Movie Review John Wick Chapter 4

John Wick Chapter 4 (2023) 

Directed by Chad Stahelski 

Written by Shay Hatten, Michael Finch 

Starring Keanu Reeves, Ian McShane, Lance Reddick, Donnie Yen, Laurence Fishburne, Bill Skarsgard 

Release Date March 24th, 2023 

Published March 24th, 2023 

John Wick Chapter 4 wastes no time in getting our favorite killing machine into action. After a brief introduction to where John's been hiding since we last saw him, action shifts to the Middle East where John Wick, in full black suit in the desert, is killing people while riding on horseback. The scene is key first for getting John Wick into action mode and for giving him a key piece of information. As John executes a nameless baddie, he's informed that the only peace he shall ever have will come in death. This sets up the plot of the movie: Will John Wick live or die? 

The plot is driven by John Wick's continuing desire to be allowed to live a normal life. He just wants a dog and a house and a muscle car for a quiet retirement. Unfortunately, the many, many people John Wick has killed since he took vengeance over the murder of his beloved dog, means that John may never stop being pursued by killers eager to grab a 20 plus million dollar bounty on his head. That bounty comes courtesy of a mysterious cabal known collectively as 'The Table.' You can assume that the table is much like the one in Godfather 2 where the heads of families sit and carve up portions of the world. 

Thus, John Wick's task, though seemingly impossible, is to kill his way through the table. Thankfully, his efforts thus far have led the leaders of the group to consolidate power inside one man, The Marquis (Bill Skarsgard). Kill the Marquis and John Wick will earn his freedom from the table. Naturally, this task is more complex than simply killing one man. Standing in John Wick's way is an old friend, a man chosen by The Marquis as his proxy in any direct combat with John Wick. That man is Caine, the blind master, played by Donnie Yen. John Wick and Caine have been friends for years but with the life of Caine's daughter hanging in the balance, the blind master has no compunction about killing his longtime friend. 

I love the lore of John Wick. I love how the universe maintains a very specific and yet uncomplicated logic. In this universe, there are suits that are made of Kevlar, these suits have an almost magical quality. They make the wearer impervious to most weapon attacks. Getting thrown off a roof, shot, or tossed down some stairs are things that can slow someone down. But, if you are wearing a Kevlar suit, you are protected from serious impacts, meaning bones won't break, and bullets may collect on the surface but not penetrate. A sword or a knife may still be an issue. 

Find my full length review at Geeks.Media 

Essay On the Female Characters in John Wick

On the Female Characters in John Wick 

John Wick (2014) 

Directed by Chad Stahelski 

Written by Derek Kolstad 

Starring Keanu Reeves, Adrienne Palicki, Bridget Moynahan, Bridget Regan

There is an aspect of John Wick that has been nagging at me and that is the treatment of women in the film. The movie isn’t openly hostile to women but you can definitely sense that every person involved in the creation of the story was a man.

Two female characters exist in John Wick, three if you want to count women with dialogue, an extra has a line that could fit this discussion later. The first is John Wick’s wife, Helen, played by Bridget Moynihan. Helen is the driving force for John to abandon his profession as a professional killer and settle into suburban life in New Jersey.

Essentially, she exists to make John less of a man because she forces him to give up who he is, and while she’s not portrayed as anything of a harridan, he gave up his life as a killer quite willingly, it’s clear by how quickly and ferociously he returns to killing that she had attempt to rob him of his very essence, who he truly was. This is a common fear among weak men that women are constantly attempting to change them.

The second woman in the story is Ms. Perkins, played by Adrienne Palicki, Ms. Perkins is a particularly egregious creation because she’s hyper-sexualized and yet she’s supposed to be one of the boys, a fellow killer. If however, she were truly one of the boys would she have made such a clumsy and flawed attempt at killing John Wick.

Ms. Perkins is also portrayed as greedy, a classic, cliched, narcissistic male portrait of women. Ms. Perkins willingly flogs the rules of The Continental, a hotel for killers with rules specifying that no killing can be done on the grounds of the hotel, a rule that has seemingly held for years until Ms. Perkins broke the rules to satisfy her greedy pursuit of the 4 million dollar bounty on John’s head.

Spoiler Alert:

Ms. Perkins meets her end in John Wick with a sizable level of overkill. After betraying and killing Willem Dafoe’s John Wick ally, Ms. Perkins is called to return to The Continental. She arrives in a stylishly lit park area where she is ushered into the center and informed that she can never return to The Continental. The warning however, does not suffice, as four large men emerge from the shadows forming a box on all sides of her. She is then shot from all angles.

Being that she is the only LIVING female in the movie, essentially the female lead, a better movie might have allowed her fate to have some narrative necessity, instead she is used as a prop in a secondary story and then discarded like trash, literally, a mythic crime scene clean up crew, seen earlier in the film at John Wick’s home to retrieve the body’s of oodles of dead, faceless henchmen, arrive to sweep her away like trash after sporting event.

So, Ms. Perkins, (I can’t stress this enough) the only LIVING, female character in the movie ends the film as just another faceless goon. This after she had made her clumsy, faltering, greedy attempt to kill John Wick, a task she, of course, failed at. And don’t think I have forgotten her efficient killing of a random fellow hitman at the hotel. That scene does not demonstrate her competence as a killer, it demonstrates that she is simply, and purely evil. Being that she is the lone woman in the movie what does that say about the film’s opinion of women?

I briefly mentioned a third female type in John Wick and that woman is a bartender at the bar in the basement of The Continental. Her name is Addy and she is played by a very beautiful actress named Bridget Regan. Addy only has one scene and it’s not a very important one. She exists to build the cult of John Wick. She functions as a John Wick fangirl, fawning over his return to the world of killers. Now, there was certainly little time for the movie to give Addy much weight or presence, but she does demonstrate a lack of imagination on the part of the filmmakers to cast a woman in the role of the fawning fan. That lack of imagination however, extends to the entire film’s roster of female characters.

So what is the point of this essay? Do I not like John Wick because of the treatment of women in the film? A little, if I’m being completely honest. I noticed the film’s attitude toward women which certainly says something about how the film treats women. I’m sure there are many other examples of films with anti-female attitudes but it really stuck out John Wick and it does effect how I feel about the film.

In my podcast, I Hate Critics you will hear me praise John Wick for its dark wit and well choreographed action and the exceptional level of detail given to sidelights like The Continental or the cleaning crew. All of that praise is true, I loved those aspects along with the performance of Michael Nyqvist as the lead bad guy, and Alfie Allen as the bad guy’s son, the character who’s actions bring John Wick back to the world of killers. I also liked Keanu Reeves whose least interesting qualities are hidden behind the film’s well portrayed action and propulsive plotting.

It wasn’t until further reflection and the reading of a feminist essay on a completely different movie, that I thought to consider my reservations about the way women were portrayed in John Wick and my appreciation of the film morphed into something I now feel slightly guilty about.

These thoughts on John Wick may, in fact, lead to further investigation of the way women have been portrayed in recent Hollywood features. This isn’t the first time I’ve had these thoughts this year, a year in which it seems as if roles for women have been greatly diminished.

Movie Review John Wick

John Wick (2014) 

Directed by Chad Stahelski 

Written by Derek Kolstad

Starring Keanu Reeves, Ian McShane, Michael Nyqvist, Alfie Allen, Dean Winters, Bridget Moynahan

Release Date October 24th, 2014

Published January 5th, 2019

Keanu Reeves returns to theaters this weekend in Replicas, a new sci-fi flick in which he plays a scientist attempting to clone the family he lost in a car wreck. While that film looks, from the trailer, like a complete trainwreck, the appeal of Keanu Reeves “Movie Star” will remain regardless of how Replicas fares. In more than 30 years as a movie star, Keanu Reeves has earned our eternal adoration as the blankly handsome face of action movies.

As I wrote yesterday, in my review of The Matrix, it’s Reeves’ very blankness that makes his otherwise ethereal handsomeness an everyman quality. We relate to him because we project upon Keanu our own personality in a more conventionally handsome vessel. That is certainly the appeal of Keanu in The Matrix and that extends also to the budding John Wick franchise. Once again, Keanu is our attractive avatar, just enough of a blank personality for us to fantasize ourselves into the role.

John Wick stars Keanu Reeves as the titular John Wick, the world’s foremost assassin. Or, at least, he used to be. Once John Wick got married he retired his arsenal of death in favor of being a loyal and dutiful husband. Sadly, John’s wife recently passed away, leaving him a present, a dog, to help him to not be lonely. Though not conventionally a ‘dog person,’ John takes to the pup as a connection to his late wife.

One day, as John is out and about happily in retirement, he stops at a gas station while driving his cherry black muscle mustang. A seemingly random rich guy, the son of a local mobster, tries to convince John to sell his car. John rebuffs the offer and is on his way but the kid, played by Alfie Allen, is not one to take no for an answer. The kid sends thugs to kill John and take the car and during the assault, they kill John’s dog. This leads John Wick out of retirement and on the trail of the mobster’s kid.

The key to John Wick is the tremendous world building by screenwriter Derek Kolstad and the film’s credited and uncredited directors, Chad Stahelski and David Leitch. Every other character in John Wick goes out of their way to talk about how scary Wick is. The main bad guy in the movie, the mobster played by the late Michael Nyqvist, only opposes John Wick because of his son. He appears more upset with his son for attacking Wick than he does at Wick for wanting revenge.

Then there are the brilliant touches around the edges of John Wick. The fight scene in which the dog is killed ends with John Wick contacting a secret, underground cleaning service that specializes in disposing of bodies. The richness of this idea is remarkable as in the John Wick universe you could make a dark comic television show based on these minor characters who answer a question that has been raised in dozens of action movies in the past: how are bodies disposed of in action movies?

Then there is the brilliant creation of The Continental, a hotel that itself could be the premise of a movie or a television show. Ian McShane is the proprietor of The Continental, a luxury hotel that caters to criminals and assassins. So respected are the halls of The Continental that even the most hardened killers are obliged to honor the rules against killing on the premises. The Continental offers swift justice to anyone who breaks the rules.

I could argue that the film’s treatment of women is less than great, the only woman with a relatively large role, Adrianne Palicki as contract killer Mrs. Perkins, is not well fleshed out and feels like a token opposite all of the testosterone on display, but that doesn’t affect my enjoyment of John Wick. The sequel appears to be attempting to rectify the role of women in the John Wick Universe by casting Halle Berry in John Wick 3.

The Keanu Reeves of John Wick may have more clenched teeth intensity but he maintains that same quiet behind the eyes approach that makes him so appealing as an audience avatar. The quality that many critics fault Reeves for, a lack of a dominating personality, is, for me, one of his great strengths. He’s lowkey and passive enough as a personality to allow the audience to reflect ourselves in him.

In John Wick, Keanu offers us the role of a lifetime as the baddest man on the planet. He’s the man everyone else is afraid of with a set of envious skills that we can pretend for 90 or 100 minutes of our skills. Through Keanu’s eyes we become John Wick and that audience identifies with Keanu, his status as our resident handsome avatar is what makes Keanu a movie star who has lasted for so many years.

Movie Review John Wick 3 Parabellum

John Wick Parabellum (2019) 

Directed by Chad Stahelski 

Written by Derek Kolstad, Shay Hatten, Chris Collins

Starring Keanu Reeves, Halle Berry, Mark Dacascos, Ian McShane, Lance Reddick

Release Date May 17th, 2019

Published May 17th, 2019

The John Wick franchise is the best thing Keanu Reeves has done in his career. I realize that won’t be a popular statement with the fandoms of Bill & Ted’s Excellent Adventure or The Matrix, but it's true. The role of supreme assassin John Wick fits Keanu Reeves like a perfectly tailored bulletproof suit. Reeves’ very physical being seems to have been crafted to act out John Wick’s incredibly choreographed violence. It’s a joy to behold for fans of action cinema.

John Wick Chapter 3: Parabellum (Prepare for War) picks up in the immediate aftermath of John Wick Chapter 2. John now has a $14 million dollar bounty on his head and is considered Excommunicado by the community of assassins amongst whom he’d been considered the greatest of all. Now, thanks to his old friend, Winston (Ian McShane), John has one hour to get his affairs in order before his own contract goes live and he becomes a target.

Writer Derek Kolstad and Director Chad Stehelski, who’ve each been with this franchise from the start, have a remarkable talent for world building, as they’ve demonstrated in each of the first two Chapters of the John Wick story. The layer upon layer of dynamic mythology that Stahelski and Kolstad have crafted within this John Wick universe kicks right back in with John Wick Chapter 3 and draws you right back into this unique world in mere minutes.

The odds are well stacked against John Wick and yet, the screenplay does a remarkable amount of work to sell you the idea that an army the size of a small country won’t be enough to slow down our hero. The same mythologizing that gave us such compelling details as The Continental, a hotel for assassins only, a service that caters to killers by removing large numbers of dead bodies, and so on, also gives us a John Wick personal mythology that makes Wick both the Devil incarnate and Death in human form.

John Wick carries this remarkable air of menace and invulnerability, it’s like rooting for a horror movie villain. John Wick could come up on Jason Voorhees and you would fairly assume John Wick is the more fearsome of the two. That comes from Derek Klolstad’s exceptional script which takes care to include dialogue that never lets up in putting over the idea of John Wick as the most remarkable killer since the plague.

The fight choreography in John Wick Chapter 3 is insanely awesome. A fight scene inside what appears to be a weapons museum is gloriously staged with gut wrenching violence that also happens to be incredibly witty. The audience I was with watching John Wick Chapter 3 groaned and hollered and giggled with delight at the various unique ways John Wick murdered potential assassins. Knife throwing, neck cracking, close quarters combat, all of it at a breakneck pace that never feels too fast. It’s damned brilliant and director Chad Stahelski and stunt coordinator Jonathan Eusebio deserve all the praise imaginable for this remarkable work.

Keanu Reeves, as I mentioned, has never been better than when he’s in John Wick’s black, bulletproof suit. His blank slate face is a perfect mask for the baddest killer on the planet. The character calls for an actor who masks his emotions and never betrays his thoughts to his opponents and Reeves is remarkably great at not letting anyone in on his inner thoughts. In the past, that might be me calling Reeves boring, or dim, but in John Wick, it comes off as the perfect choice for how to play this character.

John Wick doesn’t show weakness, he rarely appears to register pain, he’s never cocky or flashy and he doesn’t smile. All of those qualities are exactly the kinds of things that have held Keanu Reeves back in other movies and yet, with John Wick, it’s as if the character were tailored for Reeves’ unique acting talent. Reeves’ wiry physicality, and powerhouse use of angles and leverage, it could be a stunt person or CGI, whatever, it looks awesome. He doesn’t just play John Wick, his body appears to have been built specifically for the balletic violence of this character.

I completely adore John Wick Chapters 1,2 and 3. This is a great franchise with a remarkable pace, incredible style and a performance by Keanu Reeves that is relentlessly entertaining. John Wick is incredibly violent and that should be noted here for those who think they want to see what is likely going to be the number 1 movie in America on opening weekend. John Wick Chapter 3 is filled with bloody, gory, brutal violence, of the hard R-Rated variety. If violence is a turn off for you, John Wick Chapter 3: Parabellum is not the movie for you.