Movie Review Fantastic Four

Fantastic Four (2015) 

Directed by Josh Trank

Written by Josh Trank, Simon Kinberg, Jeremy Slater

Starring Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell

Release Date August 7th, 2015 

Fantastic 4 is far from fantastic. (Yes, I know how cheesy that line is) This attempt to reboot the franchise following the disaster that was The Silver Surfer, assembled a terrific cast, a rising young director and arguably Hollywood's hottest screenwriter and somehow managed to make a movie that disappoints every audience, fanboys and casual moviegoers. This is a dull-witted origin story that fails that while successfully explaining the origins of the supposed heroes, waits until the final 10 minutes of the movie to make them heroic.

In many ways I feel bad for the team behind the new Fantastic Four. Director Josh Trank has stepped out and actually trashed the movie as it was being released. Trank claims that this isn't the movie that he made and that the movie he made was pretty good as opposed to the movie that we are getting in theaters this weekend. Trank's version of Fantastic Four is a movie we will never get to see. Indeed, Trank isn't wrong, this isn't a very good movie. That said, I wish there had been a slightly more diplomatic approach. 

It's a shame that this has gone the way it has because this Fantastic Four movie features some of the best actors of young Hollywood. The film stars Miles Teller as Reed Richards, Jamie Bell as his best friend Ben Grimm, Kate Mara as Reed's future wife, Sue Storm and the brilliant Michael B. Jordan as Johnny Storm, Sue's adopted brother. The film follows Reed as he and Ben invent a prototype for a matter transporter. The successful invention leads to them being recruited by Franklin Storm, the father of Johnny and Sue, and the head of a scientific firm. 

What Reed and Ben don't know about their invention is that it is actually a portal to a parallel dimension. When they find out they are disappointed to learn that Franklin intends to send a group of NASA astronauts into this dimension rather than allowing Ben and Reed the chance to go themselves. Being hotshot kids, they recruit Sue and Johnny along with another friend and scientist, named Victor (Toby Kebbell) to join them as they sneak into the lab and make use of their invention. 

The trip goes horribly wrong and results in all five of the young scientists to be mutated. Reed becomes elastic, his body able to stretch to a remarkable degree. Sue becomes invisible, capable of appearing and disappearing at will. Johnny takes on the ability to become fire. He can fly and throw fireballs and it's as cool as it sounds except that he can't yet control his abilities. Poor Ben gets the worst of it all. Ben has been turned to stone. He can still move and breathe, and speak, but he's covered in rock. It does give him superhuman strength but at the expense of his basic humanity. 

The plot then becomes about Reed's guilt over seemingly dooming himself and his closest friends to a life of mutations that they cannot control. After making it back from the other dimension, losing Victor in the process, Reed manages to escape from a military holding facility and runs off to South America. Located a year later, he's taken into custody by Ben who is seemingly Reed's sworn enemy. Sue and Johnny also aid in Reed's capture having had suits developed for them that enable them to control their powers. 

A return to the parallel dimension reveals that Victor not only survived, but he's also built himself a kingdom. His return to this dimension finds him looking to destroy the Earth as he sees it as a threat to his new home. Thus begins an all-out war between the newly teamed Fantastic Four and Victor on Victor's turf as he launches an all-out assault to destroy the planet. And all of it is shot with a muddy, gross, dark aesthetic that renders the action unpleasant to look at. It's also tonally all over the place as the team isn't fully established as a team and only starts to develop chemistry just as the movie is ending. 

Fantastic Four is a gigantic mess and whether that is the fault of a meddling studio or an insecure director deflecting blame is something we can't know for sure. What we can know for sure is the movie makes little sense, appears to have been cobbled together from disparate pieces and is a general embarrassment for all involved. Poor Kate Mara is perhaps taking the brunt of the bad press as the reshoots and her abhorrent wig have become emblematic of the many, many problems plaguing this doomed adaptation. 

But she's not alone, no one gets out of Fantast Four (2015) unscathed. For poor Miles Teller this was a first shot at super-stardom and it has fallen completely to pieces. For Jamie Bell, the chance to have a regular big paycheck from a popular franchise is lost, though being so thoroughly talented and easily employable on the indie film scene is likely a strong comfort for him. As for Michael B. Jordan, he'll probably be fine. Chris Evans survived a disastrous turn as Johnny Storm in this relatively young century, I'm sure Jordan will as well. 

As for director Josh Trank, none of this reflects well on him. While he valiantly proclaims himself the victim and the artist, he's also coming off as petulant, ungrateful, egotistical. He will likely be a hero in parts of the online world for his supposed integrity but that is unlikely to translate into regular work as a director, especially within a studio system eager to weed out the rebels and troublemakers. Having so openly made enemies while making a major franchise film, it seems unlikely we will see him back behind the camera any time soon. 

This review is becoming an autopsy so I will leave it here. This isn't a very good movie. I feel bad for all involved. 

Movie Review: Big Fan

Big Fan (2009)  

Directed by Robert D. Siegel

Written by Robert D. Siegel 

Starring Patton Oswalt, Kevin Corrigan, Michael Rappaport, Josh Trank

Release Date August 28th, 2009 

Published September 15th, 2009 

The rise of the man-child is one of the darkest moments of our culture. This basement dwelling cretin, personified by his lack of social grace, living with their mother and desperate clinging to childish things, has risen to prominence in just the last ten or so years and is becoming something of a force.

The movies are a haven for these overgrown children, as the career of Adam Sandler and his minions attests. In these movies the lifestyle of the man-child is critiqued but most often accepted and assimilated into the lives of exceptionally forgiving, stunningly attractive adult women in a tacit approval of the man-child life choice.

“Big Fan” is the rare film that takes the man-child to task for his childish proclivities. Directed by Robert Siegel, Oscar nominated screenwriter for “The Wrestler,” and starring comedian Patton Oswalt, “Big Fan” is a dark, ironic, parody of the man-child and his obsessions.

Paul Aufiero (Patton Oswalt) is obsessed with the New York Giants. He lives and dies with the team’s wins and losses. His nights at work, he's a parking attendant, are spent scribbling scripts for late night phone calls he places to a sports radio station. There he is Paul from Staten Island, a legend among other man-children for his passionate defenses of the Giants and attacks on their opponents. Paul even has a mortal enemy on the radio in Philadelphia Phil (Michael Rappaport). These witless battles of wit are at the center of Paul's being.

The plot of “Big Fan” kicks in when Paul and his man-child buddy Sal spot their favorite player, Quantrell Bishop (Jonathan Hamm) in their neighborhood. They choose to follow him and track QB back to Manhattan and a very pricey strip club. There, Paul gets up the nerve to approach his hero and wakes up several days later in the hospital.

Quantrell beat the holy hell out of Paul after he confessed that he and Sal had followed him. Now, as Paul awakes from a coma his only concern remains whether the Giants won or lost while he was out. When asked about the assault; Paul’s fan-boy nature kicks in and he develops amnesia. Will he turn in his hero or keep the secret to save his team?

The answer is not so much the subject of “Big Fan.” Rather, it’s something of a foregone conclusion by the time the answer arrives. “Big Fan” is not a mystery or a crime thriller but a darkly humorous, endlessly ironic observation of severe arrested development.

What Director Robert Siegel and star Patton Oswalt are after is a critique of man-child fan-boys whose obsessions have rendered them ill-equipped to deal with the fully formed adults around them. In movies like “Failure to Launch” starring Matt McConaughey or “Big Daddy” with Adam Sandler this childishness is played as charm. In “Big Fan” it is realistically pathetic.

Taking the critique further, director Siegel adds a disquieting homo-eroticism to Paul’s hero worship. Paul has a poster of Quantrell over his bed. He dreams about Quantrell, sweating and snarling, shirtless in his three point stance. Though Paul is too timid and immature to get it, he is a frustrated, closeted homosexual whose frustration is channeled into his love of sport.

Whether it’s Tom Brady or Han Solo this level of obsessive hero worship tinged with homo-erotic undertones is part of the culture of the man-child. Are all man-children closeted homosexuals? No, but frustrated sexuality and sexual identity are an aspect of the man-child most often unexplored.

Patton Oswalt is fearless in exploring these aspects of Paul Aufiero. Though he does well to keep Paul in the dark about his true self, Oswalt and director Robert Siegel are downright elegant in the ways they reveal and subtly ridicule Paul’s ignorance. In sending up Paul they send up those like Paul, the emotionally stunted, childishly obsessed man-child.

Darkly humorous, endlessly clever and revealing, “Big Fan” is a punch in the mouth to the growing man-child culture. Where so many movies let these overgrown children off the hook, “Big Fan” holds a mirror up to them and reveals them for who they truly are. It’s not a pretty picture.