Classic Movie Review Intersection

Intersection (1994) 

Directed by Mark Rydell 

Written by David Rayfiel, Marshall Brickman 

Starring Richard Gere, Sharon Stone, Lolita Davidovich, Martin Landau 

Release Date January 21st, 1994 

Published January 21st, 1994 

Intersection stars Richard Gere as architect Vincent Eastman. Having recently left his wife for another woman, we meet Vincent just waking up from a night of passion with Olivia (Lolita Davidovich). The two talk about building a new home and Vincent cautions Olivia not to push things too quickly as he still has a daughter with his ex-wife, Sally (Sharon Stone), who is also his business partner. To say that Vincent's life is complicated is an understatement. At work, he and Sally have a chilly relationship where she tries to stay focused on tasks and schedules and he tries and fails to be remote. 

And that's where the story begins. From there, Vincent will wrestle with the idea of fully committing to Olivia, building their dream home on cliff side property he purchased for them, and building a family. But, there is also the pull of a full life he once had with Sally, a history that is still remarkably present due to their business entanglements. And then there is Vincent's daughter, Meagan (future House star Jennifer Morrison), a 14 year old who is struggling with her parents being apart. It's implied that she may have an eating disorder but like the two lead actresses in Intersection, we won't learn much about her that isn't about her feelings for Vincent. 

Do you know what I find impossible to care about or invest in? Whether a rich, handsome, wishy-wash ass man like Vincent ends up with either Sharon Stone or Lolita Davidovich. Truly, do you root for him to win the lottery or win the lottery. He may be conflicted here but that conflict fails to translate beyond the character. None of the three main characters are very interesting. Vincent is a cypher, he's an empty suit. He's a blank behind the eyes guy whose allegiance to one woman or another is based on a whim or which way the wind is blowing. 

Find my full length review at Geeks.Media 

Movie Review Hollywood Ending

Hollywood Ending (2002)

Directed by Woody Allen 

Written by Woody Allen

Starring Woody Allen, Tea Leoni, Treat Williams, Mark Rydell, Debra Messing

Release Date May 3rd, 2002 

Published May 2nd, 2002

Being from the Midwest, Woody Allen's humor is somewhat lost on me. Allen's humor is at times very specific to New Yorkers, which can be a turn off to Midwesterners like myself. In his latest film, Hollywood Ending, Allen isn't too New York. Oddly enough, the lifetime New Yorker is too Hollywood. 

In Hollywood Ending, Allen is Val Waxman, a washed-up former Oscar winning director now working on TV commercials in Canada. Val's luck is about to change with a little help from his sympathetic ex-wife Ellie (Tea Leoni). Ellie is now a Hollywood producer and is pushing her studio head fiancee (Treat Williams) to hire Val for a movie called "The City That Never Sleeps." Val is not an easy sell for the studio as he has a history of being difficult including outrageous demands of time, money and even daylight. After some prodding and a meeting with Val, the studio reluctantly agrees to hire him with the caveat that he can be fired at any moment.

So excited is Val at landing the job that he loses his sight. Val suffers from psychosomatic blindness. So, Val should probably drop out of the picture until he gets his sight back, but on the advice of his agent Al (Mark Rydell) he stays in the picture even though he thinks he should quit.

Val: "Don't you think people will notice a blind director?"

Al: "What? Are you kidding me? Have you seen these movies today?"

Allen has some terrific moments of physical comedy, built around his being blind and attempting to negotiate the movie's set. With the help of an on-set translator (Barney Cheng), hired to help Val communicate with his Chinese cameraman, Al and Val try to make it seem like everything is fine so that Val doesn't get fired. Eventually Ellie discovers Val's secret and then she too tries to help him pull it off.

The cast is rounded out by Debra Messing as Val's ditzy girlfriend and George Hamilton as a vapid movie producer. The cast is good as is most of Allen's script, but Hollywood Ending is troubled by a tendency to be too Hollywood. A lot of the film's humor is aimed at the film industry, which is a ripe place for satire. However, it is at times a little too inside the industry. Jokes about agents and references to the director's guild will be lost on casual film fans.

Allen still has a great ear for dialogue and his classic self-deprecating humor is well in place, but Hollywood Ending is just not funny enough. While Hollywood is a wonderful source for satire (see David Mamet's hysterical State & Main), Hollywood Ending just doesn't have enough good jokes. The humor is scattered throughout and in fact the film is funnier in scenes between Allen and Tea Leoni as they rehash their failed marriage. Allen is indeed a funny guy, maybe someday all of us will get the joke.