Movie Review: The Greatest Beer Run Ever
Movie Review: Fever Pitch
Fever Pitch (2005)
Directed by Peter Farrelly, Bobby Farrelly
Written by Lowell Ganz, Babaloo Mandel
Starring Jimmy Fallon, Drew Barrymore, JoBeth Williams
Release Date April 8th, 2005
Published April 7th, 2005
Peter Farrelly is a huge Boston Red Sox fan and has been since he was a kid growing up in the tiny state of Rhode Island. When he and his brother, and producing partner, Bobby moved to Los Angeles Bobby became a Dodger fan and Peter remained loyal to the Sox. Through Bucky Dent in '78, Buckner in '86 and Bret 'freakin' Boone in 2002 Peter lived and died by the Red Sox.
So it must have been an extraordinary experience for Peter when while shooting his latest film Fever Pitch ,a romantic comedy about an obsessed Red Sox fan's first real relationship, that he was allowed to shoot the movie in and around Boston and in the cathedral of Fenway park and all while the real Red Sox were making their historic run to break Babe Ruth's curse. Call it fate or serendipity or just dumb luck, not only was Peter Farrelly on the field when the Sox won the series, he shot a terrific movie while he was there.
Fever Pitch stars Jimmy Fallon as a lifetime Red Sox fan named Ben. His uncle took him to Fenway as a 7 year-old kid and he's never left. Inheriting his Uncle's season tickets right on the first base line Ben has developed a second family with the other lifetime Sox fans and been there through the hard times. Ben's apartment is a shrine to his obsession filled to overflow with memorabilia, jerseys and posters.
Naturally, women have tended to find Ben's Red Sox passion a bit of a turn-off. He's never had a serious relationship that lasted past Spring training. That changes however when he meets Lindsey (Drew Barrymore) a just reached thirty workaholic who thinks she can take Ben's Red Sox fandom in stride if he can accept how much she works. Lindsey, however, greatly underestimates just how obsessive being a Red Sox fan can be, especially when the Sox are in the playoffs.
Drew Barrymore could do this material in her sleep. While Reese Witherspoon and Meg Ryan openly campaigned to be the new Julia Roberts, Drew has crafted the most Julia-esque career. A career filled with solid light hearted romantic comedies that make big money. The Wedding Singer, 50 First Dates, and Never Been Kissed are not ground breaking cinema but they are solid mainstream entertainments that showcase her unique brand of sweet, slapstick goofiness and innocent sexuality.
As for Jimmy Fallon, he has not exactly set the world on fire in his few attempts at big screen stardom. In fact, after last years atrocious action comedy Taxi I wanted to set him on fire. In Fever Pitch Fallon greatly improves over that performance (how could he not?) thanks mostly to the believability and heartfelt acting of Drew Barrymore and the pitch perfect script by the Farrelly Brothers.
Fever Pitch is superbly crafted to grab both male and female audiences with its perfect mixture of light romance and sports fanaticism. To even the appeal of the film between men and women, the Farrelly Brothers have even toned down their usual brand of gross out humor for a more traditional form of romantic comedy. This is a more mainstream, less abrasive comedy than anything the Farrelly's have done before. Don't worry though, the brothers have not forgotten the hardcore fans.
In Fever Pitch the Farrelly Brothers have replaced their usual brand of gross out humor with Three Stooges style light violence; no one really gets hurt but it looks like it. Lindsey gets beaned in the head by a foul ball, one of Lindsey's friends is slightly hurt when Lindsey drops her while she is climbing a rock wall in a gym and, in the films, climax Lindsey plays cat and mouse with Fenway security after dropping off the centerfield wall. These moments of cartoon paroxysm are sprinkled throughout Fever Pitch just to remind you that this is still a Farrelly Brothers film.
The script is based on a novel written by Nick Hornby about an obsessive soccer fan. All the Farrelly's had to do was take out some of the drinking and all of the riots, change sports and move it to Boston, the one place in America where Baseball obsession could come close to the kind of loyalty shown by British soccer hooligans. Then they added some of their trademark over-the-top humor and a nearly perfect mainstream comedy is born.
Movie Review Hall Pass
Movie Review The Heartbreak Kid
The Heartbreak Kid (2007)
Directed by Peter and Bobby Farrelly
Written by Peter Farrelly, Bobby Farrelly, Scot Armstrong, Leslie Dixon, Kevin Barnett
Starring Ben Stiller, Malin Akerman, Michelle Monaghan, Jerry Stiller, Rob Cordry, Danny McBride
Release Date October 5th, 2007
Published October 4th, 2007
Ben Stiller has the astonishing talent to remain as funny and likable in bad movies as he is in good movies. Night at the Museum, Meet The Fockers, Envy, all not so great movies and all movies where Stiller outshined the material provided to him. Stiller is once again in better than the movie mode in the Farrelly Brothers comedy The Heartbreak Kid. This sorta-romantic comedy, a remake of the 1972 Elaine may-Neil Simon teaming, has a terrific idea at its center and Stiller in fine form. Unfortunately directors Peter and Bobby Farrelly can't help but succumb to their worst instincts in a vain attempt to recapture past glory.
Eddie (Stiller) is 40 years old and never married. He was engaged for 5 years, but as we meet him in The Heartbreak Kid, he is attending his ex-fiance's wedding. Both Eddie's dad (Jerry Stiller) and his best pal Mac (Rob Corddry) give him no end of crap for not settling down when he had the chance. Thus when Eddie meets Lila (Malin Akerman) he rushes things a little bit.
Eddie and Lila fall into a relationship not long after he attempts to foil a bad guy who stole her purse. A whirlwind courtship leads to the hasty decision to get married and a disaster on the horizon. Taking their honeymoon in Cabo San Lucas, Eddie quickly realizes that Lila is a little off. She sings along with every song on the radio, she's horrible at math, and she's desperately in debt. She's also not very bright, thus why she is almost immediately laid up in the hotel room with a bad sunburn.
The time alone allows Eddie to meet Miranda (Michelle Monaghan), a beautiful women's lacrosse coach vacationing with her family. The two spark quickly and after spending a day together drinking and soaking in the local culture, Eddie realizes he is in love. Now, he has to figure out a way to break it to Lila that they are not working out and make sure he has won Miranda's heart.
The set up for The Heartbreak Kid is solid, this is a terrific premise. Unfortunately, the Farrelly Brothers, back behind the camera for the first time since 2005's Fever Pitch, can't resist a return to their basest instincts. Fever Pitch was a sweet, good hearted romantic comedy that played straighter than any previous Farrelly's comedy. The Heartbreak Kid is a throwback to the less interesting Stuck On You, Shallow Hal, Me Myself and Irene days.
Those films distilled the essence of the Farrelly's oeuvre down to the lowest common denominator. Each has its moments, but for the most part each is a lesser and lesser version of the Farrelly's one true classic There's Something About Mary. The Heartbreak Kid is the palest imitation of all; featuring Stiller in the earnest, frustrated good guy role he played so well in Mary.
Sadly, The Heartbreak Kid fails to capture what made Mary such a great comedy. The combination of heart and humor in There's Something About Mary is a near perfect combination of good hearted romance and lowbrow, genitalia based humor. It's a combo nearly impossible to pull off and The Heartbreak Kid doesn't even come close.
Disgusting for the sake of being disgusting, slapstick for the sake of slapstick, The Heartbreak Kid constantly steps on the more interesting aspects of Eddie's romantic dilemma by dropping in unnecessarily crude humor. Do we really need Carlos Mencia as a porn loving, sex offending, hotel manager? Do we need Jerry Stiller grossing out everyone in earshot with his many horrifying sexual innuendos?
Did we need to see Ben Stiller getting peed on or a visual gag about women's privates that may be the lowest joke of any movie in 2007? I certainly don't think so. Not when Ben Stiller, Malin Akerman and Michelle Monaghan are doing such great work creating a comically tense love triangle. The crudity only serves to distract and get in the way.
Ben Stiller gets better and better each time out. In fact, Stiller has never seemed more comfortable onscreen as he does in The Heartbreak Kid. Granted, he's played the flustered good guy for more than a decade but really, you can finally see him losing his many tics and affectations and becoming comfortable being himself on screen. This newfound comfort only serves to turn this already funny actor into a more charming and interesting screen presence.
Stiller's work clearly has a good effect on co-star Malin Akerman who does much of the heavy lifting in the broad comic moments. Akerman is a great beauty who gives herself over to broad comedy in the most unexpected ways. Not everything about her performance works, but you have to respect her bravery and willingness to do anything that was asked of her.
Michelle Monaghan is the perfect romantic foil for Stiller. The two have tremendous chemistry and the romance between them was more than interesting enough to make The Heartbreak Kid work as a romantic comedy. It's unfortunate that Peter and Bobby Farrelly didn't trust their stars enough to back off, just a little, on the lowbrow stuff.
The potential is there for a terrific romantic comedy in The Heartbreak Kid. It's undone by writer-directors desperate for faded glory. Peter and Bobby Farrelly have seen diminishing returns on each of their films since There's Something About Mary. Only Fever Pitch betrayed an attitude that they really didn't care about mimicking their past success.
Reteaming with Ben Stiller however, the Farrelly's sensed an opportunity to regain their A-list status and went for broke trying to recreate something that just can't be captured a second time. Certainly not with such desperate pandering as that which breaks The Heartbreak Kid.
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