Movie Review Showing Up

Showing Up (2023) 

Directed by Kelly Reichardt 

Written by Jon Raymond, Kelly Reichardt

Starring Michelle Williams, Hong Chau, John Magaro, Maryann Plunkett, Andre Benjamin, Judd Hirsch 

Release Date April 7th, 2023 

Published December 14th, 2023 

The Great Catch Up of 2023 continues with Kelly Reichardt's festival favorite, Showing Up. Teamed with her muse, Michelle Williams, Reichardt crafts a portrait of loneliness, disconnection, and art that feels a little like Reichardt's take on Chantal Akerman's Jeanne Dielmann, a languid, observant, sometimes bleak comedy about a disconnected woman longing to be seen and cared for while also nursing a mostly combative relationship with most other human beings. For Williams' Lizzy, other people are mostly a functional element of life that she must navigate while trying not to be bothered. 

Lizzy is an artist who crafts remarkable, fragile statues out of clay and fire and paint. Her work is abstract but painstaking. When she isn't making art in her garage, Lizzy also works as a secretary at an artist commune or art school, depending on how dismissive you want to be regarding art and artists. Lizzy got the job because her mother is in charge of the college and hired Lizzy as her top assistant. Lizzy does a good job while spending most of her time creating new ideas for her art. 

This would normally where I would launch into a thumbnail sketch of the plot, spoiler free, of course. However, Showing Up is not a movie that lends itself to such an easy boiling down. Kelly Reichardt's film is very much a slice of a relatively mundane life. Lizzy has few friends and a troubled family but she spends most of her time alone making art and feeding her cat. The biggest incident of any average day for Lizzy is badgering her fellow artist and landlord, Jo (Hong Chau) to repair her hot water heater which hasn't worked in weeks. 

Find my full length review at Geeks.Media 

Movie Review: Four Brothers

Four Brothers (2005) 

Directed by John Singleton 

Written by David Elliott, Paul Lovett

Starring Mark Wahlberg, Tyrese, Andre Benjamin, Garrett Hedlund, Terrence Howard 

Release Date July 1st, 2005 

Published July 1st, 2005 

The amazing John Singleton has, according to some, never lived up to the potential shown in his debut feature Boyz N The Hood. This perception is not shared by this critic. I have enjoyed all of Mr. Singleton's films, save his Shaft remake out of fealty to the original as much as a negative opinion of the filmmaking. His Baby Boy and Rosewood are extraordinarily underrated and even his most commercial effort, the car porn 2 Fast 2 Furious was at the very least high camp popcorn entertainment.

Mr. Singleton's latest effort, the revenge drama Four Brothers, combines elements of Mr. Singleton's artistry and commercialism better than any of his previous films. This ostensible modern remake of the John Wayne western The Sons Of Katie Elder, is stylish in its homage to classic westerns and the ouvre of Charles Bronson and brilliant in its sense of compelling violence and family drama.

Mark Wahlberg stars as Bobby Mercer, the oldest of four troubled adopted sons of the saintly Evelyn Mercer (Fionnula Flanigan). When Evelyn is killed in the midst of a convenience store robbery Bobby comes home to reunite with his brothers, Jeremiah (Andre 3000 of the rap duo, Outkast), Jack (Garrett Hedlund) and Angel (Tyrese Gibson). Soon after the reunion Bobby rallies his brothers to find the guys who killed their mother.

According to the cops, the friendly detective Green (Terrence Howard) and the shady detective Fowler (Josh Charles), Mrs. Mercer was simply in the wrong place at the wrong time. However, soon after launching their far more extensive and violent investigation, the Mercer boys uncover a dangerous conspiracy that leads to the halls of Detroit's City Council and naturally to the city's top thug, Victor Sweet (Chiwetel Ejiofor).

Each of the four brothers is a fully fleshed character with backstories that include multiple stays in prison, the military and a litter of failed relationships. For Angel, returning to Detroit means rekindling a dangerous romance with Sofi (Sophia Vergara) that, while not the film's strongest plot, does provide much of the film's humor. Vergara is very sexy but underserved by a role that simply asks her to be needy and screechy when she is not needed to simply provide eye candy.

Hustle and Flow's Taraji P. Henson shows up in Four Brothers as Jerimiah's wife. Her role is limited to being constantly worried and put off by her husband's brothers and the trouble that seems to follow them, but Ms. Henson is a welcome presence for what little screen time she has.

Surprisingly there is no attempt to give Bobby a love interest, a choice that breaks the mold of typical screenwriting that always calls for the star to be paired with someone. That someone, more often than not in films so heavily infused with testosterone, is a functionary role, a mere plot point and not a character.  So it is a welcome relief that the filmmakers refrained from employing that tired device.

While some complain that a career as a genre filmmaker was not what they had hoped for in John Singleton, I think it suits him. Moreover it suits the genre film to have such a talented artist bringing such talent to bear on what is essentially B-movie material. It would be nice to see Singleton deliver another powerful drama like Boyz N The Hood or Rosewood, but I for one will follow Mr. Singleton's work wherever it takes him.

Movie Review Idlewild

Idlewild (2006) 

Directed by Bryan Barber

Written by Bryan Barber

Starring Andre Benjamin, Big Boi, Terrence Howard, Faizon Love, Paula Patton, Ving Rhames

Release Date August 25th, 2006 

Published August 26th, 2006 

I've seen bad movies and I've seen disappointing movies but I have never had a movie leave me with the kind of disappointment and frustration as Idlewild. After a sensational trailer that made the film look like an epic musical from hip hop's reigning duo, Idlewild turns out to be a wildly eclectic misfire of both filmic and musical proportions.

Idlewild tells two stories at once. Two pals, Rooster (Big Boi) and Percival (Andre 3000) are living their lives in Idlewild Georgia circa 1935, give or take a year. Rooster is a nightclub performer and part time thug who helps a mobster (Ving Rhames) move booze. Percival is Rooster's piano player but most of his time is spent working as an undertaker in his father's (Ben Vereen) mortuary.

Both Rooster and Percival have dreams well beyond the juke joints and southern climes of Idlewild. Rooster is a family man who longs for the days when there won't be a bullet with his name on it. Percival is a talented musician; who writes terrific songs that no one has ever heard. He dreams of one day leaving Idlewild for the big city's up north to perform his songs.

The two friends' lives are changed in a matter of days when a rival gangster named Trumpy (Terrence Howard) kills his way to the top of the liquor trade by killing Rooster's boss Ace (Faizon Love). This leaves the club in Rooster's hands and the ruthless mobster at his back.

Percival meanwhile is hit with a bolt of lightning in the form of Angel (Paula Patton); the feature act that Ace hired before he met his untimely end. Angel takes an immediate liking to the piano player and the two make beautiful music together on stage and off. Angel encourages Percival to leave Idlewild with her for a shot at stardom in Chicago, this despite a secret that threatens to cost both of them their lives.

These two plots compete for attention in a picture crowded with colorful characters whom director Brian Barber cannot find time for. Consider for a moment the supporting cast that includes Ving Rhames, Ben Vereen, Terrence Howard and makes little room for Patti LaBelle -in a blink and you miss it cameo-, Macy Gray, Paula Jai Parker (Hustle and Flow), and Bill Nunn. Characters are introduced very briefly, often unnamed because there is simply no time.

Barber simply has too many balls in the air, from his sprawling cast, to his lavish musical numbers to the love story and the gangster story and finally trying to coalesce all of this into a coherent conclusion. That he does manage to reign it all in at the end to give the film at least a sensible finale is quite a feat.

The story experience of Idlewild runs a distant second to the music of Idlewild which is seemingly the purpose of it all. Idlewild plays like an overlong concept music video collection. The competing storylines, gangsters and booze vs art and love story, play not unlike the last Outkast project, the dueling albums Speakerboxx/The Love Below.

Like that 2 disc collection, Andre 3000 and Big Boi in Idlewild are essentially working on different projects in which each makes a cameo in the other's story. The only differences are that this is a movie, not just a CD and it all comes together under one title instead of two.

Of course, the star of Idlewild is the music and again drawing parallels with Speakerboxx/The Love Below, Andre 3000's music is more daring, unique and entertaining than Big Boi's, only lacking Big Boi's showmanship which he uses to sell his best contribution to Idlewild, the song "Bowtie" a rousing introduction of his slickster character Rooster.

Andre 3000's musical contributions to Idlewild are a wildly eclectic mixture of hip hop and old school rhythm and blues piano arrangements. His musical repertoire, as he demonstrated on The Love Below and previous Outkast records, is seemingly limitless and he shows that once again in Idlewild. And Andre is as unique with his lyrics as with his music in Idlewild. Check the song "Chronomentrophobia" and don't bother looking up that title in the dictionary.

Idlewild as a movie is a jumbled, messy enterprise. As a collection of music videos, this a good, not great concept soundtrack. Andre 3000's work on Idlewild, much like on Speakerboxx/The Love Below, is superior to his partner Big Boi's but neither really reaches the heights of their previous works.

For Outkast fans, Idlewild is an easy recommendation, the music is by no means sub-par, just not as good as what came before. For non-fans Idlewild is an okay introduction to the work of Outkast, but you are better off grabbing a copy of Stankonia or Speakerboxx/The Love Below to get a real idea of the genius of Outkast.

Movie Review Semi Pro

Semi-Pro (2008) 

Directed by Kent Alterman

Written by Scot Armstrong

Starring Will Ferrell, Woody Harrelson, Maura Tierney, Andre Benjamin 

Release Date February 9th, 2008

Published 

Will Ferrell is quite a sports fan. Now on his third sports comedy in three years, following 2006's Talledegha Nights and 2007's Blades of Glory, Ferrel shows no signs of sports fatigue in Semi-Pro a basketball comedy set in the seventies with all of the non-sequiter goodness of Talledegha Nights without the gay bashing of Blades of Glory. It's not the perfect synthesis of Ferrell's good natured physicality and out of context freestyle banter, but it will make you laugh. Set in the 1970's of Ferrell's Anchorman imagination, Semi-Pro once again indulges the era of jive turkey, high heeled boots, and lots and lots of disco.

It's 1976 and Jackie Moon (Will Ferrell) is riding high on the success of his one hit wonder chart topper 'Love Me Sexy'. With the money he's made from his disco hit, Jackie bought an American Basketball Association franchise and brought it to his hometown of Flint Michigan. The Flint Tropics are the worst team in the ABA but as owner, coach, promoter and starting power forward, Jackie Moon seems oblivious to the team's disrepair. Unfortunately for Jackie the league is about to fold. Four of the teams, the best in the league, are being folded into the NBA at the end of the season and the Tropics will not be one of them.

Appealing to the other folding franchises, Jackie bargains that the top four teams in the ABA standings be the ones to go to the NBA. Now he needs to turn the team around and start winning if he wants to save his beloved Tropics. To help out he trades the team washing machine for a former NBA benchwarmer named Monix (Woody Harrelson) who came to Flint not to play basketball but to win back his ex-girlfriend Lynn (Maura Tierney). As he clashes with the Tropics star player Coffee Black (Andre Benjamin), Monix once again finds his game and begins teaching the Tropics real basketball.

Now can the team win enough games to finish in fourth place? Can Jackie draw enough fans to keep the franchise afloat and can Monix win back Lynn?

These aren't exactly points of great drama but they are enough of a semblance of a plot to be more than what was offered in the disappointing Blades of Glory. Ferrell here, teamed with director Kent Alterman, here at least attempts to tell a story in between the non-sequiturs. Harrelson and Tierney's characters may be underdeveloped but they are welcome enough actors that we root for them on the periphery of the story. In the meantime Ferrell sings, wrestles bears, roller skates and pukes, the anything for a laugh ethos that has made him a beloved comic presence.

Semi-Pro fails to reach the comic heights of Anchorman or Old School, Ferrell truly at his best, but it is funny, at times uproariously funny. Ferrell and his cast of some of the funniest character actors in the business, including Andy Richter, Will Arnett, David Koechner, Will Corddry and SNL alum Tim Meadows, can't help but be funny even in the most outlandish, out of context and over the top scenes. Scenes that would not work with average actors, work here because of these skilled comedians. The jokes have no relation to the movie but you are laughing and that is really all you can ask.