Movie Review Max Payne

Max Payne (2008)

Directed by John Moore

Written by Beau Thorne

Starring Mark Wahlberg, Olga Kurylenko, Mila Kunis

Release Date October 17th, 2008

Published October 17th, 2008

Is it cynical to assume that studios only make movies out of video games because of the built in audience? No, nothing is too cynical when it comes to movie studios. The real question is: How do the studios get filmmakers to go along with a movie that is little more than a marketing ploy? You could ask director John Moore. He is the man behind the latest video game adaptation to hit video store shelves. Moore and writer Beau Thorne have taken the characters of the popular first person shooter game Max Payne and used the character names and changed just about everything else that fans of the game knew.

Moore and Thorne have made a movie with characters named Max Payne and Mona Sax but if they resemble anything from the videogame it is merely a coincidence. Since that is the case, then why waste money on the rights to the game. Was that just for the name Max Payne?

Mark Wahlberg plays the titular Max, a cop tortured by the murders of his wife and daughter. They were alleged to have died in a robbery but Max comes to suspect a more sinister motive.  He's become so consumed by the conspiracy that his career has stalled. He now works in the Cold Case department, a bad assignment we assume because his office is located in the basement of the precinct.

The story kicks in when Max gets a tip from an informant about some dopeheads. He finds them and they lead him to a party and to a girl with a tattoo that is a big clue. The girl (Olga Kurylenko) is linked to a major drug dealer (Amaury Nolasco) who may be the man who really killed Max's wife. Before Max can get anything from the girl she is murdered. Since she happened to have stolen Max's wallet and was carrying it when she was killed, he is the top suspect.

More bodies pile up, each with a link to Max. As he avoids the cops he befriends the dead girl's sister, Mona (Mila Kunis), a killer for hire. Together they hunt down the drug dealer and his supplier. The plot involves a corporate conspiracy, drugs, super soldiers and other such things, many of them actually taken from the video game. However, fans of Max Payne looking for anything to be what they remember of the game will be sorely disappointed.

The 'adaptation' was merely a ploy by 20th Century Fox to find a property with built in salability. It never really mattered that the writer and director were in no way bound to actually adapt a story people were already quite familiar with. What mattered was the name Max Payne.

Now, as someone who never played the game, I could not really care less. The efficacy of video games to movies will affect fans of the game. For me, the issues are different. Max Payne, to me is a dreary action spectacle of dull anarchic plotting and lame attempts to marry classic detective movie tropes to modern special effects driven madness.

I like Mark Wahlberg but with The Happening and now Max Payne, Wahlberg is devolving from promising star to victim of bad management and bad advice. His Max Payne is a slow witted, lumbering piece of meat with a gun in his hands. On top of that, he's also a major bummer.

That last thing isn't his fault, I might not be alot of fun if my wife were murdered by drug dealing corporate conspirators but you wouldn't want to watch a movie about me either. The script of Max Payne piles on the depressive Max by killing his family and friends and then director John Moore piles on an oppressive atmosphere of unending cold darkness.

There are allusions to Norse mythology, lifted from the videogame but also altered from what gamers remember. The allusions are supposed to give the movie (game) depth but they really just show how shallow the whole enterprise is. The depth is feigned to the point of apathy and you almost feel sorry for whoever thought such a gambit would work.

Really, I almost feel sorry for everyone involved in Max Payne. I'm not sure what they set out to accomplish but still their failure is evident. Max Payne is a dreary, ugly, dumb movie that exists because of it's built in marketability and loyal following. Whether satisfying that built in following ever mattered is a question for director John Moore or 20th Century Fox.

My guess is, Nah.

Movie Review Hitman

Hitman (2007) 

Directed by Xavier Gens

Written by Skip Woods

Starring Timothy Olyphant, Dougray Scott, Olga Kurylenko 

Release Date November 20th, 2007

Published November 19th, 2007

Have you ever seen somebody who is clearly trying hard to be cool? He looks cool on the surface, but closer inspection shows the strain, the hard work that went into being cool. Hitman is a movie that is trying very hard to be cool, but the strain shows. Desperately aping the sleek style of the Matrix while trying to capture the cool of the sadly overlooked 2002 flick Equilibrium, a film of such effortless cool that even failing at the office does little to diminish it, Hitman comes of as desperate and uncool. 

Timothy Olyphant stars in Hitman as a nameless assassin who is said to be the best killer in the world. Raised in a secret society and trained in diapers to be a stone cold killer, our nameless hitman is given only a number, 47, and a barcode tattoo on the back of his head. Sent to Russia to assassinate the Russian President, a former hardliner going soft toward the west, 47 finds himself wrapped in Russian politics when the man who he knows he killed continues to make public appearances after his death.

On the assassin's trail is a hard charging Interpol agent Mike Whittier (Dougray Scott). His pursuit of the assassin is dogged and determined and yet he carries a grudging respect for the skill and efficiency of the killer. When the two catch up to one another the determined stares are nearly as lethal as the bullets.

Directed by Xavier Gens, Hitman is far from being a bad movie. Rather, Hitman is a thinly premised action flick that looks much cooler than it actually is. Highly stylized, quickly choreographed violence is nothing new and Hitman arrives looking like a poseur. We've been there since The Matrix, and we've done that a few times already this year alone, Smokin' Aces, Shoot'Em Up.

So why isn't Hitman really cool? Because it's too late. This highly stylized, high body count action movie is already becoming out of date. In fact, this action sub-genre has already been sent up and blown away in Michael Davis' Shoot'Em Up. That doesn't mean there are no more thrills to be garnered from the highly stylized action movie but that Hitman simply doesn't do enough to innovate or set itself apart from what has come before it.

Timothy Olyphant oozes charisma and machismo but I'm not sure this is the right role for him. Anyone who remembers his terrific performance in Go or his foul mouthed role on television's Deadwood will find him hard to believe as an asexual hitman monk. Co-star Dougray Scott plays the good guy better than expected in Hitman. Often typecast as a faceless baddie, Scott shows good guy range never seen before in his journeyman career.

No doubt Hitman will satisfy audiences with short attention spans. Only a moviegoer who has already forgotten the last stylized action flick they saw will truly enjoy the derivative action of Hitman. On the bright side, Hitman is the rare video game adaptation that doesn't entirely suck. Director Xavier Gens is a more than competent director. His action is solid, if unspectacular. He's far better than most directors left with the task of interpreting artless video games into movies.

Hitman is too familiar to be great and is far less cool than it wishes it were. Trying to be cool is the most uncool thing you can do. That's the unfortunate place where the makers of Hitman find themselves.