Classic Movie Review Casablanca

Casablanca (1943) 

Directed by Michael Curtiz 

Written by Julias J. Epstein, Phillip G. Epstein, Howard Koch 

Starring Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claud Rains, Peter Lorre 

Release Date January 23rd, 1943 

Published March 4th, 2023 

Casablanca sets the stakes of its story almost immediately. After a brief voiceover setting us within the time of the story of Casablanca, we're thrust into the maelstrom of commerce and treachery of Casablanca. Authorities are in the midst of confronting a man regarding his 'papers.' Contextually, we come to understand that not having up to date papers, presumably related to immigration status and travel, you can be subject to arrest. And we will learn that being arrested, under most circumstances in Casablanca, is a death sentence, a likely trip to a concentration camp. 

Thus, we are in the market. Authorities in full uniform confront a well-dressed man and ask to see his papers. Fearful, the man tries to say that he simply does not have them with him. They threaten to arrest him and in desperate ploy, he suddenly finds his papers in his suit jacket. The papers are out of date and the man is once again set to be arrested. He makes one last desperate attempt to escape, shoving past the authorities and making a run for it. The man is shot in the back. Thus, what is at stake if you don't have proper documentation in Casablanca? It's not just your freedom, it's your life. 

This is the set up for introducing our MacGuffin, to borrow Hitchcock's term. The MacGuffin, for the uninitiated, is the name Hitchcock gave to the nebulous thing that everyone in a given movie wants. A MacGuffin can be just about anything as long as it drives the characters in the film to desire it and willingly risk everything to get it. In Casablanca, the MacGuffin are the "Letters of Transit." These are papers that would allow someone to leave Casablanca. It's a means of escaping legally from authorities, specifically, in the case of Casablanca, escaping from the Nazis. 

Full length review at Geeks.Media 

Classic Movie Review The Big Sleep

The Big Sleep (1946) 

Directed by Howard Hawks 

Written by William Faulkner, Leigh Brackett, Jules Furthman

Starring Humphrey Bogart, Lauren Bacall, Martha Vickers, Dorothy Malone 

Release Date August 31st, 1946 

Published February 21st, 2023 

Who is Phillip Marlowe? He's a detective, of course, but beyond that. Who is he? He's a cynic, a loner, a veteran. He's seen just about everything. He's seen enough to know when he's being lied to. He's tired. As conceived by Howard Hawks and Humphrey Bogart in The Big Sick, he's weary, bone tired, and yet noble. He may no longer have time for joy in his life but he has purpose... and cigarettes... and booze. But Marlowe's true hallmark is weariness. He just seems as if the weight of the planet is pulling him into the ground and he's not all that interested in preventing this from happening. 

Marlowe doesn't have a lot to lose and hasn't had a lot to lose in a long while. This bone deep weariness has settled in after years of providing witness to the ugly side of everyday. Cheating spouses, murder, missing people, and the betrayal of friends, Marlowe's livelihood revolves around misery. It's natural that such a vocation would weigh on a man. In Humphrey Bogart, that weariness, that sense of being so incredibly worn down by life, has a physical form. The lines on Bogart's face seem to have been formed by the sheer force of emotional, physical, and intellectual experience. 

It's odd to think, but in many ways, a man like Phillip Marlowe exists as a proxy for the pain of others. He's a trauma shield, a way to experience trauma through the filter of someone else. As a private detective, he's the one who will see the husband or the wife cheating or find that friend that has been stealing from you. He can then slightly soften the blow by providing the tools you need for the confrontation that must ensue and be resolved so life can go on. Strangely, I'm reminded of John Coffey from The Green Mile who sucks out the illness of others, into himself, and releases it to the world in a strange form of healing. 

The main difference is that Marlowe does what he does for a significant price, and daily expense payments. For his latest effort, Marlowe finds himself in admiration of an elderly former General living out the last days of his life. General Sternwood (Charles Waldron) has called upon Marlowe because he is being blackmailed by some unknown person. A proxy for this unknown blackmailer has given the General gambling receipts indicating an unpaid debt that they claim belongs.  to Sternwood's youngest daughter, the coquettish Carmen Sternwood. Payment is demanded of General Sternwood or something will happen to Carmen. 

For her part, Carmen appears unfazed by whatever is happening, perhaps even unaware. Not innocent, not by a longshot, but nevertheless unbothered by potential dangers. After meeting Marlowe, and immediately flirting with him in clumsy, heavy handed fashion, the next time we see her, Carmen is extremely drunk and sharing space with a recently dead man. Marlowe, having followed Carmen, assuming she would lead to the blackmailer, finds Carmen and the dead man and sets about getting her home safely while avoiding the obvious frame job. 

Find my full length review at Geeks.Media