Movie Review Manhunter

Manhunter (1986) 

Directed by Michael Mann

Written by Michael Mann

Starring William Peterson, Dennis Farina, Brian Cox, Kim Greist, Joan Allen 

Release Date August 15th, 1986 

Published July 16th, 2024 

The visual simplicity of the opening images of Michael Mann's Manhunter are sublime. We open on a flashlight falling upon a flight of stairs. It's pitch black other than the flashlight. This could be a home invader or an investigator at this point. Toys are strewn across the stairs in the haphazard way that young children carelessly like to play. The visual signs of life in a typical American home are all present. As the person with the flashlight climbs the stairs, it's light falling on more signifiers of life, we arrive at the top of the stairs. The flashlight pans into what appears to a be a child's room, seemingly empty. 

A few steps further and we arrive in a bedroom where we see our first evidence of people. A woman and a man are in bed and for a moment, it's not clear if they are alive or dead. The flashlight begins to hold steady on the woman who finally moves to signify that she's alive. The flashlight, now unmoving, continues to hold on the woman as it becomes clear that she's waking up. The fog of sleep still in her mind she finally begins to rise and just as she might be about to react to the sight of a stranger with a flashlight, we cut to the opening title of the film, Manhunter.

Find my full length review at Geeks.Media, linked here. 

Classic Movie Review Blue Velvet

Blue Velvet 

Directed by David Lynch 

Written by David Lynch

Starring Kyle McLachlan, Isabella Rossellini, Dennis Hopper, Laura Dern

Release Date September 19th, 1986

Published January 20th, 2025 

The passing of legendary director David Lynch caused me to want to look at one of his films that I have always found daunting and unpleasant. Blue Velvet contains a performance by Dennis Hopper that is among the most unsettling, unpredictable, and bizarre that I’ve ever seen on screen. Well, that’s what I felt as a 21 year old film critic learning about movies and arrogantly flying in the face of more conventional opinions. I was a hotheaded contrarian but one who chose his battles. Blue Velvet became a battleground for me because it was beloved by many respected film scholars. But, the reality of Blue Velvet was that it and specifically, Dennis Hopper's abrasive and hard charging performance, had challenged me in a way I wasn't ready for. 

Blue Velvet isn’t exactly entry level film studies. The thick layers of trauma, sentimentality, delusion, and sexual dysfunction that define Blue Velvetrequire a mature perspective. Lynch’s approach often needs a more scholarly eye than what mine was at 21 years old and with no experience in film school. I had also previously seen Eraserhead and found it so off-putting that I could not finish it, which I am certain colored my opinion of Lynch’s work as I approached Wild at Heart and then Blue Velvet, both films I was simply not ready to process.

Click here for my full length review at Geeks.Media, linked here. 

Classic Movie Review Manhunter

Manhunter (1986) 

Directed by Michael Mann

Written by Michael Mann

Starring William Peterson, Dennis Farina, Brian Cox, Kim Greist, Joan Allen 

Release Date August 15th, 1986 

Published July 16th, 2024 

The visual simplicity of the opening images of Michael Mann's Manhunter are sublime. We open on a flashlight falling upon a flight of stairs. It's pitch black other than the flashlight. This could be a home invader or an investigator at this point. Toys are strewn across the stairs in the haphazard way that young children carelessly like to play. The visual signs of life in a typical American home are all present. As the person with the flashlight climbs the stairs, it's light falling on more signifiers of life, we arrive at the top of the stairs. The flashlight pans into what appears to a be a child's room, seemingly empty. 

A few steps further and we arrive in a bedroom where we see our first evidence of people. A woman and a man are in bed and for a moment, it's not clear if they are alive or dead. The flashlight begins to hold steady on the woman who finally moves to signify that she's alive. The flashlight, now unmoving, continues to hold on the woman as it becomes clear that she's waking up. The fog of sleep still in her mind she finally begins to rise and just as she might be about to react to the sight of a stranger with a flashlight, we cut to the opening title of the film, Manhunter. 

The clear indication is that this person with a flashlight is about to commit a horrific murder. That Michael Mann uses a signifier as simple as a flashlight to toy with us, to give us hope that perhaps we are arriving at an investigation and not an invasion is part of the building tension, the rising suspense. The way the flashlight falls on the woman in bed and holds on her becomes the unsettling implication of a terrible crime about to be committed. Mann's direction is simple, the visual storytelling is electrifying and yet it's still just a person with a flashlight and visual context. That's pure film language. 

Over the years, Michael Mann will come to be associated with a style that is more bombastic and far less subtle. No less skilled or polished, but somehow more modern and garish for having a bigger budget, bigger stars, and bigger ambition. I'm not the biggest fan of Michael Mann's blockbuster era. I don't love the kinetic, overwrought style of Heat. I genuinely believe his movie Blackhat is one of the worst blockbusters of the last 10 years, but I still respect Michael Mann. I know that at any moment, Mann can still do what he did in Manhunter and blow my mind with his simple, straight-forward grasp of the language of film. 

Read my full length review in the Geeks Community on Vocal. 

Classic Song Review Take Me Home Tonight

Take Me Home Tonight (1986) 

Singer Eddie Money

Songwriter Mick Leeson, Peter Vale, Ellie Greenwich, Jeff Barry, Phil Spector 

Release Date August 1986 

You know something? Sometimes, thinking too much about a song is a terrible idea. When you ponder some songs, even ones you ostensibly enjoy, you can start to hate that song. That's what has happened to me with a song that was massive in my childhood. I was 10 years old when I first heard Eddie Money sing Take Me Home Tonight. It was on the radio constantly and the video, filmed in black and white in an empty arena, was in massive rotation on MTV, the true obsession of my young mind. 

MTV took up days and hours of my time as a child. I was obsessed with music videos. I was obsessed with music video countdowns, be it the weekly Top 25 Countdown or Dial MTV, the daily Top 8 or 10 countdown to which I committed my parents hard earned money by calling in to make requests and try to push Def Leppard or Poison or Stryper's latest song to the top of the rankings. I never called to vote for Take Me Home Tonight. It wasn't that I didn't like it, rather, it was just never that kind of song. 

Take Me Home Tonight is one of those songs from the 80s that seemed to become a hit out of a particular kind of boomer nostalgia. By 1986, Eddie Money had not released a record in 3 years. He'd been a relatively brief arena rock obsession. In 1977 he released his first record and scored two big hits, Baby Hold On and Two Tickets to Paradise. Money found fame quickly but was just as quickly was reduced to a novelty. His subsequent three records struggled and he was in the wilderness for three years before Take Me Home Tonight became a song he was forced to sing. 

Take Me Home Tonight was the price Eddie Money had to pay to keep his record deal. He didn't actually like the song. His producer and the record company loved the demo and forced it on Money who then recruited Ronnie Spector to sing on the record. Why was Ronnie Spector sought for the song? Because, as lead singer of The Ronettes, her song "Be My Baby" was at the heart of Take Me Home Tonight. It's the song that the protagonist of Take Me Home Tonight is listening to while begs and cajoles a woman to Take him home Tonight.

So, with the ringing endorsement that Eddie Money didn't like the song and Ronnie Spector had to be begged to sing on it, let's dig into this utterly bizarre, lazy, and creepy song. Take Me Home Tonight could be remixed to be a song about a man who was stalking someone and has crept into their bedroom at night, through a window, uninvited to beg her for sex. It really doesn't take much more than thinking about it to move Take Me Home Tonight into the same uncanny valley where The Police classic Every Breath You Takes has lingered for about 40 years. 

Find my full length review at Beat.Media