting his ward to his lawyer son Jack but a political mistake has led to the redrawing of the Ward lines and left Jack with a contentious race against Manning. 

How the race for Alderman plays into the plot I will leave you to see for yourself. You can assume it’s about power and corruption but McQueen’s story is even more inspired than that. This a movie with strong plot mechanics and no wasted time or space. Widows is a movie that wastes little time on the extraneous even as it has a sprawling cast that also has room for Get Out star Daniel Kaluuya and Cynthia Eriivo as the final member of Veronica’s gang. 

The tight plotting also still has room for strong commentary on the state of politics and economics. One incredible scene transitions from Colin Farrell’s wannabe political scion holding a press conference in a rundown neighborhood and being questioned about missing money to Farrell and his campaign manager in his limo. This is an unbroken take where the camera doesn’t get into the limo, it remains outside on the front of the limo. 

We listen as Farrell complains about how he doesn’t get the respect he deserves, how he can’t stand the media and the situation his father created for him by not working with the Mayor. The visual is fantastic and the scene lasts about 3 minutes and in that time we go from a rundown neighborhood to Farrell’s well appointed mansion. The visual is powerful and evocative and the message of the movie could be contained entirely in this moment. 

Viola Davis is a goddess but the performance I want to highlight from Widows is Elizabeth Debicki. Debicki isn’t well known yet but this is a star making performance. She’s no mere pretty face, Debicki’s Alice is a victim of an abusive husband and a domineering mother who really finds her strength in going along with this seemingly insane heist plot. Debicki brilliantly inhabits a young woman finding herself in a bitterly smart performance. 

Widows is one of the best movies of 2018. It’s smart, exciting, and exceptionally well made. Steve McQueen is a masterful director who makes brilliant decisions in keeping his narrative tight and the pace quick but never too quick. Widows is a suspense thriller with brains and guts, blood, sweat and tears. It’s gritty with a touch of glamour. Widows is a movie for adults with a strong respect for the wit and intelligence of adult audiences. 

Widows is a must see movie.  

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...