Showing posts with label William Nicholson. Show all posts
Showing posts with label William Nicholson. Show all posts

Movie Review: Unbroken

Unbroken (2014) 

Directed by Angelina Jolie 

Written by Joel Coen, Ethan Coen, Richard LaGravenese, William Nicholson

Starring Jack O'Connell, Domhnall Gleeson, Miyavi, Garrett Hedlund, Finn Whitrock

Release Date December 25th, 2014

Published December 24th, 2014 

Angelina Jolie's "Unbroken" is an incredibly powerful experience. The story of real life war hero Louis Zamperini is a confidently directed film that evokes the best of Clint Eastwood, Jolie's director on "Changeling," while also showing Jolie as a sensitive, inquisitive and assured artist. Far more accomplished and commercial than her directorial debut "In the Land of Blood and Honey," "Unbroken" is the announcement of Angelina Jolie as a director of exceptional talent.

"Unbroken," based on a book by Laura Hillenbrand, tells the story of Zamperini, the son of Italian immigrant parents. He became an Olympic athlete and then a war hero, fighting in World War II in the Pacific. Zamperini, played by English actor Jack O'Connell, was just a teenager when he traveled to Germany to compete in the 1936 Olympics in Berlin. He was barely into his 20s when he was sent to the Pacific Theater and wound up spending 45 days on a raft after the crash of his B1 bomber.

For most, a plane crash and surviving for 45 days in a raft with two other soldiers would be enough for a lifetime. But Zamperini's story has barely begun. Zamperini and fellow crash survivor Russell Allen "Phil" Phillips were saved from their predicament. Unfortunately, their rescue was a Japanese war ship off the coast of Marshall Island, a Japanese stronghold in 1943. Zamperini would spend the next two years, until the very end of World War II, in Japanese prisoner-of-war camps. On top of that, his status as an American Olympic athlete earned him the ire of the sadistic Japanese camp commander Matsushiro Watanaba, nicknamed “The Bird.”

The Bird repeatedly tortured Zamperini, forcing him to race camp guards, despite his obviously emaciated condition. When Zamperini loses the race, The Bird strikes him with a bamboo cane, a sadistic device that The Bird employs almost exclusively in relation to Zamperini. A bizarre relationship develops between the two, one that Zamperini doesn't want but indulges to avoid further torture. The Bird chooses to confide in Zamperini as if they are somehow bonded. This strange bond is what pays off the film's final, triumphant moments, when The Bird gives Zamperini an almost-impossible task and Zamperini uses what strength and will he has left to stick it to The Bird.

That Zamperini survived the war is remarkable given the extraordinary obstacles he faced. Director Jolie dramatizes these obstacles in visceral, frightening fashion. The crisp, beautiful cinematography of Roger Deakins, likely on his way to a 12th Oscar nomination, gives "Unbroken" a classic Hollywood look without taking away any of the gut-wrenching power of the story. The film proceeds fearlessly from one set piece to the next, creating both a entertaining and moving portrait of an American hero without becoming simpleminded hagiography.

Much credit belongs to star Jack O'Connell, who delivers a natural, human performance. O'Connell captures the complex dimensions of Zamperini, who began the war as a devout agnostic and slowly came to give his life completely to God. Stories abound about Zamperini who, after the war, preached the word of God and traveled back to Japan to meet with the guards who tortured him for two solid years. Zamperini returned to forgive them for what they did and to tell them about the word of Jesus Christ. Zamperini allegedly even converted a couple of his former tormentors (but The Bird refused to see Zamperini).

Jolie beautifully captures the life and defining faith of Zamperini in "Unbroken." It's easy to be cynical about how someone who survived such trauma would have a “come to Jesus” moment, but "Unbroken" doesn't linger on that. Instead, Jolie sticks to the fact of Zamperini's faith that created within him the will to survive and drove him to become an inspiration to his fellow prisoners.

"Unbroken" is a remarkable portrait of heroism and triumph, filled with rich details of an extraordinary life. Here’s a man who punched a shark, even captured and ate a shark raw. He accomplished incredible feats in about a decade of his life that was so vast its individual pieces could be complete movies on their own. 

That Jolie has made this life into one singular, incredible film is another feat to be celebrated.

Movie Review: Elizabeth The Golden Age Starring Cate Blanchett

Elizabeth The Golden Age (2007) 

Directed by Shekhar Kapur 

Written by William Nicholson. Michael Hirst 

Starring Cate Blanchett, Clive Owen, Geoffrey Rush, Rhys Ifans, Abbie Cornish, Samantha Morton 

Release Date October 12th, 2007

Published October 11th, 2007 

It's been less than a decade since Cate Blanchett burst upon the scene in Elizabeth. Up till then; a working actress in England, 1998 saw Cate Blanchett get the role of a lifetime playing the virgin queen Elizabeth, one of the most revered figures in English history. Now Ms. Blanchett returns to the role that earned her an Oscar nomination. Elizabeth: The Golden Age falls well short of the dramatic heights scaled by the original. However, Ms. Blanchett is as regal and beautiful as ever and finds just the right grace and style to keep The Golden Age from tipping over into utter melodramatic disaster.

Picking up less than a decade from where Elizabeth left off, Elizabeth The Golden Age finds Queen Elizabeth presiding over a divided country. Christians and protestants are at odds all over Europe and in Spain King Philip (Jordi Molla) is leading the christian cause with his Spanish Inquisition. In England, the struggle of Christians is epitomized by Queen Elizabeth's rival, Mary Queen of Scots (Samantha Morton), who English Christians have claimed as their true queen.

While trying to avoid a holy war of a religious division as well as actual war with Spain, Queen Elizabeth is looking into the idea of marriage as a diplomatic tool. She finds few of any of England's allies to be a suitable match. However, there is an Englishman who has caught her eye. His name is Sir Walter Raleigh (Clive Owen).

Freshly returned from America, where he established the colony of Virginia in honor of England's virgin queen, Raleigh begins a flirtatious dance with the queen as well as with the queen's closet friend Annette (Susan Lynch). With war against Spain imminent and Mary Queen of Scots scheming in secret with potential assassins, the last thing the queen needs is romantic drama. Can Elizabeth balance her personal life with the duties of royalty and protecting England? Historians are likely snickering at such a question.

Elizabeth: The Golden Age plays fast and loose with history in order to craft a daytime soap opera of epic proportion. The grand guignol drama of Elizabeth is often worthy of the catty likes of Dynasty or Melrose Place. Just watch the hissy fit that Blanchett's Elizabeth is forced to play upon learning of Raleigh and Annette's affair. Heather Locklear on her best day could not have done better. That Ms. Blanchett is only momentarily set back by such lame histrionics is a true testament to her talent.

Director Shekar Kapur's true talent is opulent settings and grand costuming. Elizabeth: The Golden Age will no doubt compete for Oscars in set design and costume for the lavish colorful creations of Kapur and production designer Guy Dyas and costumer Alexandra Byrne. The lush beauty of Elizabeth The Golden Age and Cate Blanchett's ability to act and perform the work of a wonderful clothes horse, nearly make Elizabeth The Golden Age worthy of a recommendation. Nearly. 

Playing from a soap opera level narrative; Cate Blanchett pulls off an exceptional performance. Her Elizabeth is quick witted, cunning and brave with vulnerability that is very disarming. She is as strong in ostentatious costume as she is in battle armor preparing to lead her soldiers into battle. It's stunning how powerful Blanchett is in overcoming what is a truly underwhelming script.

Clive Owen and Geoffrey Rush also fight their way through the histrionics of Elizabeth: The Golden Age to varying success. Owen does spark with Blanchett in their few romantic scenes. In fact they spark so well that it's impossible to believe that Owen's Sir Walter would go for Susan Lynch's winsome girl Annette over Blanchett's blazing, womanly Elizabeth. As things play out, the only reason we see Owen with Lynch is because history recalls Elizabeth as the virgin queen.

As for Geoffrey Rush, the script truly lets him down. As Elizabeth's long time consigliere he is forced by this narrative to be blind and foolish until he is not. There is a subplot with his brother that is supposed to explain his foolish behavior but it's botched so badly that Rush's character is left adrift. Rush is far too good an actor to play a character made to look this silly. 

There is the potential for yet another Elizabeth movie if rumors are true. The virgin queen did live for many years past the end of The Golden Age. Fans of Shakespeare In Love will recall that an elder Elizabeth, played in Oscar winning glory by Dame Judi Dench, presided over the era of Shakespeare's England. I'm not at all opposed to seeing Cate Blanchett reprise this role as even in this supremely flawed film she is an electric performer.

Here's hoping another Elizabeth can be more than merely an opulent example of how beautiful Cate Blanchett is in very expensive costumes.

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...