Movie Review Just Like Heaven

Just Like Heaven (2005)

Directed by Mark Waters

Written by Peter Tolan, Leslie Dixon

Starring Reese Witherspoon, Mark Ruffalo, Jon Heder

Release Date September 16th, 2005

Published September 16th, 2005 

A romantic comedy that marries elements of the music of the Cure with the romance of The Ghost and Mrs. Muir has far more ambition than anything that genre has seen in a long while. Throw in that it's directed by the director of Mean Girls and Freaky Friday and stars Reese Witherspoon and you have an absolutely can't miss formula.

Just Like Heaven is very much a formula picture but it's the best version of that classic romantic comedy formula than anyone has made since Tom and Meg last embraced.

Reese Witherspoon stars in Just Like Heaven as Dr. Elizabeth Masterson, a resident at a San Francisco hospital with zero social life. 24 to 36 hour shifts are nothing new to Elizabeth, nor is falling asleep in her lunch. But despite her dedication one cannot help but notice the twinge of loneliness in her eyes as her  co-workers discuss family and friends. Not that Elizabeth does not have them.  She simply has no time to spend with them.

Finally, after getting a much sought after promotion, Elizabeth gets a night off. She is on her way to her sister Abby's (Dina Spybey), for dinner with her family and a blind date. Unfortunately, Elizabeth never makes it to dinner that night. After assuring Abby she was on her way, Elizabeth crosses the path of an oncoming truck and suffers a major accident.

Cut to three months later and the story shifts to David Abbott (Mark Ruffalo) a widower searching for a new apartment. Fate leads David to choose the apartment that once belonged to Elizabeth and, to David's frightened surprise, is still her spirit's home. At first it's an occasional run in here and there that David thinks could be just a misunderstanding or voices in his head as he has been drinking a lot recently.

Soon it's clear that this is all for real and David and Elizabeth set out to find out just what happened to her and in the process they fall madly in love. There's more to the plot than my description states but I don't want to spoil the fun. If you've read a number of reviews already you probably know the twists and turns but I'm still not going to spoil them myself.

Living man falls in love with a ghostly girl is not an original plot but I doubt it's ever been as wonderfully entertaining as it is in Just Like Heaven. Reese Witherspoon and Mark Ruffalo have chemistry to burn as the man and his ghost and director Mark Waters have just the right touch of classic romantic comedy and modern movie magic. Waters is quickly becoming a master of light hearted material mined for big laughs and a tug at the heartstrings.

Waters is absolutely blessed in the casting of Just Like Heaven, not only with his terrific stars but in the supporting cast, which features Donal Logue, Dina Spybey (who happens to be the director's wife), and the brilliant Jon Heder who combines just enough of his iconic Napoleon Dynamite with a relatively normal looking character to deliver some of the film's best moments.

The script by Peter Tolan and Leslie Dixon is based on a novel by Marc Levy called "If Only It Were True" which was actually optioned by producers even before it was published. With the paucity of new and different ways for romantic comedy couples to meet, it is rather cute finding one where a live guy falls for a seemingly dead girl.  At the very least it is refreshing.

As put in play by Mark Waters and his excellent team, including Tolan and Dixon, cinematographer Daryn Okada and production designer Cary White, this concept comes magically and romantically to life. The characters are smart and wonderfully likable and the San Francisco locations, including screenwriter Dixon's own apartment standing in as Elizabeth and David's apartment, are gorgeous. The filmmakers could cut back on the fake smoke and soft lighting that creeps in a few too many times but overall the attention to detail is lovely.

I absolutely must praise the film's soundtrack headed up by Composer Rolfe Kent and Cure singer Robert Smith. The soundtrack features The Cure's original "Just Like Heaven" and a lovely cover by Kate Melua. I've never been a big fan of cover tunes but the soundtrack overflows with good ones from the title track to Kelis covering the Pretenders' "Brass In Pocket" to Bowling For Soup's very funny take on "Ghostbusters".

The soundtrack also features Beck, Pete Yorn and original recordings from Composer Rolfe Kent, who was nominated for a Golden Globe last year for his work on the Sideways soundtrack.

Despite the live boy/ghost girl approach, Just Like Heaven is still a traditional romantic comedy and as tired as that genre is this film has none of the lethargy or stagnation that most recent romantic comedies suffer from. That has everything to do with this exemplary cast. Reese Witherspoon is back after dipping into the Oscar bait in Vanity Fair. She has fully inherited the romantic comedy crown from Julia Roberts and has become the rare actress to receive bigger billing than her male co-stars.

Mark Ruffalo continues to show astonishing range by choosing unique material. He was last seen as a gritty cop chasing Tom Cruise and Jamie Foxx in Collateral. Before that he made another bubbly effusive romantic comedy, the candycoated 13 Going On 30. That film was not as smart or well made as Just Like Heaven, but both showcase Mark Ruffalo's quirky approach to the genre. Ruffalo treats even the lightest material with an actor's eye toward motivation and logic. He has a natural approach to the material that refuses to be manipulated by the plot.

Napoleon Dynamite's Jon Heder has been hyped prominently in the film's marketing and though his role is not as big as it may seem from the commercials and trailers, Heder nevertheless makes a great impression. Playing an oddball bookstore employee with empathic powers, he can sense the presence and feelings of ghosts.  Heder does not so much shed his Napoleon-ism as play to it and then away from it. This character is smarter and more stylish but retains the endearing oddness of Napoleon.

There are plot holes in Just Like Heaven as there are in any typical genre picture. The key to overcoming those holes is to create characters who can see audiences past any illogic simply with their appeal. Witherspoon, Ruffalo and the amazing supporting cast with their easy rapport and synergy completely gloss over any logic problems or editing missteps, allowing the audience to rejoice in the magic realism and the sheer joy of romance.

I despise the term chick flick! The simpleminded anti-feminism of the phrase grates me. It's a term people use to simply dismiss a film that they have not seen. What a shame because films as funny and well crafted as Just Like Heaven deserve the widest possible audiences they can get. With so few good movies made every year, to dismiss a movie simply for its surface is such a waste.

Movie Review: When in Rome

When in Rome (2010) 

Directed by Mark Steven Johnson

Written by Mark Steven Johnson, David Diamond, David Weissman

Starring Kristen Bell, Josh Duhamel, Will Arnett, Jon Heder, Dax Shepard

Release Date January 29th, 2010

Published January 30th, 2010

An explanation: In the past I have been accused of being too hard on kid’s movies while going easy on cheesy romantic comedies. This is not inconsistency or hypocrisy. The fact is that children with their still forming brains in desperate need of development in the area of critical thinking must be protected. Teens and adults, the audiences for cheesy romance, need no such protection.

Fully aware of the dopey clichés of the romantic comedy, the teen and adult audience can safely view even the lamest examples of the genre with little damage. Occasionally, some of these overly familiar, simpleminded romances are so simple and so aware of their limitations that our lowered standards are appropriate and fair ways to judge them. Kristen Bell and Josh Duhamel's When in Rome is a perfect example. Dull witted with terrible supporting characters, the film has charms for the forgiving audience.

In When in Rome Kristen Bell stars as Beth a museum curator who is shocked when her little sister Joan (Alexis Dziena) shows up at her door engaged to be married. Joan is getting married to man she met on a plane and has known for about two weeks. He's from Rome and the wedding will be there forcing Beth to drop everything, including an important bit of work, to run off for two days.

At the wedding Beth meets Nick (Josh Duhamel), the Best Man. The two have a couple of charming romantic and funny moments. With Beth flubbing a couple wedding traditions and Nick's penchant for stumbling about, these two bond quickly with each other and we with them.

Naturally, it is too early in the film for them to be together. Thus, Director Mark Steven Johnson separates the two with a typical misunderstanding, this one leaving Beth drunkenly dancing in the Fountain De Amore, the Fountain of Love, where she steals some coins tossed by men searching for love. The coins are enchanted and the men will follow her back to New York to try to win her heart. So will Nick, but is one of the coins his?

Yes, the plot is lame and worse yet, several of the supporting performances are abysmal. Jon Heder plays a terribly unfunny street magician. Will Arnett wears a ridiculous wig and an even more ridiculous Italian accent as a wannabe artist. Dax Shepard is an offensively self involved male model who though enchanted struggles to like Beth as much as he likes himself.

Danny Devito is the only one among the group to salvage any dignity as a sausage magnate tries to impress Beth with gifts of meat. Devito gets a nice moment late in the film explaining the motivation behind his coin in the fountain; it's all that keeps him from being as humiliated as Heder, Arnett and Shepard.

The supporting players are, aside from Devito, pretty terrible but thankfully not so bad that they sink the whole film. That is because Kristen Bell, in her first starring role, and Josh Duhamel have such great chemistry. The two former TV stars, she on Veronica Mars, he opposite James Caan on Las Vegas, are just so darn cute together.

Bell has an edgy almost angry energy that is leavened by a great smile and ability to roll with the punches as the humiliations pile up. Duhamel undercuts his handsomeness with some good solid slapstick. Nick stumbles, walks into walls and drops down shafts and Duhamel plays the pain well. His back story as a former College Football star famous for one shocking moment on the field plays to his clumsiness.

Do not be mistaken, When in Rome is far from great. The film requires a great deal of patience and willingness to suspend judgment but for the willing Bell and Duhamel make a charming and great looking pair. While she smiles and takes her many humiliations in stride, he just stumbles about and they never stop being likable. That was enough for me to recommend When in Rome.

Movie Review Surf's Up

Surf's Up (2007) 

Directed by Ash Brannon, Chris Buck

Written by Ash Brannon, Chris Buck, Don Rhymer, Chris Jenkins

Starring Shia Le Beouf, Jeff Bridges, Zooey Deschanel, Jon Heder, Brian Posehn

Release Date June 15th, 2007 

Published June 15th, 2007

In its brief history Sony Pictures Animation has turned out a pleasant slate of kids pics that, while they aren't the rival of Pixar, are wonderfully imaginative and lovingly crafted. Monster House and Open Season were two of 2006's most pleasant surprises and showed an aesthetic that is becoming a Sony Animation staple. It's a watercolor, computer animation combination that occasionally looks quite breathtaking.

The latest Sony Pictures Animation project, the Penguin comedy Surf's Up, is not as accomplished as Monster House or as fun as Open Season, but it does show the potential of the talented group at Sony Animation and the likelihood that, with a little more care and attention, there is a chance for a real masterpiece from this rising animation company.

Ever since he was a small penguin Cody (Shia Le Beouf) has wanted to surf. When he was very young Cody met the legendary surfer Big Z who gave him a souvenir medallion that he has worn for the rest of his life. Shaping a piece of ice into a board, Cody surfs the relatively small Antarctic swells in hopes of one day traveling to Penghu Island for the Big Z memorial tournament.

Cody gets his chance when a talent scout arrives, riding on whale-back. Cody impresses him with his persistence, if not his surfing and soon Cody is on his way to the big show. There he meets Roger the chicken (Jon Heder) who quickly becomes his new best friend. He also meets Lena (Zooey Deschanel) who catches his romantic fancy.

Then there is Geek (Jeff Bridges) , a mysterious hermit who takes Cody in after he has an accident while surfing. The two bond and soon Geek is Cody's mentor; preparing him for the tournament and a showdown with the jerky defending champion Tank (Diedrich Bader).

Surf's Up plays out in a cartoon documentary style that works to set it apart from other similar animated films. The format allows humorous digressions like a look back at Big Z's classic surfing movies, reminiscent of the legendary Endless Summer documentaries. Another strength of the documentary structure is the straight to the camera interview moments, especially those featuring the cute young penguins with their wonderfully humorous greek chorus commentaries.

Comedian Brian Posehn also shines in these brief interview segments with pitch perfect sibling rivalry banter with Shia Le Beouf.

The terrifically talented voice cast of Surf's Up is a real joy to behold. Shia Le Beouf brings to life Cody's childlike wonderment with an edge of youthful arrogance. Jeff Bridges meanwhile will no doubt remind many adult viewers of his most iconic character, the dude from The Big Lebowski, sans the white russians and the bathrobe.

Zooey Deschanel's distinctive voice has an edgy sarcastic quality that she can turn sympathetic but only when absolutely necessary. Jon Heder delivers a slightly controversial turn as Roger the chicken. The character is supposed to be sweetly naive but he comes off more like a classic stoner character, not exactly kid friendly.

The animation of Surf's Up is pretty terrific. Sony Pictures Animation has followed the Pixar model and is developing a signature style. Combining computer animated aesthetics with a sort of water color look, Sony's animators bring an element of classic hand drawn animation to their CG work. The closing scene of Surf's Up, set inside the curl of a wave, is a breathtaking sight, one of the finest animated moments of any cartoon you've ever seen.

Surf's Up could stand to be a little funnier, with a quicker pace but overall it's pleasant, non-threatening and energetic enough that the kids will be engaged and mom and dad won't be bored. Most importantly, Surf's Up is a signpost of great things to come from the rising Sony Animation brand. A strong, if not as impressive, follow up to the terrific Monster House and the entertaining Open Season, Surf's Up is worth the price of a matinee admission.

Movie Review: Blades of Glory

Blades of Glory (2007) 

Directed by Josh Gordon, Will Speck

Written by John Altschuler

Starring Will Ferrell, Jon Heder, Will Arnett, Amy Poehler, Jenna Fischer

Release Date March 30th, 2007

Published March 29th, 2007

How does a film critic approach something like the new Will Ferrell comedy Blades of Glory. It's not so much a movie as it is a series of skits featuring the same characters. Yes, there is the vague sense of a narrative and a sense of filmmaking skill involved in the capturing of the various skits, but is it really a movie in the classic sense of the term? Not really. Blades Of Glory may not be a real 'movie' but as a series of skits; cut together; and presented on the big screen; it is rather hilarious.

Will Ferrell stars in Blades Of Glory as Chazz Michael Michaels. We are told that he is a world championship figure skater whose showmanship has earned him the nickname "Sex on Ice". His main rival is a sweet natured, orphan turned prodigy; Jimmy McElroy (Jon Heder). When we meet them for the first time, in dueling TV highlight packages, they are competing for the world championship in men's figure skating.

Michaels with his trademark fireballs and McElroy with his own trademark bird-like moves, manage a tie for the gold medal but neither is satisfied. On the medal stand the two rivals argue and push and shove and finally break down into the kind of catfight one might not stereotypically expect from figure skaters. Soon both skaters are bloodied and the mascot is on fire.

The fight gets both skaters stripped of their medals and banned from skating. Oh, but there is a loophole. They were banned from men's singles skating, not pairs. Eventually, Jimmy's coach (Craig T. Nelson) gets the brilliant idea to pair the rivals as the first male figure skating pair in history, much to the dismay of the top pairs couple in the world Stranz and Fairchild Van Waldenberg (Will Arnett and Amy Poehler). The brother sister pair make it their mission to destroy their new rival with the help of their mousy little sister Katie (Jenna Fischer) who caught Jimmy's eye.

OK, there is a semblance of a plot here. However, watching it unfold and describing it are two very different things. Watching Blades of Glory I was left waiting for the movie to begin. Every scene is the set-up of a bit, closed with a punchline ending. There is little story progression, almost no character development and what little there is, is undone quickly by another gag/punchline ending. That said, most of the gags and punchlines in Blades of Glory are pretty funny and that goes a long way in excusing the film's faults.

I promise not to give away any of the great jokes in Blades of Glory except to say keep an eye on the hot dog guy. This one line day player has the best joke in the movie. Also stealing the show is costume designer Julie Weiss whose Flash Gordon meets Tron designs are absolutely priceless. The costumes in the final performance may in fact get the loudest laugh of anything in the film.

Will Ferrell is... Will Ferrell. He's everything you expect him to be in Blades of Glory, obnoxious, clueless, occasionally drunk and it works for him. What is odd is watching Ferrell try and share the screen with Heder who, though likable, is not on Will's plain in terms of starpower. In fact, Ferrell's role is really a glorified supporting role. Heder is the one with the more pronounced arc and he gets the girl. Ferrell merely sweeps in for punchlines. Pretty well, all of them.

For those who stick around for the credits and want to know who that is singing that oddly earnest sounding "Blades of Glory" theme song, it's not Survivor or the remaining members of Boston. It's former American Idol contestant Bo Bice.

I don't think Blades of Glory is very good as a movie but as a series of laughs strung together; I must admit, I laughed alot. Will Ferrell as a figure skater is enough to produce a chuckle. When decked out in spandex skating to Foreigner tunes, he is just a scream. There may not be a plot but when the jokes are this funny it's hard to complain to much. I guess; you could call this a recommendation for Blades of Glory.

Movie Review School for Scoundrels

School for Scoundrels (2006)

Directed by Tod Phillips

Written by Scot Armstrong

Starring Jon Heder, Jascinda Barrett, Billy Bob Thornton, Michael Clarke Duncan, Sarah Silverman, Ben Stiller, David Cross

Release Date September 29th, 2006

Release Date September 29th 2006

Todd Phillips and Scot Armstrong are the comic director-writer team behind Road Trip, Old School and Starsky and Hutch. Their brand of broad physical comedy, bathroom humor and just general juvenilia may not be great art but is good for a number of big laughs. Phillips and Armstrong's latest collaboration, School For Scoundrels, is meaner and more physical than their previous films but like those other films it's good for more than a few big laughs.

Roger (Jon Heder) is a shy, lonely, dork; living in New York City and working as a meter maid. He is nursing an unrequited crush on his apartment building neighbor Amanda (Jascinda Barrett) however, because he either hides or passes out when he sees her, he has no chance of getting a date with her. Luckily for Roger his pal Ian (David Cross) has something that might help him.

Ian took a class at the learning annex that is like Fight Club for the socially challenged. For five thousand dollars a man named Dr. P (Billy Bob Thornton) teaches guys like Roger how to find the nerve to take the things they want. His methods are harsh and cruel, including instructing his students to randomly antagonize strangers, shooting his students with paintballs at close range and just generally insulting them until they fight back.

Whatever the methods, Dr. P's teachings do help Roger who finally gets a date with Amanda. However, when Dr. P senses Roger getting too good, so he decides to teach him a lesson by getting a date with Amanda himself and challenging Roger to fight back.

Directed by Todd Phillips and his long time writing partner Scot Armstrong, School For Scoundrels has a number of big laughs but lacks a consistent throughline. Phillips and Armstrong's style is to set a plot in motion and then continuously interrupt it with gags that are hit and miss. An example is a paintball game scene where three of Roger's classmates are taken hostage by Dr. P's burly assistant played by Michael Clark Duncan, and there are intimations that he may forcibly have sex with them.

This rape joke is repeated later in a bizarre cameo by Ben Stiller as a former student of Dr. P's. The gags distract from the main plot and, in the case of the rape joke, really take away from the enjoyment of the rest of the film. Another pair of gags involving Roger and a pair of thuggish parking offenders is funnier but just as distracting.

Another problem that Phillips and Armstrong have is a complete inability to write female characters. Going back to Road Trip where Amy Smart was used merely as eye candy for a terrific but unnecessary nude scene, to Old School where Ellen Pompeo barely existed in the plot and every other woman was used for more naked eye candy to now in School For Scoundrels where Jascinda Barrett is at least allowed to keep her clothes on but otherwise barely exists in the plot. She exists only as a prize to be won by either Heder or Thornton.

Jon Heder has a problem. His role as the awkward socially retarded Napoleon Dynamite continues to haunt his career. The specter of Napoleon hangs over his every role since and in School For Scoundrels his Roger is just a few steps beyond Napoleon in terms of ungainly social graces. There are signs however that he is maturing. Heder holds the screen well opposite the imposing presence of Thornton and he does seem a good match for Barrett. If her character would have had more depth there might have been more chemistry.

Billy Bob Thornton has a wonderful dark comic presence. His Dr. P is like a twisted version of Will Smith's Hitch and R. Lee Ermey's malevolent drill sergeant from Full Metal Jacket. Thornton can play intimidating or charming in just a few beats and make you believe both. In School For Scoundrels his snake like charm and savage temper combine for more than a few big laughs.

School For Scoundrels is meanspirited and often quite juvenile but it is funny. I especially loved the tennis scene which was rightfully featured in the film's marketing. Heder and Thornton really connect in these scenes and the awkward violence is played for some of the film's biggest laughs. The paintball scene, also in the trailer, is the film's low point in violent slapstick. The scene exists simply to fire shots to the groin, it adds nothing to the plot of the film. Is it funny? I laughed at the first shot, by the fifth I was waiting for the plot to kick in again.

Ben Stiller drops into School For Scoundrels late in the picture and though his role is more than a little eccentric, I did love the way he played it. Driven slightly mad after serving in Grenada in the 80's and surviving Dr. P's class soon after, Stiller finds just the right odd note for this truly bizarre character, easily the broadest and least believable in the film.

School For Scoundrels suffers from something that each of Todd Phillips and Scot Armstrong's previous films suffered from, a lack of a consistent tone. At times very broad, at times played for believability, the tone of the comedy is at odds with the tone of the film's romantic triangle. There are big laughs in the film that are followed by long periods of setups and payoffs that are mean spirited to the point of cruelty but more importantly, are often not funny enough to justify the cruelty.

Meanwhile the romance sputters because Barrett isn't given any time in between the evil pranks and pratfalls of Heder and Thornton, to connect with either actor. Amanda's first date with Roger is an alright scene, but Heder and Barrett are on two completely different wavelengths in most scenes, he's broad and gangly, she's square and earnest.

A little more effort and time and I think these two actors could have established a strong romantic rapport. However, this is not a romantic comedy. School For Scoundrels is a film about nasty pranks and shots to the groin. That too much of the plot hinges on Heder and Thornton's relationship with Barrett is a problem that the filmmakers don't seem all that concerned with.

Still, though I sound quite negative about School For Scoundrels; I enjoyed it. The film achieves a number of big laughs inside and outside the plot. The film would be much better if the laughs came seamlessly from one scene to the next instead of stopping and starting, but the laughs are big laughs and that makes up for many of the film's major structural problems.

School For Scoundrels is meanspirited, often cruel and highly immature. It's also undeniably funny. Jon Heder may still remain in the shadow of his Napoleon character but he shows in School For Scoundrels that he has the comedic chops to one day escape that film's shadow. Billy Bob Thornton will never be a great leading man but as a supporting player or villain, he is one of the best in the business.

Todd Phillips and Scot Armstrong know how to craft some big laughs but they are, for now, just getting by on those few big laughs. I hope one day to see them mature into making films that flow seamlessly from one joke to the next, but for now; their big laughs are big enough for me to recommend School For Scoundrels.

Movie Review: The Benchwarmers

The Benchwarmers (2006) 

Directed by Dennis Dugan

Written by Allan Covert, Nick Swardson

Starring Jon Heder, Rob Schneider, Nick Swardson, Jon Lovitz, Craig Kilborn

Release Date April 7th, 2006

Published April 11th, 2006 

There was a bit of controversy surrounding the release of the new comedy The Benchwarmers. Many critics were upset when Sony canceled critics' screenings across the country at the last minute. Critics were upset not necessarily because they did not get to see this particular film in time for newspaper reviews, but rather because it marked the continuation of a trend of films not being screened ahead of time for critics.

What is unfortunate about this situation is that the critical anger casts The Benchwarmers as some kind of watershed moment in the history of Hollywood studios and film critics. The last thing anyone wants is to make this abomination of a film memorable in any way, let alone historic. Ugh!

The Benchwarmers stars Adam Sandler's back up band--Rob Schneider, David Spade along with a script by acolytes Allen Covert and Nick Swardson. It also stars Napoleon Dynamite's Jon Heder in a definite fire-your-agent career move.

When a couple of nerdy kids are kicked off a baseball field by bullies, Gus (Rob Schneider), Richie (David Spade) and Clark (Jon Heder) challenge the bullies to a game. Gus is a natural athlete, however Richie, a 39-year-old virgin and video store clerk and Clark, a thirty-something mama's boy who has to wear a helmet wherever he goes, are not.

The trio somehow manage to win, leading to further challenges from bully teams. A following of nerdy kids desperate to see jocks get their comeuppance from a trio of nerds develops and comes to the attention of a billionaire nerd, Mel (Jon Lovitz), who throws out an additional challenge. He will build a state-of-the-art baseball stadium and give it to whatever city's team can beat the trio, now known as the Benchwarmers.

Directed by Dennis Dugan, who has a resume only a mother could love, including both Happy Gilmore and Big Daddy, The Benchwarmers is competent in terms of being in frame and correctly lit for both indoor and outdoor shots. After that it's pretty well downhill.

I have a theory that people in general never grow up, they simply get older. Schneider, Spade and the entire Sandler crew seem, to me, to be living proof of this theory. At some point each of these men should have outgrown dick and fart jokes. However, even as each has passed the age of 40, they return to the same tired lowbrow jokes.

One could argue, why mess with success? These guys have made quite a bank load off of this brand of humor. I would argue that this cannot work forever and eventually the well for these guys will dry up and they will be left with no one to gape slack-jawed at their antics. For now, though, they are right. Despite my distaste for this brand of humor, it is successful. The Benchwarmers opened to more than 20 million at the box office.

I was going to make a joke about Schneider being cast in a role with model Molly Sims as his love interest. However, with news that in reality David Spade is dating Heather Locklear, one must forget believability--real life is even more bizarre than the movies.

What can my critical brethren take away from The Benchwarmers? Not much. Early reviews pretty well wrote themselves on this film. There are no surprises or innovations in The Benchwarmers--I could have written this negative review of the film far in advance of having seen it. The main point is the audience for The Benchwarmers would have seen the film regardless of its Rotten Tomatoes ranking--currently only 11 percent positive.