Showing posts with label Jim Sheridan. Show all posts
Showing posts with label Jim Sheridan. Show all posts

Movie Review: Brothers

Brothers (2009) 

Directed by Jim Sheridan 

Written by David Benioff 

Starring Jake Gyllenhaal, Tobey Maguire, Natalie Portman, Sam Shepard, Clifton Collins Jr.

Release Date December 4th, 2009

Published January 10th, 2010

Streaming on Starz via Amazon Prime 

It's interesting how critics can disagree so thoroughly. When the movie Brothers was released in December of 2009 most critics praised the work of Tobey Maguire and touted him as an Oscar contender. When I considered the film I felt that Tobey Maguire's performance was the film's weakest link and that Jake Gyllenhaal was the standout.

Brothers arrives on DVD this week and you can weigh in on which actor you prefer or maybe you love them both. One thing is certain, while I have my reservations about Maguire's performance, this story of one brother thought lost in war and another finding himself in the company of family has moments of great power and deeply felt emotions.

Tommy Cahill (Jake Gyllenhaal) has long been the black sheep of his family. His father was a General (Sam Shepard) and his brother Sam (Tobey Maguire) has followed in dad's footsteps. While Tommy has bounced from job to job and finally a stint in prison, Sam joined the army, settled down with Grace (Natalie Portman) and had two beautiful daughters.

Despite their differences Tommy and Sam are close and Sam is there when Tommy gets out of prison. Soon after however he is off to war in Afghanistan leaving Tommy to try and reconnect with his family which because of strains with his dad is not easy and soon he is returning to some bad behaviors.

On a mission Sam's helicopter is shot down and he and another soldier are taken hostage. Grace is soon informed that her husband is dead. You likely know where this story is headed as Grace informs Tommy of his brothers seeming demise and the two begin to turn their mutual grief into a comforting romance that will become quite uncomfortable when Sam returns home.

Brothers was directed by the humanist director Jim Sheridan whose portraits of humanity In America and My Left Foot are filled such astonishing truth and beauty that it's no surprise they were mostly ignored by audiences though lauded by critics and awards givers. Sheridan's style focuses the action in the hearts and minds of tough, damaged characters and in Brothers that focus comes through in the remarkable work of Jake Gyllenhaal.

The actor once known as Bubble Boy continues to evolve into one of our finest actors and even when playing a role where he seems to have less range to play than his co-star he shines by so effortlessly bringing his inner turmoil to the surface with quiet dignity and not merely the grand gesture. 

Gyllenhaal's performance is illuminated next to the more showy and forceful performance of Tobey Maguire whose grandstanding shouting stand in for honest emotions and understanding. With far more range to play with from the trauma of war and perceived betrayal, Maguire fails to connect and simply falls back on scenery chewing. 

Natalie Portman is caught between the brothers and her performance is a little lost in the shuffle. Portman exudes pain and warmth in scenes with Gyllenhaal while cowering in fear in scenes with Maguire, Portman's performance struggles depending who she is sharing the screen with. 

Problems asides, Jim Sheridan's direction is masterful and the story evolves one powerful, emotional scene after another until it reaches exceptional climax. Gyllenhaal is MVP doing his best to ground the story in a believable emotional realm while Maguire overplays and Portman vacillates between the two extremes. 

Flawed but still moving, Brothers is worth renting for arguably the best performance in the career of Jake Gyllenhaal. Jake is making the big move to blockbusters in Prince of Persia this summer, here's hoping he brings the same strength he showed in Brothers to his first major blockbuster.

Movie Review: Dream House

Dream House (2011) 

Directed by Jim Sheridan

Written by David Loucka

Starring Daniel Craig, Naomi Watts, Rachel Weisz, Martin Csokas, Elias Koteas 

Release Date September 30th, 2011

Published September 30th, 2011

You cannot separate a movie from its marketing campaign. A movie marketing campaign defines what a movie is before audiences get a chance to see it. Dream House, starring Daniel Craig and Rachel Weisz has been established as a haunted house thriller via marketing but the problem is, Dream House isn’t really a haunted house movie at all.

The film stars Daniel Craig as a man investigating a murder that he may have committed. The apparitions that Craig’s character sees aren’t ghosts but rather projections of his damaged psyche. The marketing campaign trades the twist about Craig’s character having been in a mental hospital and not being the man he thought he was, so that it can sell Dream House as a ghost movie. This leaves Dream House to limp through 45 minutes of runtime to a reveal that has already been revealed in commercials and trailers.

Daniel Craig is Will Atenton, a successful book editor who is quitting his job to become an author. Will is headed home to his beautiful wife Libby (Rachel Weisz) and their two adorable daughters who are now living in their new home in the Connecticut suburbs. Unfortunately, the realtor has failed to mention that a man named Peter Ward may have murdered his family in this house or that tourists and teenagers like to drop by and look in the windows.

This takes us to about 45 minutes into Dream House. The marketing campaign has spoiled the fact that Daniel Craig’s Will is really Peter Ward and that he may have killed his family. The movie however, treats this as a shocking twist, giving this plot turn a Hitchcockian reveal.

Why spoil the twist? Why ruin what the director clearly believed was important enough to frame as a shocking surprise? The choice to spoil Craig’s identity in the marketing campaign may explain why the cast of Dream House refused to promote the film. Then again, it could also have to do with how everything after the big twist is a clumsy mess.

The resolution of Dream House finds Will/Peter investigating the murder of his family even as he can see his wife and kids as if they were still alive. Will/Peter’s neighbor Ann (Naomi Watts) is among those with important details about the murders as is Ann’s angry ex-husband Jack (Martin Csokas) and a drifter named Boyce (Elias Koteas).

The ending of Dream House is stunningly inept given all of the talent on display. Daniel Craig is compellingly sad yet determined as Peter while Naomi Watts and Rachel Weisz do variations on attractive vulnerability. Director Jim Sheridan builds a few strong individual scenes but the ending is too convoluted to be believed or enjoyed.

Could Dream House have been a better movie had the twist not been spoiled by the marketing campaign? Probably not given the bad ending but then again, we’ll will never know. As it is though, Dream House dragged on for 45 minutes to a reveal that I was already aware of before ending in the inept fashion of your average B-movie.

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