Movie Review: Dylan Dog Dead of Night

Dylan Dog Dead of Night (2011) 

Directed by Kevin Munroe 

Written by Thomas Dean Donnelly, Joshua Oppenheimer

Starring Brandon Routh, Sam Huntington, Anita Briem, Peter Stormare, Taye Diggs 

Release Date April 29th, 2011

Published April 30th, 2011

Detective Dylan Dog (Brandon Routh) has a dark and disturbing past. Yet, as we listen to his bemused voiceover narration, ala classic detective movies of the 40's and 50's, he's remarkably well adjusted. Dylan used to be a paranormal investigator and more importantly, the one human being standing between humans and the undead.

Vampires, Werewolves and Zombies

In the universe of Dylan Dog, settled perfectly in the haunted streets of New Orleans, vampires, zombies and werewolves are real and living mostly peacefully among humans. When one of the undead got out of line it was Dylan who stepped in to investigate and correct matters. However, when things got personal and someone Dylan cared about was murdered he walked away.

Now, Dylan is being called back to action after the murder of a smuggler who has brought to New Orleans a deadly device that could mean the end of human and undead kind. With his trusty sidekick Marcus (Sam Huntington), a zombie after being attacked early on by one of the film's big bad guys, Dylan must re-enter his former life and stop a possible apocalypse.

Noir Mystery meets Horror movie monsters

The premise of "Dylan Dog," which is based on a wildly popular (in Europe) Italian comic book by Tiziano Sclavi, is a tribute to classic noir murder mysteries. Brandon Routh doesn't exactly embody hard boiled detective ala Humphrey Bogart but Routh's off-hand voiceover and quirky approach to the role give the film flavor if not the most accurate homage to classic noir mystery.

The notion that vampires, werewolves and zombies live among us is not new, "Buffy the Vampire Slayer," which gets an almost subliminal shout out in "Dylan Dog," carried a similar premise on television to great success. That "Dylan Dog" came along first, the comic book began in the mid-eighties, matters little, the movie is clearly influenced by Buffy and pales in comparison.

Superman Returns wasn't Brandon Routh's fault

So, the noir homage is weak and the premise isn't new, what's left to like about "Dylan Dog: Dead of Night?" The only thing I can recommend is star Brandon Routh. Unfairly maligned for the failure of "Superman Returns" Routh is a clever and handsome actor with a great sense of humor, a strong instinct for deadpan line delivery and the physical presence to dominate a scene.

My affection for Brandon Routh is limited to liking his performance but not the movie in which it's trapped. The premise about one person standing between the world of the undead and the rest of everyday society is derivative and the homage to noir mystery is weak at best. The direction is at times sloppy, as is the script which attempts to honor the comic book but doesn't have enough detail to make any of the references meaningful to anyone but a very small cult.

Maybe catch "Dylan Dog: Dead of Night" on cable someday, late on a Saturday night when there is absolutely nothing else on worth watching.

Movie Review: TMNT

TMNT (2007) 

Directed by Kevin Munroe

Written by Kevin Munroe 

Starring Chris Evans, Patrick Stewart, Sarah Michelle Geller, Kevin Smith, Mako, Ziyi Zhang

Release Date March 23rd, 2007 

Published March 22nd, 2007

Yet another retread of the Teenage Mutant Turtles attacks our cultural consciousness and as with so many copies of an original, it is dulled and less compelling, a copy of a copy really. Directed by a videogame veteran with videogame sensibilities, TMNT looks more like an ad for the TMNT game on the XBox 360 than like a feature length film.

The brothers, Leonardo, Raphael, Michaelangelo and Donatello, who make up the Teenage Mutant Ninja Turtles crime fighting team, want only to be on the streets fighting crime and scarfing pizza. However, their sensei Master Shredder has forced them to give up crime fighting out of fear for their safety, not merely from the bad guys but from the good guys who could not easily accept talking turtles.

Each of the turtles has found their own way to deal with seclusion. Michaelangelo and Donatello perform at kids parties, dressed as turtles(?). Leonardo has thrown himself into training with Master Shredder. Raphael, on the other hand, has taken to vigilante-ism. Taking to the streets under the guise of the Nightwatcher, Raphael is inviting a number of dangerous encounters.

When his activities are exposed it leads to a rift between Leonardo and Raphael that nearly comes to blows. However, Raphael's activities do expose the crimes of a shady businessman who has teamed with a group of ninja assassins to steal 13 warrior statues that once gathered can be made real and used to take over or destroy the world.

Directed by video game veteran Kevin Munroe, TMNT delivers a view of the Ninja Turtles that seems to want to be a little darker than previous incarnations. Their is the sense that Munroe and screenwriter Peter Laird want to delve a little deeper into these characters and their motivations. Sadly, they abandon this idea early on in favor of some truly moronic and insulting humor and kid friendly action scenes.

Restricted by the typical rules of kiddie flick etiquette, Munroe and Laird give up any notion of creating really compelling characters and an engaging coming of age story in favor of simpleminded lessons and tropes about family and doing the right thing. Oh and a bit of bathroom humor, also a staple of this vacuous type of story.

There is some promise to TMNT early on and it comes in a showdown between Leonardo and Raphael in his guise of the Nightwatcher. Not knowing who the Nightwatcher really is, Leonardo engages him and the two fight until Raphael's real identity is revealed. The tension extends back home and the conflict is genuine and compelling.

Unfortunately, this interesting bit is quickly forgotten about and the typical tropes about loyalty, family and doing the right thing take center stage in all of their unambiguous, black and white forms. I'm not saying TMNT was ever going to offer great conflict or drama, but this story was interesting before it was jettisoned in favor of more simply manipulated emotions.

As for the animation, keep in mind that director Kevin Munroe comes from a video game background. TMNT looks so much like a videogame that you may be tempted to search around your seat for a controller. The animation of videogames have made great leaps in recent years but movies require a good deal more than mere kinetic, quick cut images.

Conditioned by the beautiful work of the team at Pixar, CG animation is now an art form and if a cartoon feature cannot match the beauty of Ratatouille, Cars or Monsters Inc, we aren't as interested or engaged. Pixar and the teams at Dreamworks Animation (Shrek) and the terrific Sony crew (Ice Age), have raised the bar in CG animation and a film as flat and colorless as TMNT pales in comparison.

Without a great story to pick up for the lack of great visuals, TMNT flounders and becomes tedious by the time the end comes in a mere 84 minutes.

TMNT is a flat, uninspired recreation of an inspired group of characters. The potential was there, but the imagination and daring were lacking leaving TMNT to be yet another product of kid-centric marketing. The makers of TMNT may have been better served dropping the turtles directly into television commercials for Pizza and pop, rather than wasting millions on a theatrical feature.

It's clear from watching TMNT that the only value of these characters can be found in their salability rather than their depth of character. Why not cut out the middleman and just make commercials and toys.