Showing posts with label Hailee Steinfeld. Show all posts
Showing posts with label Hailee Steinfeld. Show all posts

Movie Review Pitch Perfect 3

Pitch Perfect 3 (2017) 

Directed by Trish Sie

Written by Kay Cannon, Mike White

Starring Anna Kendrick, Rebel Wilson, Hailee Steinfeld, Brittany Snow, Anna Camp, Elizabeth Banks

Release Date December 22nd, 2017

Low expectations are sometimes key to enjoying a particular kind of movie. For example, the third movie in a franchise that was only barely capable of supporting one sequel. The trailer for Pitch Perfect 3 turned out to be the perfect introduction to the supposed finale of the Pitch Perfect trilogy. The trailer was so bad that I expected the characters in the movie to walk on screen, fart, and give me the finger before walking off. That would have been only a slight improvement over that trailer.

What a nice surprise then to find that Pitch Perfect 3 is way better than the trailer indicated. Sure, the film is yet another iteration of the comedy of the awkward pause which has come to plague modern comedy since its introduction in the mid-oughts, but those jokes really only hang around the first half of the film. In the second half we get actual funny jokes and a bizarre plot that works even as it has no business working.

We pick up the story of The Bellas, the A Cappella singing group at the center of this franchise, struggling to find their place in the real world. Becca (Anna Kendrick) has her dream job as a music producer turning into a nightmare when she deals with a talentless rapper who dislikes her changes to his terrible song. Fat Amy (Rebel Wilson) is out of work except for her street show performances as Fat Amy Winehouse and the rest of the Bellas are either bored or merely dissatisfied.

When the group mistakes an invitation to a party for an invitation to perform together at a party, they throw on their Bellas gear only to find humiliation and embarrassment waiting for them. Drowning their sorrows, they concoct a plan to get themselves on a USO Tour where they can at least spend time performing together. That the USO Tour also carries the opportunity to perform and tour with rap god D.J. Khaled makes it all the more exciting.

Find my full length review in the Geeks Community on Vocal 



Movie Review Spider-Man: Across the Spider-Verse

Spider-Man: Across the Spider-Verse (2023) 

Directed by Joaquim Dos Santos, Kemp Powers, Justin K. Thompson 

Written by Phil Lord, Christopher Miller, David Callahan 

Starring Shameik Moore, Bryan Tyree Henry, Jake Johnson, Oscar Isaac, Hailee Steinfeld 

Release Date June 2nd, 2023 

Published June 2nd, 2023 

Spider-Man: Across the Spider-Verse is a gorgeous piece of animation. It's a visionary work in the feature animation realm, a treat for the eyes. The innovative style of Spider-Man: Into the Spider-Verse evolves here into brilliant new combinations of art styles and storytelling adventure. It's exciting to watch as the artists behind Spidey press the boundaries of what we can expect from an animated feature. That alone would be worth the price of admission but thanks to the work of writers Phil Lord, Christopher Miller, and David Callahan, Spider-Man: Across the Spider-Verse is far more than just gorgeous to look at. 

Spider-Man: Across the Spider-Verse opens on Spider-Girl, Gwen Stacy (Hailee Steinfeld). She misses the friends she made when portals opened between worlds in Spider-Man: Across the Spider-Verse. Worse however, is the fate of her best friend, Peter Parker, who, Gwen's world was a picked on pipsqueak who tried to change his lot in life through science. Peter dies in an accident at prom after his transformative medicine turns him into a monster and Gwen/Spider-Girl is forced to fight him to protect their classmates. His death happens just as Gwen's cop-dad arrives and sees Spider-Girl standing over Peter's fallen body. He assumes that she killed him. 

This scene is soon followed by the attack of a new and desperately out of place villain, a version of The Vulture, but not one from this universe. Someone or something is tearing new holes in the fabric of the universe and villains are bungling their way through to unfamiliar universes. Unbeknownst to Gwen, Spider-people from other universes are being brought together to try and repair the multiverse and via Spider-Woman (Issa Rae), and the leader of this group, Miguel (Oscar Isaac), Gwen is recruited to help save the multiverse. 

This is Gwen's chance to reconnect with her friend, Miles Morales (Shameik Moore). Miles has grown a few inches since the last time they saw each other but other than that, he's the same awkward, sweet, kind and strong young man she first met. Miles is dealing with school and his parents and a new villain who may be the key to why the multiverse is in grave danger. A villain calling himself The Spot (Jason Schwartzman) is found by Miles while attempting to steal an ATM from a bodega. The Spot has the ability to open tiny portals that he can climb through and arrive at different locations. 

Find my full length review at Geeks.Media 



Movie Review: Bumblebee

Bumblebee (2018) 

Directed by Travis Knight 

Written by Christina Hodson

Starring Hailee Steinfeld, John Cena, Pamela Adlon, John Ortiz 

Release Date December 21st. 2018 

December 20th, 2018 

Michael Bay did Transformers fans the best possible favor he could do for them by not directing Bumblebee. Bay, who has directed each of the Transformers movies thus far and delivered some of the ugliest and most unwatchable, bad blockbusters of recent memory, stepped aside in favor of director Travis Knight in a move that has single handedly turned this franchise around. Bumblebee is terrific and is the first indication we’ve had that the Transformers could work as a big screen blockbuster. 

(FYI, I don’t care how much money the Transformers movies made, they are all terrible and I hate them, a lot.)

Bumblebee stars Hailee Steinfeld as Charlie, a teenager dealing with the loss of her father and a strained relationship with her mother, Pamela Adlon, who has remarried. Charlie’s love of cars came from her dad and when she fails to fix up a car she and her dad had been working on, she sets her sight upon a broken VW bug at a local junkyard. What she doesn’t know is that her new car is actually the alien robot, Bee-127, a warrior sent to guard the Earth against the evil Decepticons. 

In a prologue, we meet Bee-127 in the midst of a war on his home planet of Cybertron. When the battle appears lost, Bee-127 is sent to Earth to establish a safe landing zone for his fellow Autobots and to keep Earth safe from the Decepticons. Arriving on Earth, Bee is immediately thrust into trouble with members of the military, led by Agent Burns (John Cena). Bee landed in the midst of Burns’ war games in a California forest and was immediately pursued by the military. 

Unfortunately, Bee is also pursued by one of the Decepticons leading to a destructive battle. Bee is eventually left immobilized and taking the shape of the last thing he sees before losing consciousness, an ancient Volkswagen Beetle. That brings us up to date, Bumblebee is set in the 1980’s and well before the action of the Transformers films that precede it. That distance really helps the story and creates a mystery as to Charlie’s fate that lingers throughout the movie. 

One of the many significant failures of Michael Bay’s Transformers movies was the editing which shredded the robot on robot fight scenes into painfully unwatchable catastrophes. The fight scenes in each of the Transformers movies are clattering cacophonies of chaos where you can barely make out what robot is on which side and which one is hitting the other. And then you add the sound which was a punishingly loud mix of awful scoring and metal on metal screeching. 

No such trouble in Bumblebee. By keeping the camera static, for the most part, and keeping the editing at a readable pace, Travis Knight delivers robot on robot fighting that we can see and enjoy as if the robots were remotely real. That’s not to say that Knight reinvented anything, he and his team just appears to have taken more care to craft fight scenes in a fashion that is not offensive to the eyes and ears of the audience. 

Then there are the wonderful characters of Bumblebee. Knight, who broke into the mainstream with the tremendous animated feature Kubo and the Two Strings, takes great pains to give us characters we believe in, sympathize with and care about. Unlike the cartoon figures of the Bay movies who shout and preen and are nearly as unendurable as the fight scenes, Knight’s characters are warm and funny, fully formed human beings with backstories and inner lives we are interested in. 

Hailee Steinfeld is a wonderful young actress who infuses Charlie with a spiky puckishness that is a delight to watch. She’s not saccharine or mopey, she’s a believable teenage girl with agency and strength. You can sense her strength and character from her dialogue and her manner, her care and compassion when Bumblebee is revealed is a lovely character moment. Bay’s Transformers movies have not one single character with the kind of depth or humanity that Charlie exhibits in any one scene in Bumblebee. 

The supporting cast is slightly more broad but not nearly the ugly caricatures that Mr Bay traded on. John Cena brings a forceful energy to his tweener character. Agent Burns is no paper baddie, he has depths to be unveiled. He’s a loyal dedicated and talented soldier and a believable foe for our hero and our heroes true villains, The Decepticons. Cena is also effortlessly funny and charismatic in this role. And, Mr Cena gets the film’s biggest laugh with a reference to the name ‘Decepticons.’ 

Bumblebee isn’t perfect, the opening few minutes on Cybertron rush by a little and have a slightly awkward vibe. But, once Steinfeld’s Charlie is introduced the film improves immeasurably. The character of Bumblebee becomes whole in interacting with Charlie. Acting like a giant alien robot puppy, Bumblebee exhibits vulnerability and strength in equal measure. Where Mr Bay reduced Bumblebee many times to a gag delivery machine, Knight makes Bumblebee a character and quite a good one. 

The biggest difference in Bumblebee and the Transformers of Michael Bay is Travis Knight’s attention to detail. This attention to detail emerges in small, seemingly unimportant moments that take on meaning once you consider how those moments are lacking from the other Transformers movies. The ending is especially rich with attention to detail with a rearview mirror shot that is surprisingly emotional. 

I adore Bumblebee. This movie ranks behind only Black Panther as my favorite blockbuster of the year. This movie is fun, it’s hilarious and it is exciting. Most importantly, it’s the first time I have been able to enjoy the Transformers on the big screen. I was never deeply offended, I didn’t feel like the movie was actively hateful toward the audience and, when I walked out, my eyes and ears didn’t hurt. That alone could have made me admire Bumblebee, but Travis Knight made me genuinely enjoy Bumblebee.

Movie Review: True Grit

True Grit (2010) 

Directed by The Coen Brothers

Written by The Coen Brothers 

Starring Matt Damon, Jeff Bridges, Hailee Steinfeld

Release Date December 22nd, 2010 

Published December 18th, 2010 

A strange thing has happened near the end of 2010. Some of the most daring and different directors are being tamed by the Hollywood system. Whether it's a moderation toward the notion crafted by Ben Affleck and Matt Damon years ago; 'One for them, one for me,' or merely an acceptance of the terms that Hollywood dictates to all filmmakers in these tough economic times, directors like David O. Russell (The Fighter) and John Cameron Mitchell (Rabbit Hole) have crafted their most conventional and studio friendly films in their esoteric careers.

The same could be said of the Coen Brothers whose latest film is a straight as an arrow adaptation of the Charles Portis novel “True Grit.” Though artful and entertaining, “True Grit” is easily the most straight-forward, audience friendly film in the otherwise odd and fascinating careers of Joel and Ethan Coen. There is nothing wrong with convention, especially when it is as moving and amusing as “True Grit.”

John Wayne won his only Oscar for Best Actor for his take on the role of Rooster Cogburn in 1969. 41 years later Jeff Bridges brings new energy and life to the role of the reprobate US Marshall Rooster Cogburn. Hired by 14 year old Mattie Ross (Hailee Steinfeld) to track down the villain Tom Chaney (Josh Brolin) who killed her father, Cogburn never ceases being a debauched yet heroic man with strong wit and as Mattie recalls in voiceover, True Grit.

Joining Marshall Cogburn and Mattie on the trail of Chaney is Texas Ranger Lebeouf (Matt Damon). Having been on the trail of Chaney longer than Mattie, he intends to return Chaney to Texas for a reward a move that runs counter to Mattie's intent to have Chaney hanged in Arkansas. Lebeouf is also intent on convincing Mattie to return home something she refuses to her detriment as danger lurks around every turn of the bend.

True Grit is not the movie many may think it is. From the dark and foreboding trailer with its ominous Johnny Cash tune, "God's Gonna Cut You Down," that has been playing for the past six months, one would miss the fact that “True Grit” is witty and entertaining as it is violent. The PG-13 rating is far less misleading than the trailer, indeed “True Grit” is as safe and conventional as the John Wayne original.

Again, I know this reads like harsh criticism but it's more of an observation; it's surprising to see director's like the Coens make a movie as standard and practiced “True Grit.” The film has the skill of the typical Coen brand, the fabulous cinematography of Roger Deakins as well as the music of Carter Burwell, two regular Coen's contributors, but it does lack the Coen Brothers brand of quirk that has highlighted their best work from the beginning. 

Just as surprising however is how effective this standard approach is. Jeff Bridges delivers a Rooster Cogburn every bit as iconic as John Wayne's while young Hailee Steinfeld steals the film with her steely, thoughtful and sensitive performance. Matt Damon is highly effective in the role essayed by singer Glen Campbell. I could see Oscar nominations for each as well as for the directors, cinematographer and, if it hadn't been ruled ineligible, Carter Burwell's exceptional score. 

”True Grit” may be shockingly conventional as a film by the Coen Brothers but it is still a highly entertaining and in the end moving film populated by excellent performances. In a career that has spanned nearly the length of time since the original “True Grit,” Jeff Bridges has evolved from handsome charmer to leading man and now to elder statesman and perennial Oscar contender. “True Grit” may give Bridges back to back Oscars following last year's “Crazy Heart” as a deserving Best Actor winner. 

14 year old Hailee Steinfeld was found in a nationwide search, a remarkable find. Steinfeld stands toe to toe with Jeff Bridges and Matt Damon and more than holds her own even as she chews over ancient dialogue in a rhythm that even long time trained actors would struggle with. Steinfeld's performance alone would be enough to recommend “True Grit” but with Bridges, Damon and highly effective direction of the Coen Brothers, True Grit is more than merely recommended, it is a must see film.

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...