Panico (2024)
Directed by Simone Scafidi
Written by Documentary
Starring Dario Argento, Asia Argento, Guillermo Del Toro, Nicholas Winding Refn, Gaspar Noe
Release Date February 2nd, 2024
Published January 29th, 2024
At a particular point in the new documentary Panico, all about the life and work of Dario Argento, actress Cristina Marsillach, star of Argento's 1987 film, Opera, is asked "Who is Dario Argento?" Her response is that she doesn't know. This comes at the end of an interview in which she spoke about working with Argento, enjoying working for him, the struggles of working for a visionary like Argento, and slowly revealing that the two actually rarely talked while on set together. By the end, Marsillach is describing the horror and trauma of working on the film and is in tears by the time she says she doesn't know who Dario Argento really is.
The natural artifice, the controlled storytelling of a documentary film almost betrays itself in this moment. The journey that Marsillach takes us on in this moment begins to take on the feeling of an Argento movie. It begins to feel like she's back on set and that the whole thing is a movie in which Argento was the antagonist, that mysterious man with a black glove and a cleaver. He's the unseen killer and she's the endangered ingenue. Is this what director Simone Scafidi is intending or is this what I am reading into this portion of Panico? I honestly cannot tell you for sure. I know that I believe every word Marsillach said.
Marsillach appears remarkably genuine, and her recollections of events mirror the experiences of other actors who have worked with Argento over the past 50 plus years. Argento, though described as quiet and shy, energetic but also a shrinking violet amid the chaos of his sets, can be as cruel in silence as Stanley Kubrick could be cruel in bluster and demonstration on his. As described in Panico, Argento is in charge of all aspects of his films, every light, camera set up, and sound. But he's also a man who has his assistants tell his actress that he'd like her to remove her bra for the scene and is angry when she refuses though refuses to confront her directly.
Is this perhaps why Argento began working with his daughter, Asia, also featured in the documentary, when she was just old enough to achieve his vision? No one, not Dario, not Asia, or any of his collaborators will say so, but there is a distinct notion that, yes, Dario worked with and directed his daughter so often because they were so alike but also because she was more apt to take his direction. This includes taking his direction in what Asia herself describes as losing her virginity on camera when she filmed a sex scene for The Stendahl Syndrome.
Argento was roundly criticized in the 90s for filming sex scenes and nude scenes starring his daughter. Asia Argento, in her own words, describes these scenes as playing out, in real life, their own Electra Complex. Indeed, Carl Jung, had he not died before Argento began making films, might have appreciated the psychosexual themes and presentations in a Dario Argento movie, particularly Trauma, The Stendahl Complex or Phantom of the Opera, the most notable movies that Argento made with his daughter.
But Panico is not about putting Dario Argento on trial, either directly or indirectly. Rather, this is a documentary celebrating his life and work and with his full participation. The documentarian joined Argento as he traveled to a hotel to write his next film. I can only guess that this was 2022's Dark Glasses, though it's never mentioned in the documentary. Argento enjoys the solitude of a hotel though not the expensive and lavish one that the filmmakers have set him up with in Panico. Nevertheless, a late scene does show Argento packing away what appears to be a fully completed screenplay.
Panico moves in a more or less linear fashion through Argento's career from his childhood spent with Italian movie stars and directors via his famed photographer mother and his producer father, to his brief time in journalism, working as a critic, to his triumphant 1970 debut as a director. A film hailed by none other than Argento's hero, Alfred Hitchcock, The Bird with the Crystal Plumage is compared directly with Hitchcock's thrillers and Michael Powell's all time classic, Peeping Tom. High praise indeed. The film was a huge success and from there, the documentary charts Argento's ups and downs.
Find my full length review at Horror.Media
