Showing posts with label Arielle Kebbel. Show all posts
Showing posts with label Arielle Kebbel. Show all posts

Movie Review John Tucker Must Die

John Tucker Must Die (2006) 

Directed by Betty Thomas

Written by Jeff Lowell

Starring Jesse Metcalf, Brittany Snow, Ashanti, Sophia Bush, Arielle Kebbel, Penn Badgley, Jenny McCarthy, Taylor Kitsch 

Release Date July 28th, 2006 

Published July 29th, 2006 

The most striking thing about the new teen comedy John Tucker Must Die is its impressive online ad campaign. Taking full advantage of the zeitgeist grabbing MySpace.com, the producers of John Tucker Must Die created the films official website on MySpace. They recruited teens in the films target demo to spread word about the film on their blogs and on MySpace message boards and they plastered every inch of the site with pictures of star Jesse Metcalf whose hunky visage was the selling point for the films target audience of teenage girls.

By the time the film actually arrived in theaters it really didn't matter if the film was any good, the marketing had worked like gangbusters in turning out the exact audience demo the studio had been trying to attract.

Now that that is out of the way the question remains; is the film any good? It's not a simple answer. On the one hand I as a 30 year old male film critic felt the picture was derivative, lazy and not nearly as funny as it thinks it is. On the other hand, watching the film in a theater crowded with teen girls cackling at the films every turn of plot, I can't deny the film is effective in many ways.

Jesse Metcalf is the titular star of John Tucker Must Die but the lead role actually belongs to Brittany Snow as Kate. Always the new girl, thanks to her mom (Jenny McCarthy) and her misadventures with men, Kate arrives at yet another new school once again as an outcast. Being her usual anonymous self, Kate flies below the radar observing the goings on at her new school and particularly the goings on surrounding the school super-stud John Tucker.

Tucker is captain of the basketball team and is currently dating the head cheerleader Heather (Ashanti), the valedictorian Carrie (Arielle Kebbel) and the schools top causehead Beth (Sophia Bush). Because the girls run in different circles they know nothing of each other and John Tucker. Kate knows because John has taken each of them to the restaurant where she works.

One day John's girls are fatefully thrown together and one just happens to mention John. All hell breaks loose between the three girls and eventually engulfs poor Kate. Asking the logical question why they are beating on each other when it's John they should be mad at, Kate sets in motion a plot to get revenge on the cheating, lying John Tucker.

The plot and poster might give one the impression of a dark comedy about a high school murder plot. Unfortunately, John Tucker Must Die is not nearly as ambitious as its title. The girl's revenge plot is more mean spirited than it is vengeful. The early plotting involves turning John into the poster boy for STD's, spiking his water with estrogen and tricking him into wearing a thong in front of all of his buddies.

When none of these plots is able to derail the surprisingly resilient John Tucker, the girls hatch one final plot. After John finally breaks up with each of the three plotters, they decide to turn Kate into John's ultimate fantasy girl. Using their inside knowledge of his likes and dislikes, they will get John to fall for Kate and then have her dump him like he dumped them.

My plot description is a little more straightforward than the film itself which is often distracted ogling its supermodel cast. There is no one in the cast of high school age and rarely do you see a face that does not belong on a magazine cover. Seriously, what planet is this movie from planet Maxim in the FHM universe. It's difficult to take anything in the film seriously when you are distracted by more than fifty of Maxim magazine's future and even former cover girls (star Arielle Krebbel is one of Maxim's top 100 hotties).

Like so many broad teen comedies, John Tucker Must Die wants it both ways. It wants to be broadly comic but also have honest pathos and characters we care about. Well, you can't have it both ways. Director Betty Thomas and writer Jeff Lowell needed to make up their minds at some point and decide if John Tucker Must Die was going to be a dark teen comedy a la Mean Girls or a more sensitive but broad film like those awful Freddie Prinze Jr movies from the late 90's early 2000's.

Is this American Pie or a movie Hillary Duff turned down. John Tucker Must Die doesn't know what it wants to be. Thus it winds up a beaten mutt of a movie with elements of any number of different movies with no real center of its own.  

With all of the obvious problems of this film I certainly cannot and will not recommend it. However, I can't completely write the film off either. Watching the film with a nearly sold out audience filled with girls from 12-16 who roared with laughter throughout, I could not help but be struck by the effect the film had on its target demographic.

I'm not actually sure if I am impressed or a little frightened by how well John Tucker Must Die hits with teen girls. It tests so well that it must have been tested to death upon its initial completion so that each scene would hit the target audience just right. A scientific approach to filmmaking that I find terribly disturbing. I'm honestly conflicted. On the one hand, who am I to deny people a calculated good time? On the other hand this is not art in any way shape or form.

There likely was little to no artistic effort put into crafting John Tucker Must Die. It is a product tested and sold to a market of consumers pre-destined to want to consume and enjoy it. A filmic symbol of our mechanistic society that meets the exact needs of consumers no matter what needs they may be. This mechanism however robs us of humanity and experience.

Watching a film should be an experience that reaches out to the audience and leaves them with a sense of having been a part of something, like all great art. Movies like John Tucker Must Die are merely mass consumed quantities like popcorn or chocolate bars. Easily digested and disposed of. They contain minor pleasures and empty calories but leave no trace of themselves later.

An example of what I hate about modern Hollywood, John Tucker Must Die is the ultimate in product placement. The product just happens to be the film itself rather than a McDonalds or Coca Cola. John Tucker Must Die is itself a mass consumer product of disposable value and forgettable minor pleasures. The ad campaign and MySpace site may have a place in marketing history, but the film is more forgettable than that bag of fritos you finished off sometime ago and cast into the abyss of an empty garbage can destined for a landfill.

Movie Review The Grudge 2

The Grudge 2 (2006)

Directed by Takashi Shimizu

Written by Stephen Susco

Starring Arielle Kebbel, Jennifer Beats, Amber Tamblyn, Takako Fuji, Sarah Michelle Geller

Release Date October 13th, 2006

Published October 13th, 2006

Some say that Ju-On, Takashi Shimizu's 2001 horror flick is a Japanese horror classic. I've seen Ju-on and I was not that impressed. I was further unimpressed when Shimizu adapted his film for American audiences in 2004 and called it The Grudge. I missed Ju-On 2, sad for me, however I did see The Grudge 2. If the Ju-On sequel is anything like its American twin I'm sure I would have been just as unimpressed.

Sarah Michele Gellar briefly returns to the role of Karen in Grudge 2. If you recall, Karen was an American student attending school in Tokyo when she was cursed by entering a house where a brutal murder took place. Now Karen is in a mental institution because no one believes that the murder victim, now a ghost, is after her.

In Grudge 2 Karen's sister Aubrey (Amber Tamblyn) arrives to take Karen home but unfortunately she arrives just in time to witness Karen's seeming suicide. (If you are calling this a spoiler you haven't seen the film's trailer which features Karen's death). Of course, Karen's death was no suicide; something Aubrey finds out from a journalist named Eason (Edison Chen). Eason has been following the story of the murderous house and the deaths of the people associated with it and soon he has drawn Aubrey into the ghostly danger.

Meanwhile in another movie, I mean subplot, three teenagers arrive at the Grudge house on a dare and soon find themselves cursed by the house and followed by the deathly pale ghost of a dead woman and her dead son. While two of the teenagers disappear another takes the Grudge ghosts home to America with her where they begin to infect the inhabitants of a stately Chicago apartment building.

The Grudge 2 is what I like to call a 'BOO' movie. Essentially the film plods along with dull expository dialogue, then the eerie soundtrack kicks up, and the bad guy turns to the camera and says 'BOO'. Then more dull dialogue and another 'BOO'.

Director Takashi Shimizu does not know how to craft a creepy atmosphere. His use of gray offset at times by bright colors is interesting. Unfortunately, the atmosphere is the only interesting thing about The Grudge 2. The story of the movie is so convoluted and ludicrous that figuring out the plot is a lesson in futility. What is The Grudge? Is the creepy house called The Grudge? Does the house have a grudge against the people that walk inside it? Does the ghost have a grudge against the living?

I don't need the answers to all of these questions but some recognition of the confusion caused by this odd title is something it would not have killed the filmmakers to provide.


The PG-13 rating of The Grudge 2 takes most of the fun out of the scares. Blood and guts aren't absolutely necessary for a great horror film but the best of the genre certainly make good use of them. The Grudge and now Grudge 2 are pretty well bloodless and rely almost entirely on atmosphere, creepy music and 'boo' moments when something leaps out of the dark, perfectly timed to a screech in a music track.

My main point is this, if your film is so obviously devoid of scares then, at the very least you could spill a little blood, display a little carnage, show a little skin. This is the genre that toys with the senses, titillating in one moment, repulsing in the next. It's one of the things we go to a horror movie for, that push and pull of emotions, the manipulation of the fear response and the gag reflex. Without those elements a movie like The Grudge 2 is just dull.

BOO! can be scary when you aren't expecting it. When you buy a ticket for a horror movie however, you are expecting BOO!. Thus, a good horror movie needs more than BOO!. The Grudge 2 augments the BOO! with a creepy atmosphere but nothing more. That may frighten a two year old but not many two year old's will be attending The Grudge 2.

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