Movie Review Black Bag

Black Bag 

Directed by Steven Soderbergh 

Written by David Koepp 

Starring Michael Fassbender, Cate Blanchett, Rege-Jean Page, Marisa Abela 

Release Date March 14th, 2025 

Published March 19th, 2025 

Black Bag stars Michael Fassbender and Cate Blanchett as George and Kathryn Woodhouse, married British spies. George, we are told, is a human lie detector, his job is reading people and weeding out their lies. George’s latest task is locating a traitor within the spy ranks. Someone is trying to steal a dangerous weapon to sell it to terrorists targeting Russia. After a brief meeting with a fellow spy in the field, George is given a list of names of potential traitors. George’s wife, Kathryn, is on the list. 

In order to suss out the traitor, George has invited the people on the list to come to his and Kathryn’s home for dinner. He is going to play a game with them that will reveal their deep dark secrets. The dinner guests include Freddie (Tom Burke), George’s friend and immediate subordinate, Clarissa (Marisa Abela), a computer expert who happens to be dating Freddie, Dr. Zoe Vaughan (Naomie Harris), a psychiatrist who is treating everyone except for George, currently, and Col. Stokes, a rising star in the agency who happens to be dating Dr. Vaughan.

Find my full length review at Geeks.Media, linked here.

Movie Review Borderlands

Borderlands (2024) 

Directed by Eli Roth 

Written by Eli Roth, Joe Crombie

Starring Cate Blanchett, Kevin Hart, Ariana Greenblatt Jack Black, 

Release Date August 8th, 2024 

Published August 8th, 2024 

Borderlands is a bad movie in the least interesting way. Take, for instance, Trap, M. Night Shyamalan’s most recent film, as of this writing. I’m mildly obsessed with Trap. That is a film that is bad in a very interesting way. Trap is misbegotten. It’s a failure in every possible way but it's ambitious and unique while being objectively bad. Borderlands, on the other hand, is bad in ways that are indistinguishable from other movies. It’s boring, it’s derivative, and, despite an all-star cast and a video game playground, it lacks personality. 

Cate Blanchett stars in Borderlands as Lilith, an intergalactic bounty hunter who plays by her own rules. If I had a nickel for every time a movie had a character like Lilith, I’d have enough to open a savings account at a local bank that comfortably accrues interest over time. Borderlands is boring in the same way that local banking with a small amount of money is boring. Lilith isn’t a character, she’s a collection of traits that look good in a trailer. She’s got an odd haircut, she’s sexy because Cate Blanchett is objectively sexy, and she shoots first and asks questions later just like every other cliche badass sci-fi character. (Yawn).

Find my full length review at Geeks.Media, linked here. 

Movie Review I'm Not There

I’m Not There 

Directed by Todd Haynes

Written by Todd Haynes, Oren Moverman 

Starring Cate Blanchett, Heath Ledger Christian Bale, Marcus Carl Franklin, Richard Gere, Ben Whishaw, David Cross, Charlotte Gainsbourg, Bruce Greenwood

Release Date November 21st, 2007

Published January 15th, 2025 

With the release and popularity of the new Bob Dylan biopic, A Complete Unknown, now is the right time to look back at the last time a filmmaker attempted to bring the life of Bob Dylan to the big screen. In 2007, the remarkably gifted director Todd Haynes made the film I’m Not There and to set it apart from the spate of rock n’roll biopics like Walk the Line, Ray, and so on, Haynes decided to approach the life of Bob Dylan from a few different and quite odd angles. Employing a half a dozen actors to embody aspects of Dylan’s career, I’m Not There flies in the face of the traditional biopic and creates something wholly unique that somehow feels more authentic to the life of Bob Dylan than even A Complete Unknown which is a strictly conventional biopic. 

I’m Not There approaches the life of Bob Dylan the same way Dylan himself does, in eras and personas. The first such persona is a young black boy, calling himself Woody Guthrie (Marcus Carl Franklin), in honor of the musician that inspired Dylan to pick up a guitar. The verbose young Woody is hopping trains, playing his guitar, and sharing his wise-beyond-his-years philosophy as he makes his way to New Jersey where the real life Woody Guthrie is laying in a hospital bed breathing his final breaths. In a parallel with A Complete Unknown, we see our Dylan stand-in arrive at Woody Guthrie’s bedside and play a song for his hero.

Find my full length review at Geeks.Media, linked here. 

Movie Review The Monuments Men

The Monuments Men 

Directed by George Clooney

Written by George Clooney, Grant Heslov  

Starring George Clooney, Matt Damon, John Goodman, Cate Blanchett

Released February 7th, 2014

Budget $91 million 

Box Office $156 million 

Rotten Tomatoes 30% 

The Monuments Men first popped on people's radar when George Clooney announced that the film would not remain in Academy Award contention in 2013. According to Clooney and the studio, filming went into overtime and reshoots were needed, causing the studio to abandon the initial December release date and forgo any last-minute Academy screening.

I wanted to believe that this was the case as I was really hoping The Monuments Men would be as good as the early Oscar buzz indicated. Sadly, having now seen The Monuments Men I can report that it is far from an Oscar contender. Don't be mistaken, the film is not bad. Rather, it's just not an Academy Award level movie despite the Academy Award level talents of Mr. Clooney and co-stars Matt Damon, Jean Dujardin, John Goodman and future Oscar winner (wishful thinking) Bill Murray.

The Monuments Men tells the mostly true story of Art Historians, Architects and Scholars, drafted into the fight to save Europe's great historic treasures in the wake of World War 2. At the time their mission began Adolph Hitler had begun stealing art from collectors across the continent for the purpose of hanging them in his new Fuhrer Museum. As the film progresses however, and Hitler's Germany begins to fall, it becomes a race against time to stop Hitler from destroying the treasures he stole.

There is a great movie to be made of this material, but The Monuments Men is not that movie. Now, I understand that the preceding line implies The Monuments Men isn't a very good movie but in fact it's a rather pleasant film with a minor sense of humor and a deep respect for the mission undertaken by the real life 'Monuments Men.' Unfortunately, the film isn't as interesting as the idea of the film. The editing is sloppy, at times muddling the timeline of the film, and the ending is jarringly abrupt. 

The casting of The Monuments Men may be the film's biggest challenge and failure. The dream team casting of Clooney, Damon, Dujardin, Goodman and Murray created expectations that the film simply could not match. There is a strong corollary to an NBA All Star team. Yes, you have the greatest players in the game on the court together, but no REAL game is being played. It’s as if Clooney and writing partner Grant Heslov felt they had finished the movie simply by assembling the perfect cast. 

The casting of The Monuments Men creates an expectation of greatness that the film simply cannot match. Casting Goodman and Murray implies good humor with an edge of poignancy. Casting Clooney and Damon in a big ensemble evokes the 'Ocean's' movies and a sense of funny camaraderie. Unfortunately, The Monuments Men is never played for laughs even as the cast could get those laughs and still pay respect to the danger of a World War 2 story.

Instead of the movie we think we should get, a poignant comedy about the literal defense of art and culture, we get a dutiful drama that tells a worthy story of heroism without much flavor or insight. The film is respectful to a fault and avoids the humor these actors could create in an effort to remain respectful of the war and the mission. This leaves a rather bloodless, occasionally sloppy, effort that is difficult to dismiss as bad but certainly not worthy of a full critical recommendation.

Find my archive of more than 24 years and more than 2000 movie reviews at SeanattheMovies.blogspot.com. Find my modern review archive on my Vocal Profile, linked here. Follow me on Twitter at PodcastSean. Follow the archive blog on Twitter at SeanattheMovies. Also join me on my new favorite social media site, BlueSky. Listen to me talk about movies on the I Hate Critics Movie Review Podcast. If you have enjoyed what you have read, consider subscribing to my writing on Vocal. If you’d like to support my writing, you can do so by making a monthly pledge or by leaving a one time tip. Thanks!

Movie Review Borderlands

Borderlands (2024) 

Directed by Eli Roth 

Written by Eli Roth, Joe Crombie

Starring Cate Blanchett, Kevin Hart, Ariana Greenblatt Jack Black, 

Release Date August 8th, 2024 

Published August 8th, 2024 

Borderlands is a bad movie in the least interesting way. Take, for instance, Trap, M. Night Shyamalan’s most recent film, as of this writing. I’m mildly obsessed with Trap. That is a film that is bad in a very interesting way. Trap is misbegotten. It’s a failure in every possible way but it's ambitious and unique while being objectively bad. Borderlands, on the other hand, is bad in ways that are indistinguishable from other movies. It’s boring, it’s derivative, and, despite an all-star cast and a video game playground, it lacks personality. 

Cate Blanchett stars in Borderlands as Lilith, an intergalactic bounty hunter who plays by her own rules. If I had a nickel for every time a movie had a character like Lilith, I’d have enough to open a savings account at a local bank that comfortably accrues interest over time. Borderlands is boring in the same way that local banking with a small amount of money is boring. Lilith isn’t a character, she’s a collection of traits that look good in a trailer. She’s got an odd haircut, she’s sexy because Cate Blanchett is objectively sexy, and she shoots first and asks questions later just like every other cliche badass sci-fi character. (Yawn). 

Lilith is an anti-hero because she takes money from an evil corporate guy, Edgar Ramirez, making bank on being the most basic-bitch, go-to bad guy in Hollywood, to find his daughter. She’s the key to an ancient blah blah blah on some distant yadda, yadda, yadda. You get the gist. Ariana Greenblatt plays Tina, the daughter in question. Tina has been kidnapped by a mercenary named Roland (Kevin Hart) , former employee of the boring corporate villain, who is perhaps also seeking the magic whatever it is on the wasteland planet something or other. 

Find my full-length review linked here. 

Movie Review Thor Ragnorak

Thor Ragnorak (2017) 

Directed by Taika Waititi 

Written by Eric Pearson, Craig Kyle, Christopher L. Yost 

Starring Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Idris Elba, Jeff Goldblum, Tessa Thompson, Karl Urban

Release Date November 3rd, 2017 

Thor: Ragnorak is a heck of a lot of fun. Director Taika Waititi is the first director to fully tap the potential of the Thor character and star Chris Hemsworth. Though we’re aware from The Avengers’ movies that Hemsworth is a real talent, he’s not had a solo, leading man effort that has lived up to the outings of Robert Downey Jr. as Iron Man or Chris Evans as Captain America. Even Tom Holland had schooled Hemsworth by making his Spiderman: Homecoming this past summer one of the best reviewed and well-loved movies in the Marvel canon.

Thor: Ragnorak picks up with our hero having still not returned to Asgard, nursing a fear that his presence may be what leads to Ragnorak, the Asgardian apocalypse. The visions that plagued Thor in Avengers: Age of Ultron have kept him moving about the universe in search what may be the source of his paranoid visions of the end of his world. The opening scene, however, has left him still unsatisfied but with only one alternative, finally returning to Asgard.

We already know what is waiting for Thor on Asgard as we recall Loki (Tom Hiddleston) had usurped his father, Odin (Anthony Hopkins), and taken on his likeness in order to rule Asgard. When Thor returns, Loki’s ruse is quickly uncovered and the search for Odin is on. What the brothers find however, is their father in the last moments of his life. Odin is dying and nothing can stop that. Worse yet, his death means the return of Hela (Cate Blanchett), The Goddess of Death.

Odin’s life force is all that has kept Hela at bay for centuries but without him she will return and Thor and Loki will not be able to stop her. There are a few major secrets that come to light with Hela but I won’t spoil them here, the secrets don’t matter all that much but they’re still secrets and this is intended as a spoiler-free review. Thor and Loki are quickly defeated in their first encounter with Hela leading them both to land on a strange scavenger planet where Loki charms the planet’s ruler, played by Jeff Goldblum, while Thor is turned into a gladiator and forced to battle an old friend who's been on the planet for some time and doesn’t immediately recognize his old friend.

Find my full lengh review in the Geeks Community on Vocal 

Spoiler Alert: Let's Talk About the Ending of Tar

Tar (2022) 

Directed by Todd Field 

Written by Todd Field 

Starring Cate Blanchett, Nina Hoss, Noemie Merlant, Mark Strong 

Release Date October 7th, 2022 

Published October 31st, 2022 

In Theaters Now... 

What is writer-director Todd Field trying to say in his new movie, Tar? There are a myriad of readings currently being debated online and each seems to have some merit. There is, in the end, no right answer. If we separate the art from the artist, then what Todd Field is trying to say doesn't matter as much as how we interpret what he is saying. My interpretation of Tar is a mixed bag of evocative and provocative ideas and low humor that only occasionally lands. 

Tar stars Cate Blanchett as Lydia Tar, a famed conductor. Lydia is about to achieve a lifelong dream, to have conducted recordings of the work of Conductor Gustav Mahler. Sitting at the head of the table at the Berlin Orchestra, Lydia believes that conducting Mahler's 5th Symphony will cement a legacy built over a life time crawl to the top in merciless pursuit of the comforts and adoration of fame. Lydia Tar has cut metaphorical throats to get where she is and yet she doesn't realize how tenuous her grasp on power truly is. 

In this article I am going to wander around within several ideas and presentations in Tar that struck me after watching it. I will be employing spoilers and since I am recommending that you see Tar, if you haven't seen it yet, I urge you to jump off and come back after you see it. Tar is not so much a movie that can be 'spoiled' in the traditional sense but I do believe the experience of Tar is one better served by not knowing where the story is going. 

Lydia Tar is a conductor of an orchestra, specifically, the prestigious Berlin Philharmonic. The role of Conductor is an interesting one, rich with meaning and teeming with questions. What exactly is the function of a conductor? Why is a conductor necessary? Why do conductors get so much credit for directing the performance of people doing the actual, physical work of the orchestra? Tar is not direct about answering these questions though they are explored a little when we see Lydia in her work environment. 

The conductor of an orchestra brings order to chaos. It's a fantasy of power with a group of exceptionally talented people at the top of their field all at the mercy and direction of a wand wielding egotist. The musician may have the talent to make transcendent music from their instrument but no matter their talent, they are at the mercy and whim of someone not playing an instrument. Naturally, Lydia Tarr conducts her life as she conducts her orchestra, furiously exerting control, rigidly demanding conformity to her will. This, of course, is her downfall. 

The things that Lydia Tarr cannot control or conduct to her will, she ignores. Out of sight, out of mind is the substance of her worldview, especially when it comes to the discordant troubles in her life. One such trouble is a former student with whom Lydia may or may not have had an affair with. Lydia abruptly cut ties with the student and in doing so, harmed the woman's career and education. The former student is spiraling into depression according to glimpses of emails to Lydia's assistant, played by Noemie Merlant. 

Lydia cannot control this situation so she ignores it until a tragedy occurs. Even then, Lydia is unrepentant, and continues to avoid the problem, a privilege often conferred upon the powerful, the ability to turn their back on their problems via their privilege. A theme presented throughout Tar is Lydia's growing sensitivity to noise. The clicking pen of her orchestra colleague, a metronome left ticking in a cupboard, and other such seemingly insignificant noises become a torture to Lydia's psyche. 

Click here for my full length article at Geeks.Media 

Movie Review Hot Fuzz

Hot Fuzz (2007) 

Directed by Edgar Wright 

Written by Edgar Wright, Simon Pegg

Starring Simon Pegg, Nick Frost, Timothy Dalton, Cate Blanchett, Jim Broadbent 

Release Date April 20th, 2007 

Published April 19th, 2007 

The buzz has been building for months around the action comedy Hot Fuzz. It comes from the creators of the cult hit Shaun Of the Dead, a film that was both a send up of classic zombie flicks and a reinvention. Now the Shaun team takes aim at the classically American action movie. With nods toward Point Break, Bad Boys 2 and even a glance at Chinatown, Hot Fuzz fires bullets in many different directions, blows up any number of locales and is often quite funny while doing it.

If it were just about 30 minutes shorter, Hot Fuzz would be a very cool movie.

Nicolas Angel (Simon Pegg) is the best cop in London. His arrest rate is 400 percent higher than every other cop in the city and he is making the other cops look bad. In order to lower the bar for the rest of London's finest, Nicolas is given a transfer. Sent to the tiny village of Sandford, the big city cop finds himself in the place known as the safest village in all of England.

Left busting underage drinkers and tracking down a swan on the loose on mainstreet, Nicolas is bored to tears. Lucky for him, the exciting stuff is just about to begin. As the town prepares for the annual village of the year contest a strange series of accidents kills off some of the more troublesome residents of Sandford and Nicolas begins to wonder if all of these accidents could really be just a coincidence.

That is the set up to a story that takes absolutely forever to really get going. Written and directed by Edgar Wright, with his team from Shaun Of The Dead, Hot Fuzz tries to have it both ways and be taken seriously in an action thriller vein and be funny in sending up American action cliches. The tone of the film is fuzzy, even employing some horror film style violence among the mystery and action elements, and this causes the film to drag through the first 90 minutes or so.

Simon Pegg never really looks like an action hero but throughout Hot Fuzz, in what I'm sure was meant as parody, Pegg becomes so taciturn and earnestly tough that he becomes nearly convincing. Pegg gets really into the role of a badass, by the book cop and his performance is yet another confused piece of satire in Hot Fuzz. Don't be mistaken, Pegg is often quite funny but the character is at times too convincing which undercuts the humor in many scenes.

The last half hour of Hot Fuzz nearly rescues the picture. Taking cues from Bad Boys 2, Point Break and Rambo, Hot Fuzz starts blowing up anything and everything, firing copious amounts of bullets and celebrating the goofball quipfests that are the hallmark of the 80's and 90's style American action movie. When the trailer says "from the guys who saw every action movie, ever made" they aren't kidding.

Though multiple homages to Point Break seem a little curious and out of date, fans of that Keanu Reeves-Patrick Swayze campfest will be rolling on the floor laughing. That film, for all its cheese-tastic goodness, did feature one of the best foot chases in any movie I've ever seen and Hot Fuzz provides a loving and hysterical send up of that scene.

Another great popcorn aspect of Hot Fuzz is the filmmaker's Where's Waldo approach to celebrity cameos. A pair of big name international stars, an Academy Award nominated actress and an Academy Award winning Director, are hidden in plain sight in Hot Fuzz. You may have to see the film more than once to catch both cameos.

As a movie geek myself I was looking forward to Hot Fuzz. I loved Shaun of the Dead and that film definitely showed Simon Pegg and Edgar Wright's brilliant talent for sending up conventions of genre. They are just slightly off the beat in Hot Fuzz. Taking themselves just a tad too seriously, the team behind Hot Fuzz manages to make a real action movie early on and then flex their parody skills at the very end. These are some big laughs but the more than 90 minutes it takes to get there are deathly dull at times.

Movie Review Lord of the Rings The Two Towers

Lord of the Rings The Two Towers 

Directed by Peter Jackson 

Written by Fran Walsh, Phillipa Boyens, Peter Jackson

Starring Elijah Wood, Orlando Bloom, Viggo Mortensen, Liv Tyler, Ian McKellan, Sean Bean, Cate Blanchett

Release Date December 18th, 2002 

Published December 17th, 2002 

With all the hype about the second film in the Lord of the Rings trilogy, is it possible for this film not to be a little disappointing? The first film, The Fellowship of the Ring, overcame the hype to be an impressive artistic achievement. However, the impressive debut only increases the pressure on the follow-up films. So the success of Fellowship raises the bar to nearly unreachable heights for The Two Towers. That this second film nearly meets the hype is an achievement in and of itself.

We rejoin the J.R.R. Tolkien tale (as adapted by Peter Jackson and writer Frances Walsh) to find our heroic Hobbits Frodo (Elijah Wood) and Sam (Sean Astin) lost in the hills on the way to Mordor. Hot on their huge Hobbit heels is Gollum, the former owner of the ring Frodo is charged with destroying in the fires of Mount Doom. As Frodo and Sam lay sleeping, Gollum attacks and is quickly subdued. 

Needing a guide to Mordor, the Hobbits draft Gollum and continue their quest. Meanwhile, the remaining members of the Fellowship, Aragorn (Viggo Mortensen), Legolas (Orlando Bloom) and Gimli (Jonathan Rhys Davies), are searching for their friends Merry and Pippin who have been kidnapped by the Uruk Hai. Under the control of the evil Lord Saruman, the Uruk Hai are pillaging the countryside of the Kingdom of Rohan.

Rohan's King Theoden has, unbeknownst to the members of his family, been corrupted by Saruman leaving no one to stop the Uruk Hai. An army led by Theoden's nephew finally does rise up and stop the Uruk Hai, slaughtering a lot of them and momentarily leaving the fate of Merry and Pippin up in the air.

As it turns out, Merry and Pippin are fine, having escaped into the forest and into the arms of a walking, talking tree named Treebeard, who leads them to an amazing discovery. As Aragorn and company continue their search, they discover what Merry and Pippin had just previously discovered, that Wizard Gandalf the Gray, who was thought to be dead, is alive and after defeating the Balrog, and is now Gandalf the White. This evidently means he is more powerful than before.

Using his new power, Gandalf is able to free king Theoden from the control of Saruman. Even after being freed from Saruman, Theoden is unwilling to go to war and instead flees his kingdom for the seeming safety of the cavern castle in Helms Deep. All of this is leading to the film's centerpiece, the grandiose Battle of Helm's Deep, where Saruman's massive ten-thousand-man army of Uruk Hai fights against the several hundred residents of Rohan who aren't women or children. The kingdom's army, having left earlier in the film, are being retrieved by Gandalf, but will not make it until well into the battle.

The battle of Helms Deep is indeed a spectacle, visually awesome and seamlessly integrated. Peter Jackson's special effects are an amazing achievement; he actually manages to make all of this look plausibly real. Of course, the film's greatest technical achievement is the character of Gollum. Inhabited in part by actor Andy Serkis (but mostly CGI), Gollum is a lively and imaginative creation. Gollum manages to make an impression without being overbearing or obnoxious like his CGI brother Jar Jar Binks. Gollum is a technical masterpiece, very likely to earn the special effects team an Oscar.

As visually exciting as The Two Towers is, it lacks in many ways. The middle of the film drags to the point of being dull and when the action slows down, the clunky dialogue and earnest close-ups slam the film to a halt. The character development is lost in the waves of action and effects scenes. We know who to cheer for and why but the audience's emotional investment in the characters is limited.

Wood continues to be an unappealing actor. His Frodo is all empty gaze and pained expression. Wood is an actor with talent but limited charisma and paired with the equally dull Sean Astin, the film's most important subplot is saved only by Gollum. Viggo Mortensen, on the other hand, is very charismatic and commanding, and Ian McKellan's Gandalf, in limited screen time, delivers the most memorable moments of the film.

The action and effects of The Two Towers are overwhelming, rolling over the audience in waves. Unfortunately when the action slows down, the film drags and the lack of character development becomes more obvious.

Movie Review: Elizabeth The Golden Age Starring Cate Blanchett

Elizabeth The Golden Age (2007) 

Directed by Shekhar Kapur 

Written by William Nicholson. Michael Hirst 

Starring Cate Blanchett, Clive Owen, Geoffrey Rush, Rhys Ifans, Abbie Cornish, Samantha Morton 

Release Date October 12th, 2007

Published October 11th, 2007 

It's been less than a decade since Cate Blanchett burst upon the scene in Elizabeth. Up till then; a working actress in England, 1998 saw Cate Blanchett get the role of a lifetime playing the virgin queen Elizabeth, one of the most revered figures in English history. Now Ms. Blanchett returns to the role that earned her an Oscar nomination. Elizabeth: The Golden Age falls well short of the dramatic heights scaled by the original. However, Ms. Blanchett is as regal and beautiful as ever and finds just the right grace and style to keep The Golden Age from tipping over into utter melodramatic disaster.

Picking up less than a decade from where Elizabeth left off, Elizabeth The Golden Age finds Queen Elizabeth presiding over a divided country. Christians and protestants are at odds all over Europe and in Spain King Philip (Jordi Molla) is leading the christian cause with his Spanish Inquisition. In England, the struggle of Christians is epitomized by Queen Elizabeth's rival, Mary Queen of Scots (Samantha Morton), who English Christians have claimed as their true queen.

While trying to avoid a holy war of a religious division as well as actual war with Spain, Queen Elizabeth is looking into the idea of marriage as a diplomatic tool. She finds few of any of England's allies to be a suitable match. However, there is an Englishman who has caught her eye. His name is Sir Walter Raleigh (Clive Owen).

Freshly returned from America, where he established the colony of Virginia in honor of England's virgin queen, Raleigh begins a flirtatious dance with the queen as well as with the queen's closet friend Annette (Susan Lynch). With war against Spain imminent and Mary Queen of Scots scheming in secret with potential assassins, the last thing the queen needs is romantic drama. Can Elizabeth balance her personal life with the duties of royalty and protecting England? Historians are likely snickering at such a question.

Elizabeth: The Golden Age plays fast and loose with history in order to craft a daytime soap opera of epic proportion. The grand guignol drama of Elizabeth is often worthy of the catty likes of Dynasty or Melrose Place. Just watch the hissy fit that Blanchett's Elizabeth is forced to play upon learning of Raleigh and Annette's affair. Heather Locklear on her best day could not have done better. That Ms. Blanchett is only momentarily set back by such lame histrionics is a true testament to her talent.

Director Shekar Kapur's true talent is opulent settings and grand costuming. Elizabeth: The Golden Age will no doubt compete for Oscars in set design and costume for the lavish colorful creations of Kapur and production designer Guy Dyas and costumer Alexandra Byrne. The lush beauty of Elizabeth The Golden Age and Cate Blanchett's ability to act and perform the work of a wonderful clothes horse, nearly make Elizabeth The Golden Age worthy of a recommendation. Nearly. 

Playing from a soap opera level narrative; Cate Blanchett pulls off an exceptional performance. Her Elizabeth is quick witted, cunning and brave with vulnerability that is very disarming. She is as strong in ostentatious costume as she is in battle armor preparing to lead her soldiers into battle. It's stunning how powerful Blanchett is in overcoming what is a truly underwhelming script.

Clive Owen and Geoffrey Rush also fight their way through the histrionics of Elizabeth: The Golden Age to varying success. Owen does spark with Blanchett in their few romantic scenes. In fact they spark so well that it's impossible to believe that Owen's Sir Walter would go for Susan Lynch's winsome girl Annette over Blanchett's blazing, womanly Elizabeth. As things play out, the only reason we see Owen with Lynch is because history recalls Elizabeth as the virgin queen.

As for Geoffrey Rush, the script truly lets him down. As Elizabeth's long time consigliere he is forced by this narrative to be blind and foolish until he is not. There is a subplot with his brother that is supposed to explain his foolish behavior but it's botched so badly that Rush's character is left adrift. Rush is far too good an actor to play a character made to look this silly. 

There is the potential for yet another Elizabeth movie if rumors are true. The virgin queen did live for many years past the end of The Golden Age. Fans of Shakespeare In Love will recall that an elder Elizabeth, played in Oscar winning glory by Dame Judi Dench, presided over the era of Shakespeare's England. I'm not at all opposed to seeing Cate Blanchett reprise this role as even in this supremely flawed film she is an electric performer.

Here's hoping another Elizabeth can be more than merely an opulent example of how beautiful Cate Blanchett is in very expensive costumes.

Movie Review: The Shipping News

The Shipping News (2001)

Directed by Lasse Hallstrom

Written by Robert Nelson Jacobs

Starring Kevin Spacey, Julianne Moore, Judi Dench, Scott Glenn, Cate Blanchett 

Release Date December 18th, 2001

Published December 17th, 2001 

E. Annie Proulx's bestseller The Shipping News preceded Oprah's book club by a few years but if the film is anything like the book then it would fit Oprah's book club perfectly. The Shipping News is that kind of non-controversial life affirming claptrap that Oprah extols on a weekly basis. The film, adapted for the screen Robert Nelson Jacobs and directed by Lasse Hallstrom, the master of life affirming claptrap, stars Kevin Spacey as Quoyle.

While living a miserable invisible existence, Quoyle is finally noticed by Pedal Bear (yes I said Pedal Bear), played by the lovely Cate Blanchett. Pedal however is not as soft as her name would suggest. She uses Quoyle for room and board while cheating on him. Pedal does manage to have a child with Quoyle, but isn't much of a mother to Bunny, played by the Gainer Triplets Lauren, Kaitlyn and Alissa.

Quoyle is a good father but far too dull for Pedal who continues to run around on him until she is killed in a car wreck. Quoyle and his daughter pick up their lives and leave to live with Quoyle's Aunt Agnis (Dame Judi Dench) in Newfoundland. There, Quoyle gets a job at a local newspaper where he writes the shipping news, a very big deal in the small fishing community.

Scott Glenn is Jack Buggit, the paper's eccentric owner who hires Quoyle despite the fact that Quoyle has no writing experience and while he will be writing about boats, Quoyle hates water. This is supposed to be cute and quirky but it plays as baffling and bizarre. Soon after landing a job he's not qualified for, Quoyle meets the obligatory movie love interest. Her name is Wavy Prowse (yes I said Wavy) (Julianne Moore). Why? I have no idea why. 

Maybe I'm too cynical for this film, or any film with characters named Wavy, Pedal and Bunny. Oh and don't forget Tert (Pete Postlethwaite) the newspapers manager and Beaufeld Nutbeem (Rhys Ifans) the paper’s international writer. Of course Ifans is one of the few actors who could pull off a character named Beaufeld Nutbeem. 

The Shipping News is a typically Lasse Hallstrom movie. It's prosaic and slow though lovely to look at. He's terrific at soft surfaces but even more adept at softheaded narratives with all of the memorable qualities of a barely remembered dream. All of Lasse Hallstrom's films seem to strive for deep meaning but they almost always end up with little more than surface emotion and not much else. I apologize if you are someone who enjoys Lasse Hallstrom's gauzy, bleary, boring movies but I cannot begin to understand why anyone would enjoy them.

I had hoped this film would be a return to form for Spacey after consecutive dull performances in Pay It Forward and K-Pax. Sadly though, Spacey in The Shipping News continues in his dewy-eyed schlep role, no passion, no vigor, nothing of Lester Burnham or Verbal Kint or John Doe. Even Spacey's screen chewing presence in The Big Kahuna is preferable to his recent string of dull losers.

The Shipping News sinks.

Sorry I couldn't help myself.

Movie Review How to Train Your Dragon The Hidden World

How to Train Your Dragon The Hidden World (2019) 

Directed by Dean Deblois

Written by Dean Deblois 

Starring Jay Baruchel, America Ferrara, F. Murray Abraham, Gerard Butler, Cate Blanchett, Jonah Hill 

Release Date February 22nd, 2019

Published February 21st, 2019 

How to Train Your Dragon 3 is perhaps the best of the three How to Train Your Dragon movies. None of the How to Train Your Dragon movies have been bad but the first two, for me, have only been passably entertaining. How to Train Your Dragon 3: The Hidden World rounds the series into something with a good deal more depth. Indeed, depth is what the first two movies lacked as they put forward perfunctory stories about learning to believe in yourself. 

How to Train Your Dragon 3: The Hidden World is the first of the franchise to carry the confidence of a movie where characters have tamed and rode dragons into battle. The hero's journey has finally stopped being a slightly bland, mostly amusing coming of age story and has become the story of a fully fledged character finally becoming who he should be. Again, there is nothing wrong with the first two, but I prefer seeing a new story with these characters as opposed to familiar tropes dressed up with dragons. 

How to Train Your Dragon 3: The Hidden World opens with our heroes, Hiccup (Jay Baruchel) and his dragon pal, Toothless, now in the role of dragon defenders. When dragons are kidnapped to be killed or made to serve the forces of evil, Hiccup, Toothless and their friends from the Viking village of Berk, swoop in with fiery swords and free the peaceful dragons and take them home to safety. 

Unfortunately, Berk has become quite overcrowded since our last visit. The place is teeming with dragons and the sheer volume of dragons on hand has not gone unnoticed. A group of bad guys now know where Berk is and they want to steal the dragons in order to create a dragon army. The baddies can’t do it on their own however, so they seek the help of the legendary dragon hunter Grimmel the Grisly (F Murray Abraham). In exchange for capturing the dragons of Berk, Grimmel asks only that he be able to kill Toothless. Grimmel has made his reputation on killing Night Furies.

But how will he ever get close to Berk with all of those Vikings and Dragons? Grimmel has a plan. He’s captured a Light Fury, a white, female counterpart to Toothless and also seemingly the last of her kind. Grimmel will use the Light Fury to lead Toothless into a trap. His plan is solid as Toothless falls in love at first sight with the Light Fury and in a delightful scene, attempts to romance her on the beach with a mating dance. The wordless pantomime of the dragons in this scene is genuine, sweet and funny. 

Director Dean Deblois in his third time as a director, he directed the previous How to Train Your Dragon and Lilo and Stitch prior to this movie, continues to demonstrate his light and deft touch. Deblois is smart about not letting his stories get cluttered with too many bits of business. He may have a lot of colorful characters and voice actors to make use of but he’s very economical about it and never allows a bit to overstay its welcome or bog down the central story. 

The voice cast of How to Train Your Dragon remains top notch with Jay Baruchel as a sturdy lead voice, America Ferrera as the charming romantic idea, Cate Blanchett as the voice of gravitas and seriousness and Jonah Hill, Christopher Mintz Plasse and Kristen Wiig providing solid comic relief. Add to this group, the sonorous tones of Academy Award winner F Murray Abraham as Grimmel and you have an exceptionally talented and charismatic group of voices. 

How to Train Your Dragon 3: The Hidden World is exceptionally well animated with some legitimately breathtaking sights that really stand out in IMAX 3D. The visuals are equalled brilliantly by the Scottish inflected music score by John Powell to create a more vital and mature palette for what is the last of this film trilogy. Much credit to Dean Deblois and Dreamworks in recognizing that there is no need to beat this premise into the ground. This is the final film in a trilogy and they allow it to go out on a note of satisfying and moving finality.

Movie Review I'm Not There

I'm Not There (2007) 

Directed by Todd Haynes 

Written by Todd Haynes

Starring Christian Bale, Cate Blanchett, Richard Gere, Ben Whishaw, Heath Ledger, Charlotte Gainsbourg

Release Date November 21st, 2007

Published November 20th, 2007

Employing six different actors to portray the life of Bob Dylan, director Todd Haynes paints a strange and fascinating portrait of this enigmatic legend. I'm Not There stars 12 year old Marcus Carl Franklin as Woody Guthrie. Riding the rails to New Jersey to visit the real Guthrie who is on his deathbed.

Franklin represents the young Dylan who did indeed visit an ailing Woody Guthrie in a New Jersey hospital and as "Woody Guthrie" tells a pair of hobos in a boxcar he played music with Bobby Vee and wrote songs with Carl Perkins. Watch the segments with Marcus Carl Franklin and the whole of the story of Dylan's life is glimpsed up until his disillusionment in the wake of the JFK assassination.

That Franklin is an African American is a nod to Dylan's roots. Though born in Minnesota, Dylan's music has distinctly southern roots. His music was born listening black bluesmen on the radio. As he got older the country and folk traditions came to dominate his work but the influence of the blues remained, especially in his complex lyrics layered in subtext, bitter sadness and dark humor.

Teenager Ben Whishaw plays Dylan just before stardom. Being interrogated by reporters, this version of Dylan, calling himself "Arthur Rimbaud" is an esoteric poet both cynical and naive yet demonstrating the complex wordplay that would become his trademark.

Christian Bale plays Dylan the rising star. Under the guise of Jack Rollins, this version of Dylan is shy and unassuming, pulled toward stardom reluctantly as he is swept up in the politics of the time and by the love of a fellow artist Alice Fabian (Julianne Moore), who stands in for Joan Baez.

Bale returns late in the film as another Dylan, the born again christian preaching the gospel from the stage but playing only to small audiences of oldsters and their restless young children.The sight of this Dylan playing and proselytizing to small audiences acknowledges one of the many low points of the man's life and another of his unique musical digressions. Dylan recorded two less than stellar gospel albums in the early 80's. 

I'm Not There fractures it's universe with a character named Robbie Clark (Heath Ledger) who, though not a musician, portrays Dylan the family man. Clark is an actor who plays Jack Rollins in a movie. We then watch as Clark meets and falls in love with an artist named Claire (Charlotte Gainsbourg). They have two children.

Clark's being an actor is pretty basic symbolism, Dylan played the role of family man without really living it. Ledger inhabits the self absorbed artist well as well as Dylan's fatherly ambivalence with great ease and the kind of charm that only a star can project. Even as a jerk you can see what draws people to him.

Cate Blanchett plays Jude Quinn as Dylan in his cynical, drugged out mid-sixties era. Arguably at his creative peak, this version of Dylan is also at his most self absorbed and combative and Blanchett captures it perfectly, showing exactly why she received an Oscar nomination for this gender bending role.

Blanchett captures Dylan the defiant, Dylan the uncompromising and Dylan the jerk at the time when he was successful enough to be a jerk and get away with it. It was during this period when Dylan went electric and Haynes captures the moment with brief visual jokes that show off not only his but Dylan's underestimated sense of humor.

Arguably the most unusual and inexplicable version of Dylan to emerge in I'm Not There is that portrayed by Richard Gere. As "William Bonney" this version of Dylan may be just how Dylan sees himself, a loner cowboy who fights for truth and justice but is cynical and weary enough to accept that he can't change the world.

My description seems to put these lives of Dylan in a particular order but the film doesn't proceed in a linear fashion. Rather, Director Haynes drops in on these versions of Dylan as if they were different people in different stories and essentially they are united only by the music of Bob Dylan.

Fans of Dylan will be thrilled by the depth of I'm Not There picking up on inside jokes and insights into his motivations that will remain mysterious to those unfamiliar with the legend and his unique life story. I was not familiar with most of the story but rather than being out in the cold, I was intrigued to find out what I was missing.

For me, I'm Not There inspired curiosity and wonder. I wanted to know what I was missing and reading about Dylan only deepened the experience of I'm Not There, even after having seen it. This is a glorious piece of work, inspiring, eclectic and endlessly fascinating.

Though it does drag near the end of its slightly overlong 2 hour 6 minute runtime and the Gere character can seem trying and puzzling, overall the good of I'm Not There far outweighs the bad. The flaws even add a bit of charm to the film as if included as commentary on Dylan's many flaws.

I truly cannot say enough good things about I'm Not There.

Movie Review Indiana Jones and the Kingdom of the Crystal Skull

Indiana Jones and the Kingdom of the Crystal Skull (2008) 

Directed by Steven Spielberg 

Written by David Koepp 

Starring Harrison Ford, Shia Labeouf, Cate Blanchett, Karen Allen, Ray Winstone, John Hurt

Release Date May 22nd, 2008 

Published May 20th, 2008

In full disclosure mode, I write this review while wearing an Indiana Jones t-shirt. The fact is, as long as Indiana Jones and the Kingdom of the Crystal Skull hit the screen I was going to love it. As an Indy nerd who spent last Thursday watching all three original Indy adventures back to back to back plus a two hour documentary feature, I have waited very impatiently for a new Indiana Jones for 19 years.

As we rejoin the adventure of archaeologist and treasure hunter Henry "Indiana '' Jones Jr it is 1952 and Indy has been kidnapped by Russian infiltrators. They want Indy to help them locate an artifact being held by the US government at Area 51. The artifact is related to a top-secret excavation that Dr. Jones took part in briefly at Roswell New Mexico.

Naturally, Indiana Jones isn't one for treason and after a chase, a gun battle, and another chase, he nearly gets the artifact back. He will need to keep trying to get it because red scare paranoia has the FBI calling him a traitor. Forced out of his teaching gig by the FBI, Indy heads for New York only to be sidetracked by a kid named Mutt (Shia Labeouf).

Mutt has a letter from an old friend of Indy's who claims to have found the lost city of gold and includes a map. With Mutt in tow, Indy heads for South America with the Russians hot on his heels as well. If you guessed that the City of Gold is also related to that Roswell gig, kudos for your observational prowess.

Indiana Jones isn't overly complicated in its plotting but it's not stupid either. The script from George Lucas with some spit polish by three other writers, proceeds with a similar logic to the first three Indy films balancing outlandish supernatural phenomena with old school adventure movie thrills.

Steven Speilberg's direction is relaxed and assured like an old friend retelling a story we've heard before but with just as much energy, vigor and life as ever before. Working with Oscar winner Janusz Kaminski there is a little extra polish to the old school look of Indy but not so much as to distract from the old time feel.

Harrison Ford is restored to his world-weary charming self as Indiana Jones. His persona seeming ever more strained and stressed in his most recent action movie roles, Ford is chilled out and laid back as Indy and he has not lost a bit of the light touch humor and hard ass tough guy persona that has made Indiana Jones an icon.

I was going to love this movie just for existing; so imagine how geeked I am that Indiana Jones and the Kingdom of the Crystal Skull is so awesome. Great story, great direction, great acting, welcome back Karen Allen, welcome Cate Blanchett and Shia Labeouf and Ray Winstone, everything about Kingdom of the Crystal Skull works.

I love this movie.

Movie Review Ponyo

Ponyo (2008) 

Directed by Hiyao Miyazaki 

Written by Hiyao Miyazaki 

Starring Liam Neeson, Cate Blanchett, Noah Cyrus, Frankie Jonas

Release Date July 19th, 2008 

Published July 20th, 2008 

I am running low on adjectives to describe Hiyao Miyazaki. The creator of some of the finest animation I have ever seen has given us so many delights over the years that I am almost at a loss to describe them. His Princess Mononoke, Spirited Away and Howl's Moving Castle are rivaled only by the works of Pixar in terms of the finest works of animated film art created in the last decade. Now, Miyazaki is back with yet another lyrical, moving animated masterpiece. Ponyo is a children's movie with more imagination and wonder than any ten non-Pixar animated movies released in the last decade.

Ponyo is the story of a little girl who begins her life as a fish. Ponyo is the offspring of a strange scientist (Voice of Liam Neeson) who somehow keeps the ocean in balance with humanity, though he is tiring of the task. Ponyo's mother meanwhile, is the Gran Mamare (Voice of Cate Blanchett, as ethereal as ever) who I believe is mother nature herself but you can watch and decide for yourself on that point. Regardless, the story follow's Ponyo's longing to discover the world beyond the water.

She gets the chance when she sneaks out and takes a ride on a jellyfish all the way to the surface of the ocean. There, she happens on the shore where Sosuke is playing. It's love at first sight. Sosuke scoops Ponyo up in a bucket and thinking she is just a goldfish, Sosuke excitedly hopes that he can make her a pet. However, when she heals a cut on his finger, he realizes there is something really magical about his new friend. Soon, Ponyo is talking and professing her love for her new friend Sosuke.

Unfortunately, Ponyo's move to the surface has consequences. As she moves to become more human, the ocean becomes unbalanced as Ponyo's father searches for her in hopes of keeping her a little fish forever. If Sosuke can prove he truly loves Ponyo she may be able to become human but he will have to find a way to show it before the seas rise and destroy and destroy the world. Sosuke will also have to navigate around Ponyo's father and try to convince him of true love. 

There is a distinct and prominent environmentalist streak running through Ponyo but it takes a back seat to the wondrous imagery of the great Hayao Miyazaki. Watch for the scene where Ponyo returns to the surface for the first time as a little girl and runs atop the roiling waves, the visual is an absolute delight. The glee with which Ponyo waves her arms and smiles with every part of lovely face is so awesome, a complete delight to behold. 

Ponyo is filled with childlike wonder and makes exceptional use of the child voice talents of young Noah Cyrus as Ponyo and Frankie Jonas as Sosuke. Cyrus of the famous older sister Miley, and Frankie, youngest of the famous Jonas family, capture in their young voices the unpracticed delight only a child can deliver. The young voices are crucial to Ponyo as these young characters must deliver wonder and excitement as only a child can. 

One can no longer be surprised by the brilliance of Miyazaki. And yet, I was somehow still blown away by Ponyo. Minus the occasional fright images that are as much a Miyazaki trademark as his childlike wonder, the director delivers a work of pure, joyous imagination. Ponyo is Miyazaki's take on the Hans Christian Anderson tale, The Little Mermaid and when you begin to recognize the story it adds even more gleeful exhilaration. 

The metaphor at play in Ponyo of a father wanting his child to remain a child forever is wonderfully poignant, especially under the care of Miyazaki. The great master animator has a love for the stories of children growing both emotionally and physically, aging toward new and wonderful experiences while maintaining the naïve innocence of childhood. I mentioned some horror imagery and it is there but it has meaning and purpose. As much as childhood and growing up is filled with wonder, it's also fraught with fears and anxieties that will either be overcome or become part of the future of each child. None of what I just wrote is in the text of Ponyo but the implication is powerful and it's what makes him such a master storyteller, layers upon layers of meaning that Miyazaki seemingly invites you to find in his work. 

Ponyo is one of the best movies of the year.

Movie Review Robin Hood (2010)

Robin Hood (2010) 

Directed by Sir Ridley Scott 

Written by Brian Helgeland 

Starring Russell Crowe, Danny Huston, Scott Grimes, Cate Blanchett, Oscar Isaac, Mark Addy 

Release Date May 14th, 2010 

Published May 13th, 2010 

Russell Crowe is a superstar and despite his personality defects, prickly interviews and phone throwing incidents, Crowe's films have always showcased his natural charisma. As was said of classic male movie stars of the past 'Men want to be him, Women want to be with him.' That has been the essence of Russell Crowe.

Lately however, Crowe has chafed against this persona and his ache to pursue a different reputation led to a terrific performance as a roguish and paunchy reporter in “State of Play” and now a buffed up action hero “Robin Hood.” While the movie “Robin Hood” rewrites the English legend, Crowe rewrites his own history essaying Robin as a stoic, charmless action hero that could as easily been played by Vin Diesel.

As King Richard (Danny Huston) wages war in France following a trip to Palestine and Israel in the Crusades, Robin Longstride is one of the King's Archers for hire. No longer entirely loyal to the crown following a horrific massacre of Muslims, Robin Longstride is soon to leave and return to England.

Joining Robin are his long time friends and fellow Archers Will Scarlett (Scott Grimes) and Alan A'Dayle (Alan Doyle) and his onetime antagonist turned loyal friend Little John (Kevin Durand, in a rare good guy role). The way back to England leads to the discovery of a French ambush on English Knights. King Richard is dead and his crown is to be returned to England along with an ancient sword that belongs to Sir Robert Locksley (Douglas Hodge).

Robin and his merry men will return to England dressed as knights, return the crown and reap a reward, or so they had hoped. Winding up in Nottingham to return the sword, Robin meets Lady Marion (Cate Blanchett), Locksley's wife and Sir William Locksley (Max Von Sydow) who engages Longstride in a deal, Robin will take on the role of his son in order to maintain the lands after his death; he will also become husband to Lady Marion.

Meanwhile, as the craven Prince John becomes King John, the French plot an invasion to take advantage of the Royal chaos. Stoking the fires is King John's best friend Godfrey (Mark Strong) who has joined with the French and is leading the invasion. Needless to say, Robin, his merry men, and the people of Nottingham get caught in the midst of all of this intrigue and many a sword is swung and arrow flown.

Directed by the brilliant Sir Ridley Scott, “Robin Hood” treads very similar ground to his Oscar winning epic “Gladiator” and his massive flop, the crusades epic “Kingdom of Heaven.” Scott has a great deal of love for the ancient world, warrior codes and the brotherhood of war. He evokes the age exceptionally well with detailed landscapes and costumes, well used CGI and some terrific cinematography.

Where “Kingdom of Heaven” failed is in the same way “Robin Hood” comes up short; both films swamp the viewer with the ugliness and depravity of the ancient world and leave little for people to enjoy beyond the carnage. Characters suffer because Scott's attention to period detail apparently means depicting men with courage minus charisma and charm.

While Cate Blanchett is allowed to look radiant even while covered in mud, Russell Crowe plays Robin subdued, withdrawn and modestly tortured. His bravery is evident in battle and you can see why his men are loyal to him but he comes up short in the aspects of personality that make him a compelling movie character.

Mirthless, constipated and withdrawn, the Crowe that was so captivating in “Gladiator” and so charming in “State of Play'' is caked in mud and blood and is basically part of the scenery in “Robin Hood'' until the battle scenes awaken his warrior side. The battle stuff is very good, almost the equal of “Gladiator,” but “Robin Hood '' is over 2 hours and 20 minutes long and the battle scenes are merely a third of that run time.

“Robin Hood '' has moments that are as amusing as any classic action epic but the quiet moments are so quiet that lethargy sets in and the audience begins to withdraw nearly as much as Mr. Crowe does. The battle returns the Russell Crowe we’ve come to enjoy then he recedes and we wonder where is the star, where is the spirited rebel. Is Russell Crowe so desperate to create a new persona that he can no longer find joy in his work

If he can’t enjoy it, how can we enjoy it?

Movie Review Hanna

Hanna (2011) 

Directed by Joe Wright 

Written by Seth Lochhead, David Farr 

Starring Saorise Ronan, Eric Bana, Cate Blanchett, Olivia Williams, Jason Flemyng 

Release Date April 8th, 2011 

Published April 7th, 2011 

Hanna (Saorise Ronan) is a teenage girl living in the forest with her survivalist father (Eric Bana). Eric Heller has dedicated his life to teaching his daughter skills needed not just for survival in the wild but survival in a world where unseen forces are trying to kill her. Eric's motto, drilled into Hanna's brain daily, is 'adapt or die.' The incongruity of such harsh words coming from the mouth of a lithe blonde 15 year old girl is jarring as so much of the movie Hanna is jarring.

Directed by Joe Wright Hanna is an exercise in style and substance. Wright, best known for his Oscar nominated "Atonement," brings a great deal of action movie style to "Hanna" with long, uncut takes that have the camera following characters through complex choreographed fights that are refreshing compared to most other action movie director's affinity for  super fast edits that hide the action behind layers of trickery.

As I mentioned, there is also an experimental substance as well. Unlike the brainless titillation of "Sucker Punch," "Hanna" takes a teenage girl with unique fighting skills and examines the effect such disturbing ability might have on a girl rather than dressing her in fetish gear and exploiting her nubile flesh. This examination does not come with long periods of expository dialogue but rather plays on the extraordinary face and in the actions of star Saorise Ronan.

Matching Ronan's superb performance is that of Cate Blanchett as calculated C.I.A killer Marisa Wiegler. Wiegler was Eric Heller's handler on a black op that abruptly ended. Both Hanna and her late mother were part of this aborted operation and when Heller tried to keep them from being eliminated, Wiegler tried to kill him and did kill Hanna's mother. Blanchett's deep cold performance has odd nuance and a chilling resolution. This is a relatively small role for such a well known actress but Blanchett treats the part with the seriousness of a Bond villain and the complexity of the kind of part that could earn her an Oscar nomination.

The rest of the cast, including Jason Flemyng, Olivia Williams and Jessica Barden as members of a family who befriend Hanna on her journey from Morocco to Germany to the German thugs that Marisa hires to capture Hanna and kill anyone she comes in contact with, are exceptionally well placed within this unique story. Tom Hollander is especially chilling as the constantly whistling killer, Isaacs, whose ungodly creepiness leads to a pair of exceptional final act scenes.

Complex and exceptionally well directed, "Hanna" is a real stunner.