Movie Review Just Go With It

Just Go With It (2011) 

Directed by Dennis Dugan 

Written by Alan Loeb, Timothy Dowling 

Starring Adam Sandler, Brooklyn Decker, Jennifer Aniston, Nick Swardson 

Release Date February 11th, 2011 

Published February 11th, 2011 

Adam Sandler has given up. The star of “Just Go With It” simply isn't trying anymore. Having sussed out that his fans will attend any trip he slaps his name on, Sandler is now giving his fans the effort they deserve. If they are not going to ask for anything more than a few moments of him barking like a dog or a friend of his humping something, why should he offer anything more than a minimum effort?

In “Just Go With It” Sandler plays Danny, a plastic surgeon who got dumped on his wedding night some 20 years ago and found out that night that his now useless wedding ring was somehow an aphrodisiac. Thus, he has spent the past two decades wearing the ring, telling stories of being abused by his wife and bedding bimbo after foolish bimbo.

And then Danny met Palmer (Sports Illustrated model Brooklyn Decker), a fourth grade teacher who happens to meet him when he's not wearing his fake ring. The two hit it off but when she accidentally happens upon the ring she wants nothing to do with him. What's Danny to do but lie about getting a divorce in order to win her back? Unfortunately, Palmer insists on meeting the soon to be ex-Mrs. Danny.

With nowhere to turn, Danny calls on his assistant Katherine (Jennifer Aniston) to be the fake wife who will give her blessing to his new relationship. How these three along with Katherine's two kids and Danny's idiot cousin Eddy end up in Hawaii I will leave you to discover should you willingly waste the price of a ticket and nearly two hours of your precious life on “Just Go With It.”

My theory is that when “Grown Ups” became Sandler's highest grossing domestic feature it finally hit him that he no longer had to try. Heck, “Grown Ups” was just him goofing off with his pals and people paid millions to watch, clearly he doesn't have to work hard ever again. To test the theory Sandler along with his pal and favored director Dennis Dugan decided to take a Hawaiian vacation on a studio dime and film it just to see if people would watch him on a vacation.

Are there jokes in “Just Go With It?” Yes, I think they are intended as jokes but just to demonstrate the effort on display twice in the film Sandler simply barks like a dog as a punch line to a scene. TWICE! The old standbys are there as well including vague, shrugged shouldered homophobia and slight bestiality because what would a Sandler movie be without someone humping something.

Jennifer Aniston didn't merely get a vacation out of “Just Go With It,” in one pointless scene she gets a brand new wardrobe, one I wouldn't be surprised went home with her for real and why not the whole production was an excuse for a free trip to Hawaii why shouldn't she get a wardrobe in the deal.

Here's hoping Nicole Kidman, who has an awful cameo as an ex college rival of Aniston's Katherine, got something more out of “Just Go With It” than damage to her Oscar chances a la Eddie Murphy in “Norbit.” Kidman and poor Dave Matthews are saddled with such moronic characters that it’s fair to wonder if Sandler and Dugan really didn’t like them very much.  

Someone once said 'You only get what you give.' You gave Sandler millions just to watch him and his friends pee in a pool in “Grown Ups” so you can't be surprised that all he gives you in “Just Go With It” is a glimpse of his fabulous multimillion dollar Hawaiian vacation with Brooklyn Decker and Jennifer Aniston. Keep it up and his next movie will just be him in his living room watching old episodes of SNL with Scarlett Johansson as the girl who delivers his pizza.

Movie Review: The Benchwarmers

The Benchwarmers (2006) 

Directed by Dennis Dugan

Written by Allan Covert, Nick Swardson

Starring Jon Heder, Rob Schneider, Nick Swardson, Jon Lovitz, Craig Kilborn

Release Date April 7th, 2006

Published April 11th, 2006 

There was a bit of controversy surrounding the release of the new comedy The Benchwarmers. Many critics were upset when Sony canceled critics' screenings across the country at the last minute. Critics were upset not necessarily because they did not get to see this particular film in time for newspaper reviews, but rather because it marked the continuation of a trend of films not being screened ahead of time for critics.

What is unfortunate about this situation is that the critical anger casts The Benchwarmers as some kind of watershed moment in the history of Hollywood studios and film critics. The last thing anyone wants is to make this abomination of a film memorable in any way, let alone historic. Ugh!

The Benchwarmers stars Adam Sandler's back up band--Rob Schneider, David Spade along with a script by acolytes Allen Covert and Nick Swardson. It also stars Napoleon Dynamite's Jon Heder in a definite fire-your-agent career move.

When a couple of nerdy kids are kicked off a baseball field by bullies, Gus (Rob Schneider), Richie (David Spade) and Clark (Jon Heder) challenge the bullies to a game. Gus is a natural athlete, however Richie, a 39-year-old virgin and video store clerk and Clark, a thirty-something mama's boy who has to wear a helmet wherever he goes, are not.

The trio somehow manage to win, leading to further challenges from bully teams. A following of nerdy kids desperate to see jocks get their comeuppance from a trio of nerds develops and comes to the attention of a billionaire nerd, Mel (Jon Lovitz), who throws out an additional challenge. He will build a state-of-the-art baseball stadium and give it to whatever city's team can beat the trio, now known as the Benchwarmers.

Directed by Dennis Dugan, who has a resume only a mother could love, including both Happy Gilmore and Big Daddy, The Benchwarmers is competent in terms of being in frame and correctly lit for both indoor and outdoor shots. After that it's pretty well downhill.

I have a theory that people in general never grow up, they simply get older. Schneider, Spade and the entire Sandler crew seem, to me, to be living proof of this theory. At some point each of these men should have outgrown dick and fart jokes. However, even as each has passed the age of 40, they return to the same tired lowbrow jokes.

One could argue, why mess with success? These guys have made quite a bank load off of this brand of humor. I would argue that this cannot work forever and eventually the well for these guys will dry up and they will be left with no one to gape slack-jawed at their antics. For now, though, they are right. Despite my distaste for this brand of humor, it is successful. The Benchwarmers opened to more than 20 million at the box office.

I was going to make a joke about Schneider being cast in a role with model Molly Sims as his love interest. However, with news that in reality David Spade is dating Heather Locklear, one must forget believability--real life is even more bizarre than the movies.

What can my critical brethren take away from The Benchwarmers? Not much. Early reviews pretty well wrote themselves on this film. There are no surprises or innovations in The Benchwarmers--I could have written this negative review of the film far in advance of having seen it. The main point is the audience for The Benchwarmers would have seen the film regardless of its Rotten Tomatoes ranking--currently only 11 percent positive.

Movie Review Malibu's Most Wanted

Malibu's Most Wanted (2003) 

Directed by John Whitesell 

Written by Jamie Kennedy, Nick Swardson 

Starring Jamie Kennedy, Taye Diggs, Anthony Anderson, Blair Underwood, Regina Hall, Bo Derek, Snoop Dogg 

Release Date April 18th, 2003 

Published April 16th, 2003 

I don't want to be mean but for the life of me I can't figure out what Jamie Kennedy has done to earn an over the title credit on a feature film. His career is dotted by a number of direct to video comedies like the dreadful Sol Goode and strange thrillers like Pretty When You Cry opposite Sam Elliott. Huh? He can't still be riding his minuscule success as the film geek in Scream 1 & 2.

It likely stems from the inexplicable success of his TV show, “The Jamie Kennedy Experience.” I use the term success loosely as it's difficult calling any show on the WB network a success. The show which incorporates sketch comedy and warmed over Tom Green street pranks appeals to teenage boys well enough that it makes sense that a marketer might pick up on Kennedy and see a product he can sell. That still doesn't quite explain how Malibu's Most Wanted made it to the big screen but nevertheless here it is.

Kennedy is B-Rad or really just Brad Gluckman, the son of a millionaire candidate for California governor (Ryan O'Neal). Brad fancies himself a gangsta based on his love of the stereotypical culture portrayed in so-called gangsta rap. B-Rad has just returned home to help his dad's campaign by helping to attract black people to the campaign. Brad's ingenious ideas include interrupting a live press conference with a horrible rap and appealing to a conference with female voters with a sign that states "Bill Gluckman is down with the Bitches and the Ho's).

Sensing that Brad is a liability to the campaign, Dad and his campaign advisor (Blair Underwood) conspire to cure Brad of his poseur ways. The idea is to hire a pair of black actors to abduct Brad and teach him what the gangsta lifestyle is really like. As Underwood's character puts it, they will "scare the black out of him.”

The campaign hires Sean (Taye Diggs) and P.J (Anthony Anderson) to play the gangstas. Unfortunately, neither actor knows anything about the hood. In turn, they hire PJ's cousin Shondra (Regina Hall) to help them learn what the hood is like so they can scare Brad.

Everything goes to plan as Sean and P.J kidnap Brad with Shondra as bait and bring him to Shondra's house in what was formerly known as South Central Los Angeles. Sean and P.J play up gangster personas all the while complimenting each other on how authentic their characters are. Diggs and Anderson are the film's main assets and provide the only solid laughs.

The set up works only in short spurts and only in the scenes with Diggs and Anderson who are so good at times they make Kennedy seem like a co-star in his own movie. Indeed a film taken from Sean and PJ's perspective would have been far funnier than what we get in Malibu's Most Wanted. At about the one hour mark of the 80 minute movie, Sean and P.J are shoved into the background in favor of Brad's forced love story with Shondra and another kidnapping, this time by a real gangsta named Tec (Damien Dante Wayans). It is then that Malibu's Most Wanted loses what little humor it generates.

Taye Diggs is one of the smartest actors working today. Sadly, like Tom Cruise or Brad Pitt, his good looks often prevent people from taking his talent seriously. Because of his boy toy role in How Stella Got Her Groove Back, Diggs will forever be typecast in the role of eye candy for drawing women into theaters. This obscures his work which in films as varied as the cheesy horror sendup House On Haunted Hill to the hip hop romance Brown Sugar has shown great wit and an ability to play off of anyone and hold his own. Most recently, Diggs had a terrific guest turn on the TV show “Ed” where he played himself, or rather what Ed thought Taye Diggs would be like if he met him in person.

You could call early 2003 the year of uncomfortable racial humor. There’s been Steve Martin and Queen Latifah in the tepid Bringing Down The House, Chris Rock's caustic political satire Head Of State and now Malibu's Most Wanted. Only Head Of State manages to do something with its racial content with Rock skewing racism from all sides. Bringing Down The House wants to satirize white stereotypes of black culture but lacks the courage to break from a sitcom formula to take on the subject. Malibu's Most Wanted is even less successful because it lacks the insight into Brad's identity to either portray it sympathetically or skewer satirically. Kennedy seems to want it both ways. He wants the audience to sympathize with Brad and also laugh at his over the top antics.

The elements of the sketch comedy character that B-Rad was conceived from don't translate to an 80-minute feature, and without a perspective, either sympathetic or satiric, you’re left with nothing but a confused character and audience. What this film says about Jamie Kennedy as a viable movie star is very little. The marketing campaign may lure people to theaters but the film itself will leave them wondering why they wasted the time to see it.

Movie Review Grandma's Boy

Grandma's Boy (2006) 

Directed by Nicolaus Goosan 

Written by Barry Wernick, Alan Covert, Nick Swardson

Starring Alan Covert, Linda Cardelini, Kevin Nealon, Shirley Knight, Shirley Jones, Doris Roberts 

Release Date January 6th, 2006

Published January 6th, 2006 

Just how powerful is Adam Sandler in Hollywood? Apparently, in the wake of the release of the comedy Grandma's Boy, he can pick guys off the street and by attaching his name to them, get them on the big screen behind and in front of the camera.. The new stoner comedy Grandma's Boy is directed by former Adam Sandler gofer--okay, "production assistant"--Nicholaus Goosan and stars Sandler's entourage of worshipful friends, led by the charisma vacuum, Alan Covert. Grandma’s Boy  is a stunning example of both the continuing devolution of the modern comedy  genre and the star power of the only superstar ever created by SNL.

The Adam Sandler cult of personality--including Allen Covert, Peter Dante, Nick Swardson and former SNL chums Kevin Nealon, Rob Schneider and David Spade--come together to make Grandma's Boy, a fatally dull exercise in Sandler-style humor that fails to rise to even the low standards of one of Sandler's own films.

Allen Covert stars in Grandma's Boy as Alex, a 36-year-old stoner and video game tester who gave up the yoke of an accounting gig for life spent playing XBox with teenagers. When his stoner roommate gets him kicked out of his apartment, Alex is forced to move in with his grandmother Lilli (Doris Roberts, Everybody Loves Raymond) and her two roommates, doddering pill popper Bea (Shirley Knight) and foul mouthed, sex-obsessed Grace (Partridge Family star Shirley Jones).

At work, Alex and his even more arrested-development pal Jeff (Nick Swardson), a 20-something, footy pajama wearing mama's boy who sleeps in a race car bed, are testing the latest alien shoot-em-up videogame for a company called Brainasium. Kevin Nealon plays their stoner, vegan, boss who hires the super hot Sam (a slumming Linda Cardellini) to be Alex and Jeff's supervisor.

Alex has a rival at work, a game creator named J.P. (Joel Moore, Dodgeball) who, like Alex, develops a quick crush on Sam.  J.P, however, is no threat, as his proclivity for dressing like Neo from the Matrix and speaking in the voice of a robot when nervous or angry prevents him from much of any social interaction. The plot, such as it is, kicks in with Alex having created his own video game but being a shiftless, pothead layabout he does nothing about it until his idea is stolen. Then, in a requirement of the film's plot and title, only his grandma can step in to save him.

That is the story (or at least what passes for a story) that propels Grandma's Boy toward an ending. However, this is not a movie that is concerned with plot. Rather, drop the 'l' and you get what the real subject of Grandma's Boy, getting super high. I have no problem with that, but don’t make a movie if your only idea is to get high and play video games. Just stay home and do that. As a ‘movie’ Grandma's Boy is a stoner movie with all of the stoner cliches of munchies, morons, and a monkey. The monkey is actually a carryover from Adam Sandler’s movies as he requires a funny animal bit in all of his movies, regardless of whether it's funny or not. 

The actors in Grandma's Boy are  obviously Adam Sandler's comic B-team and I imagine behind the scenes, this group of friends are a riot. On screen, I am at a loss to see why they are appealing. Covert and the rest of this cast have little to nothing original or funny to say or do. It’s as if Sandler owed a friend with a screenplay a favor and then realized that even he had a standard he could not drop below. Instead, he handed the script to Covert and tricked a studio into letting his buddies make a movie. 

Poor Shirley Jones. The former mama Partridge humiliates herself in the role of a slutty older woman who claims to have slept with Charlie Chaplin and Don Knotts on different occasions. In Grandma's Boy, Jones thinks she is in on the joke of her character being a sex mad older woman but in fact she is the subject of the joke in which she seduces Nick Swardson's manchild Jeff. Grandma’s Boy is a movie made by people who think that just the idea of a person over 60 having sex is somehow funny. 

The only actor to survive the carnage of Grandma's Boy is the lovely Linda Cardellini. Far more skilled than the "actors" she has chosen to work with, Cardellini gamely throws herself into the stoner fun of Grandma's Boy. However, when it comes down to it, you can tell Cardellini is not inhaling the fumes. Cardellini picks up her paycheck and escapes the fray of Grandma's Boy by affecting an above-it-all air.

That Grandma's Boy did not go directly to the video store is a testament to Adam Sandler's clout and nothing more. That he does not even deign to cameo in Grandma's Boy and still manages to overshadow every aspect of the film. It says something, not anything good, about Sandler’s connection to his audience--the audience for Grandma's Boy likely loved Happy Gilmore and Billy Madison--and how his entourage of pals pretending to be actors are linked to him. Grandma’s Boy doesn’t exist without Sandler wielding his star power to get it made. 

Fans of pot humor, old people having sex, and monkeys may find something to enjoy in Grandma's Boy, but for the other 98% of the movie going public there is nothing to enjoy about this Adam Sandler-less Adam Sandler flick.