Showing posts with label Charles Stone III. Show all posts
Showing posts with label Charles Stone III. Show all posts

Movie Review The Underdoggs

The Underdoggs (2024) 

Directed by Charles Stone III

Written by Danny Segal, Isaac Schamis 

Starring Snoop Dogg, Tika Sumpter, Mike Epps 

Release Date January 26th, 2024 

Published January 25th, 2024 

I know it's wrong. I am well aware that the new Amazon Prime-Snoop Dogg comedy, The Underdoggs is objectively, not a good movie. It's amateurish, it's childish, it's derivative, and it's needlessly filthy for a movie that features a mostly child cast. And yet, there is this undeniable element that I cannot deny and that is my affection for Snoop Dogg. Snoop has crafted one of the more eclectic and straight up odd careers in entertainment history. He was a fearsome gangsta rapper who may or may not have been involved in actual murders. He's also a close friend and partner to Martha Stewart. He's known for smoking more weed than your average small American city and is one of the most savvy marketers of his brand going today. He's an enigma, a dynamic, charming and entirely unpredictable character. 

It's that same unpredictable, enigmatic charm that Snoop brings to his first film leading role since the failed horror franchise Bones in 2001, Snoop has a laid back charisma that I find irresistible. Snoop is Jaycen Two J's Jennings in The Underdoggs, a disgraced former NFL Wide Receiver better known for his bad behavior than his on the field heroics. In a classic Mighty Ducks scenario, Jaycen gets himself into an accident that is entirely his fault and is sentenced to community service. In this case, Jaycen is sentenced to cleaning up a park in his old neighborhood in Long Beach. While cleaning up dog poop, Jaycen sees a group of kids playing Pee-Wee Football, badly. 

Find my full length review at Geeks.Media 



Movie Review: Uncle Drew

Uncle Drew (2018) 

Directed by Charles Stone III 

Written by Jake Kroell 

Starring Kyrie Irving, Lil Rel Howery 

Release Date June 28th, 2018 

Published June 27th, 2018 

Uncle Drew is a movie that shouldn’t be as good as it is. The movie is based on, of all things, a Pepsi commercial starring a basketball player. In 2015 Pepsi hired then Cleveland Cavaliers star Kyrie Irving to star in a series of commercials. The concept for the campaign was to have Irving dress as an old man and get into pickup games in the park where his overwhelming, real life skills would act as a prank on the cocky streetball players.

The commercials were clever and Irving carried a natural charisma behind all the makeup that sold the concept. That said, that’s pretty much where this story should have ended. The commercial campaign lasted about a year and slowly faded away. Somehow however, someone got inspired. Whether it was the success of Johnny Knoxville’s similarly conceived Bad Grandpa, a film about Knoxville pranking people in old man makeup which earned $151 million dollars on a $15 million dollar budget, or Irving’s plucky charisma, someone got it in their head that Uncle Drew, Irving’s character, would make a good movie.

Uncle Drew tells the story of a basketball legend on the streets of New York in the 1960’s, who simply vanished after his equally legendary streetball team no-showed the finals of the biggest streetball tournament in New York, The Rucker. Decades later, the legend of Uncle Drew lingers as the latest iteration of The Rucker tournament is about to get underway. Dax (Lil Rel Howery, the scene stealer from Get Out), needs Uncle Drew’s help.

Dax has just lost his entire team to his rival, Mookie (Nick Kroll). Dax has already paid the $10,000 fee to get into the tournament and can’t get his money back. The only solution is to get a team together and when he sees Uncle Drew schooling young players on a random streetball court, Dax enlists the legend to be on his team at The Rucker. Drew agrees but only if he can get together his old team including his former best friend turned enemy, Big Fella (Shaquille O’Neal).

It’s a fairly conventional plot from here as Dax and Uncle Drew begin road-tripping to get Drew’s old teammates including Preacher (Chris Webber), Lights (Reggie Miller), Boots (Nate Robinson) and Big Fella. We’ve seen putting the team together montages before but there is something so strange and endearing about this one. Each player is given a tiny story arc to riff on and each is rather surprisingly delightful.

Webber especially has a great deal of fun playing Preacher as a henpecked husband to Betty Lou, played by Women’s Basketball legend Lisa Leslie. The dynamic between Webber and Leslie is basically lifted from the Aretha Franklin subplot from The Blue Brothers but instead of a brassy R & B number, Leslie throws on her basketball shoes and gets in the game. It’s an ancient anti-feminist running gag about a nagging wife that pays off with a surprisingly progressive and clever twist.

Miller and Robinson have lesser notes to play but Miller’s infectious energy is downright adorable while Robinson’s character has genuine pathos. When we meet Boots he’s in a wheelchair and seemingly in the throes of a serious medical condition that renders him speechless. He’s cared for by his granddaughter, played by Erica Ash, who is quite transparently in the film as a love interest for Dax. As the road trip goes on, Boots works his way from a wheelchair to a running, jumping, slam dunk, it’s hard not to smile at the cheesy, empowering never give up message.

In some sort of strange pop culture convergence, Uncle Drew shares the same ethos as the recent comedy Tag: You don’t stop playing because you get old, you get old because you stop playing. It’s a riff on a line from the legendary George Bernard Shaw who appears to be having a minor pop renaissance, even though Tag intentionally gives his famous quote to Benjamin Franklin. It’s a good line, and a great idea to hang a movie on as both films demonstrate.

I am almost embarrassed about how much I enjoyed Uncle Drew. Yes, the movie is clumsy at times and unbearably derivative at other times. It’s a movie that includes a gathering of the team montage and a dance-off sequence. And, it’s based on a character from a Pepsi commercial. By all accounts I should abhor Uncle Drew and yet I don’t. The film is fun, far more fun than some movies with fully original characters and stories.

Uncle Drew has a big goofy heart and a genuine love of sport that somehow won over my curmudgeonly soul. It’s just so darn fun and positive that I could not resist it and neither will you if you give Uncle Drew a chance.

Movie Review: Drumline

Drumline (2002) 

Directed by Charles Stone III 

Written by Tina Gordon Chism

Starring Nick Cannon, Zoe Saldana, Orlando Jones, Jason Weaver

Release Date December 13th, 2002 

Published December 10th, 2002

Every year Grambling University plays a football game against Southern University. The game is notable because it is played in the Louisiana Superdome and airs nationwide on Black Entertainment Television. And even when Grambling was coached by the legendary Eddie Robinson, the winningest coach of a black college team in history, the huge crowds did not come for the football; they came to see the halftime show. The showdown between these two amazing talented bands is worth the price of admission--even if you're not a football fan.

At many traditionally black colleges, the halftime show, where the bands take the field for precisely choreographed musical mayhem that mixes traditional marching band music with modern hip hop and dance, is as highly anticipated as the game itself is. Yet, the movie Drumline--made as a tribute to this unique phenomenon--fails to capture the obvious spirit and emotion that drives it.

Nick Cannon, star of his own Nickelodeon TV variety show, stars in Drumlineas Devon, a cocky freshman drummer who is joining the legendary marching band at fictional Atlanta A&T; University. From the moment Devon steps on campus, his attitude starts rubbing people the wrong way--especially the upperclassman who is the leader of the bands famed drumline, Sean (played by Leonard Roberts.) Soon, the two headstrong drummers are at each other's throats and their pettiness does not go unnoticed by the schools bandleader, Dr. James Lee (former Seven-Up spokesperson, Orlando Jones.)

Soon, Devon's attitude and battle with Sean leads him to be kicked off the team. All the while, Devon has a budding relationship with a dancer named Laila (Zoe Saldana). That relationship is also affected by Devon's problems in the marching band.

It's not long before Devon is reformed and begins to work his way back into the band in time for the battle of the bands. In true sports movie fashion, Drumline comes down to a one-on-one showdown between A&T; and their crosstown rivals, Morris Brown University. (In reality, Morris Brown is a real college with one of the most sensational marching bands in the country.)

The marching band competition is staged well, despite its fictional origins. Watching the amazing choreography and skill of the bands is a treat, but the film as a whole is a pale imitation of the sports movie cliches many critics claim it defies. The fact is that this is another Rocky-esque movie where people overcome great odds to succeed on a big stage. Drumline is like a sports movie without the sports.

The film's biggest problems are its lead performances by Cannon and Jones. Cannon isn't a bad actor but his character is so intensely obnoxious and unlikable, I can't imagine wanting to watch a film about him. As for Jones, something has always bothered me about him as an actor and Drumline exposes that something. There is something in Jones' voice, an affectation that makes every word out of his mouth seem insincere. In Drumline, he is called on to deliver some very straight, very earnest dialogue, but that vocal affectation of his makes him impossible to take seriously.

Drumline is a well-crafted film and a marginally entertaining one when the action is focused on the bands performing. However, everything that happens around performances is all dull cliche and wrongheaded character development. I would recommend it only for hardcore band geeks.

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