Showing posts with label Blake Lively. Show all posts
Showing posts with label Blake Lively. Show all posts

Movie Review: Accepted

Accepted (2006) 

Directed by Steve Pink 

Written by Adam Cooper, Bill Collage, Mark Perez 

Starring Justin Long, Blake Lively, Anthony Heald, Jonah Hill, Lewis Black, Columbus Short 

Release Date August 18th, 2006 

Published August 19th, 2006 

The college comedy is a genre all it's own. It has conventions and clichés and stock characters. The latest example of the genre, Accepted starring Justin Long, breaks no new ground in the college comedy genre. It's a slight, forgettable little comedy that has a more than a few redeeming qualities but not much to recommend it.

Justin Long stars in Accepted as Bartleby Gaines an underachieving slacker whose inattention to his schoolwork has left him without a college acceptance letter. Every school he applied to has rejected him. Even Ohio State! His safety school. With his parents breathing down his neck Bartleby launches one of those only in the movies kind of schemes, he starts his own college.

With the help of his computer nerd best friend Sherman (Jonah Hill), who got into the hometown school Harmon College, Bartleby founds the South Harmon Institute of Technology, if you don't get the joke of that name don't worry the film will explain it again and again and again. At first it's just a very convincing website and acceptance letter but when mom and dad insist on driving Bartleby to school he makes the drastic choice to use his tuition check to rent a building.

Bartleby is not alone in his rejection and acceptance of this wacky scheme. Joining Bartleby at South Harmon is his pal Hands (Columbus Short) who lost his football scholarship after an injury and Rory (Maria Thayer) a Ivy league wannabe who only applied to Yale and swore off other college's after being rejected. Pooling their collective tuitions they rent and renovate an old psychiatric hospital and manage to fool their parents into thinking South Harmon is for real.

Unfortunately they also convince a bunch of other rejects who show up at South Harmon expecting their freshman year. Can Bartleby and friends keep up the ruse of South Harmon or will they be headed to jail on fraud charges. If you don't know already then you probably haven't seen very many movies.

Predictability is not the biggest problem with Accepted. It's biggest problem is Director Steve Pink and writers Bill Collage and Adam Cooper who fail to put their own unique spin on the requirements of the college comedy genre. While director Pink does a good job of keeping up an energetic pace and his cast crafts some lovable characters, there is not one college comedy cliche that Accepted manages to avoid.

The bad guys are the crusty dean from the rival college played with extra crust by Anthony Heald. The dean is joined, in typical Animal House fashion, by a group of overprivileged white frat boys lead by Arian dreamboat Travis Van Winkle. No points for guessing that Travis's character, Hoyt Ambrose, has a hot but very sweet girlfriend who also has eyes for Bartleby. The lovely Blake Lively is Monica who you can bet won't be with Hoyt much longer than the plot deems necessary.

Wait, you won't believe it, there is a bigtime party in the movie too, that happens to be on the same night as major bash thrown by the evil frat guys. No points again for guessing that the bad guys are crashing our heroes party with vague threats and evil intent. These scenes have been repeated more times than I or you can count and there is nothing even remotely original about them in Accepted.

I have said in countless reviews of similar genre pictures that the key to genre filmmaking is not originality but rather taking the established conventions of genre and simply doing them better or at the very least slightly different than they have been done before. Accepted simply repeats the conventions with different actors. These are some very good actors but we've heard all of the jokes before.

The film becomes almost saccharine near the end when a full of himself Bartleby gives one of those rousing the troops speeches that becomes an earnest defense of his wacky scheme. This almost works because we like Justin Long as Bartleby but the speech is simply another of the many clichés that Accepted doesn't just repeat it relies upon.

Accepted has a secret weapon in comedian Lewis Black. Brought in as a burnout ex-educator to be South Harmon's Dean, Black brings his sardonic, downer persona to Accepted and gives the film it's one shot of originality. Doling out his opinions on the education system, taxes and bureaucracy, like he was delivering one of his brilliant stand up routines, Black teaches the kids of South Harmon more about the real world than anything they could learn at a real college even if it is delivered with severe cynicism.

Justin Long is an appealing young actor who has been turning heads in supporting roles since his breakout turn on TV's Ed. He came to mainstream attention as the youngest member of Vince Vaughn's Dodgeball team and turned in a radically different cameo as a gay art gallery employee in Vaughn and Jennifer Aniston's The Break Up earlier this summer.



Now, in his first starring role in a mainstream comedy, Long shows a great deal of charisma and charm but the role is to familiar to be as funny as it could be. There is simply nothing that Long can do to break the mold of the classic, fast talking, quick witted campus legend. It's the mold put in place by past college comedy leads like Ryan Reynolds in Van Wilder or Jeremy Piven in the cult classic P.C.U. It's a template with it's roots in classic Bugs Bunny cartoons where our hero is always imperiled but also always one step ahead of that peril thanks to his quick wits.

Originality is not a prerequisite in a college comedy genre. There are some unavoidable conventions of the genre that filmmakers simply cannot avoid. What the better filmmakers do is try and twist those conventions with their own unique vision. Unfortunately director Steve Pink lacked the vision to bring any new twists to Accepted which wastes a terrifically likable cast on a retread of every cliché in the book.

Movie Review Sisterhood of the Traveling Pants 2

The Sisterhood od the Traveling Pants 2 (2008) 

Directed by Sanaa Hamri 

Written by Elizabeth Chander

Starring America Ferrara, Blake Lively, Amber Tamblyn, Alexis Bledel 

Release Date August 6th, 2008 

Published August 5th, 2008 

Society dictates that a 32 year old man is not supposed to enjoy a movie called The Sisterhood of the Traveling Pants. And yet, there I was in 2005 watching four exceptional young actresses navigate the adolescent angst that only a teenage girl can truly understand and I was moved. The Sisterhood of the Traveling Pants was sweet and funny with a great big heart and I loved that about it.

For all of its melodramatic faults, it was a film of great understanding and warmth. The sequel, unimaginatively titled Sisterhood of the Traveling Pants 2, directed by Sanaa Hamri, is like the original filled with warmth, heart and humor and once again I was moved.

Picking up three years after where the original left off, the sisterhood is now split up at different colleges, in different cities. This hasn't stopped them from frequently returning home to visit and bond over the magic pair of jeans that fits all four of them and brings them good luck just when they need it. Leading the pants parade is Carmen (America Ferrara) who clings to the pants and the sisterhood as her chaotic family moves into a new home with her mom expecting a new baby with her new husband.

Pulling away ever so slightly from her sisters is Tibby (Amber Tamblyn). Off to New York for film school, Tibby is growing tired of the rituals of the pants, though has no less love for her sisters. Also adrift in her own angst is Bridget (Blake Lively) who passes on summer at home with her friends and single dad, for a trip to Turkey and an archaeological dig. There she meets a professor (Shohreh Aghdashloo) who reminds her of the mother she never had.

As for Lena, freshly returned from another trip to Greece, she has broken up with her long distance boyfriend Kostos (Michael Rady) and moved on to a fellow art student named Leo (Jesse Williams). Their meet cute provides Bledel with her funniest scenes. Of course if you think Kostos goes away quietly, clearly you haven't seen the trailer which shows all four girls in Greece.

Though divided, the sisterhood is strong and you are never under the impression that they will be apart for long. Director Sanaa Hamri, taking over for Ken Kwapis who directed the charming first film, does a tremendous job of balancing a number of new characters, like Tibby's boyfriend Brian played by Leonardo Nam, and still finds plenty of time to tell each girl's individual stories.

Sometimes it is the simplest pleasures that are the greatest of pleasures. The Sisterhood of the Traveling Pants is very simple. This is formula melodrama at its most obvious yet entertaining and engaging. Sure, there is nothing here you haven't seen before but it's done better here, with more care and skill and with a great deal more heart than similar formula movies.

Arguably the most engaging and moving scenes involve Blake Lively the young star of the new TV hit Gossip Girl. Lively was less of a presence in the original where her character was defined by being whiny and sexually precocious. A few years on and Lively has flowered into a strong beautiful, talented young woman and the character of Bridget reflects that.


As the closed minded dismiss The Sisterhood of the Traveling pants 2, I appeal to you to see the movie for the scenes between Lively and the formidable Blythe Danner alone. These scenes are some of the most moving moments in any movie this year. I kid you not, the circumstances involved combined with the skills of these two wonderful actresses will move many audiences to unexpected degrees.

The Sisterhood of the Traveling Pants 2 will not be mistaken for great cinema but as fun, entertaining, even moving, melodrama it's pretty terrific. Four exceptional young actresses, the future of Hollywood, and a rising star director craft a movie that hits its marks perfectly and nails every formulaic scene necessary to propel the audience where it wants to go.

Nakedly manipulative? Maybe, but what modest melodrama isn't. If the manipulation is this pleasant and heart warming, who cares? 

Movie Review Green Lantern

Green Lantern (2011) 

Directed by Martin Campbell

Written by Craig Berlanti, Michael Green, Marc Guggenheim, Michael Goldenberg

Starring Ryan Reynolds, Blake Lively, Peter Sarsgard, Mark Strong, Angela Bassett, Tim Robbins

Release Date June 17th, 2011 

Published June 16th, 2011 

"Green Lantern" is the latest superhero story to hit the big screen following the spring adventures of "Thor" and the summer spectacular that was "X-Men: The First Class." "Green Lantern" however, is the first of these superhero flicks to feature a big star as the big hero. Ryan Reynolds, long on the road to superstar status, plays the heroic Green Lantern and while the casting is alright there was little any star could have done to improve the rather limp story.

Hal Jordan, Our Hero

Hal Jordan is a bed-hopping, test-pilot with serious daddy issues. So serious, in fact, are Hal's unresolved issues with his late father, that he nearly crashes his plane as he distractedly recalls his dad's death. Naturally, Hal comes through the crisis alright but not without angering his best friend, and would be love of his life, Carol Ferris (Blake Lively.)

Putting aside Hal's daddy and romantic issues, he is a special guy and we know this because a purple alien guardian from another world carrying a very powerful green ring and a green lantern tells us so. Of the billions of people on earth Hal Jordan has been chosen as humanity's protector, the newest member of the universal force known as the Green Lantern Corp.

The Green Lantern Corp

Soon, Hal has a special suit and mask that are made from -- well we aren't quite sure what. The suit seems to generate directly from Hal's own skin and the fewer questions asked about the suit's (ahem) functionality (?) the better. Through his alien ring and lantern Hal can now create anything he wants using only his mind.

If we go with Hal to his training on a distant planet we are just asking for this plot description to grow far too unwieldy and since the plot isn't great to begin with let's just leave it at special voice appearances by Geoffrey Rush, Michael Clark Duncan and go to bad guy Mark Strong as sort of a good guy.

Peter Sarsgard is creepy

Back on earth Hal will have to defend humanity against a former colleague and friend, Dr. Hector Hammond (Peter Sarsgard) who has contracted an alien infection that somehow managed to make him even creepier than the massively foreheaded, dweeby, community college professor he already was.

There is also a good deal of nonsense related to a giant monster cloud of what I believe is fear energy combined with some all powerful alien creature. Honestly, I stopped caring so early on in "Green Lantern" that I tuned out whatever wasn't Ryan Reynolds being cute and Blake Lively flashing her beautiful, "Gossip Girl" half smile; truly is there a woman in the world who is so attractively bemused?

Fanboys Only

"Green Lantern" was directed by Martin Campbell who is an immensely talented director. Here, however, Campbell hits the wall with far too much fanboy nonsense and not nearly enough stuff that's interesting to people who aren't in fealty to the D.C Comics legend. I assume, because I am not familiar with the comic, that much of the stuff I found goofy and nonsensical was some kind of homage or nod to the faithful? How else do you explain it?

The thing about a great superhero movie like "Batman Begins" and "The Dark Knight" or "Spiderman 1 & 2" or the "Iron Man" movies is they were good movies first and comic book movies second. The best of the genre add the fan touches on the sides in the periphery. "Green Lantern," like "Thor," places the comic book stuff first and in doing so leaves the non-comic fan distracted and waiting for the actual story to kick in.

Not Recommended for General Audiences

When the story never really kicks in it only serves to magnify why the filmmakers included all of the comic book stuff, they didn't have enough of a compelling original story to push the fanboy stuff to the sides. I liked Ryan Reynolds and Blake Lively and the voice of Geoffrey Rush, as some kind of muscled up alien fish, but in the end that is not enough for me to recommend "Green Lantern" to a general audience.

Now, if you are a fan of the comic book Green Lantern, I do recommend the movie. You are going to get it on another level. You will enjoy the stuff I found goofy and or needless. You will get the stuff that I found distracting. You, Green Lantern fan, may just really enjoy this movie and bully for you. Enjoy.

Movie Review: The Town

The Town (2010) 

Directed by Ben Affleck

Written by Peter Craig, Ben Affleck

Starring Ben Affleck, Jeremy Renner, Jon Hamm, Blake Lively, Chris Cooper

Release Date September 17th, 2010 

Published September 16th, 2010 

Ben Affleck has spent the past decade, give or take, getting a hard time for his choice of friends, relationships and films. Since his break out success, and Oscar win, for “Good Will Hunting,” the knives have been out for the Boston native. At times it's been deserved, “Armageddon” and “Gigli” are terrible films, oftentimes it has not been deserved, his personal life is none of our business and “Jersey Girl” was unfairly maligned by those attacking 'Bennifer.'

Though he may deny it, the digs did get to Affleck in the mid 2000's and it drove him away from Hollywood for a time. Back in Boston he got the nerve to go behind the camera and the result was the highly compelling crime drama “Gone Baby Gone” starring his little brother Casey. Growing bolder from that success, Affleck is back in front and behind the camera for his latest effort, another gritty crime drama, “The Town.”

In “The Town” Ben Affleck stars as Doug MacRay a life long resident of the crime riddled neighborhood of Charlestown. Doug was born into crime and as a grown up he has taken up the family business; robbing banks. With his highly efficient, professional crew, including his best friend Jem (Jeremy Renner), Doug plots highly detailed heists that leave law enforcement officials baffled.

The latest heist however has an unexpected twist. In a fit of pique over a silent alarm trigger, Jem takes the bank manager, Claire (Rebecca Hall), hostage, a first for this crew. Doug manages to convince Jem not to kill her but releasing her is a decision that will come to haunt them all.

With Jem suspicious of what Claire may have seen of the crew and wanting to go back and finish her off, Doug decides to protect his hot headed friend by tracking her himself. However, upon meeting Claire in person he is drawn to her and against all good judgment a romance develops.

As all of this happening an FBI Agent, Adam Frawley (Jon Hamm) catches the bank robbery case and seeing the level of efficiency involved, he becomes even more determined to catch the bad guys. Claire is the main lead and with her direct link to Doug you can imagine the intrigue and drama. Add Jem's growing suspicions and hothead tendencies to this mix and you have a recipe for piping hot drama.

”The Town” burns with drama, tension, excitement and action. Overcoming the challenge of directing and starring, Ben Affleck dominates the screen and turns in an Oscar caliber lead performance. The romance between Affleck and Rebecca Hall is subtle, natural and would be downright sweet if we weren't aware of just how it came to be.

Affleck and Hall do a tremendous job of bringing us into their world and nearly making us forget about the rest of the plot when they are together. That feeling is brilliantly shattered in the film's most effective scene, when Jem bumps into Claire and Doug having lunch at an outdoor cafe.

Jeremy Renner and Jon Hamm are tremendous back up for Affleck and Hall in the leads. Renner's string of brilliant performances, stringing back to his stunning debut as Jeffrey Dahmer through last year's Oscar nomination for “The Hurt Locker,” continues here as he essays a hotheaded psycho who with a cool streak of mean that separates him from similar characters in other crime dramas.

Jon Hamm does something similar to Renner, taking a character that is quite familiar and giving the expectations a twist. The key to Hamm's performance is his focus on the job, being an FBI professional, right down to the clipped speech direct manner, over looking cool. Hamm is essentially the good guy, he's fighting criminals but he's not afraid of playing the heavy and letting the audience not like him even as we know from a moral standpoint we should admire him.

It’s a trick of the best crime dramas to get the audience to abandon their better judgment and come to root for the bad guys. It’s exciting to have your values challenged and live vicariously through eyes and lives of those who live outside the law. Most will never have this experience but we can all easily understand the allure of easy money and of the bad guys who do things we know we could never do.

Ben Affleck and the crew behind The Town certainly know this appeal of the bad guy and the bad deed and they cleverly manipulate that appeal to draw the audience into this criminal world as well as into the forbidden romance between Doug and Claire.

“The Town” is smart, compelling, fast paced and exceptionally well crafted. Watch out for Affleck at the Oscars as “The Town” could bring nominations for Ben in front of and behind the camera.


Movie Review: The Private Lives of Pippa Lee

The Private Lives of Pippa Lee (2009)

Directed by Rebecca Miller 

Written by Rebecca Miller

Starring Robin Wright, Mike Binder, Alan Arkin, Winona Ryder, Zoe Kazan, Keanu Reeves, Blake Lively

Release Date: November 27th, 2009

Published November 26th, 2009 

One woman re-traces the story of her life as she worries her mind is slipping away in “The Private Lives of Pippa Lee.” Robin Wright stars as Pippa Lee, a wife and mother whose life is defined by those roles. As a very young lost soul, Pippa met and fell in love with the much older Herb Lee (Alan Arkin).When we meet Pippa Lee, she and Herb have moved into a retirement community in Connecticut. While Herb says they moved in order to protect assets from his life as a publishing magnate from taxes, both are concerned that Herb's mind has begun to slip. 

In the middle of the night someone has been wandering the house leaving a major mess. It turns out not to be Herb but Pippa who has been sleepwalking and that isn't all. She is sleep-driving and sleep-smoking, driving in the night to a local 24-hour shop to buy cigarettes. Afraid she is losing her mind, Pippa tracks back in her mind to her mother, Suky (Maria Bello), a woman addicted to amphetamines who didn't merely dote on her daughter but overwhelmed her as a living doll plaything.

Pippa's mother's addiction and massive mood swings lead to Pippa's own drug experimentation and eventually to her running off to New York to live with her lesbian aunt and her girlfriend, Kat (Julian Moore). Blake Lively plays teenage Pippa with a constantly dazed expression and sad eyes. It is teenage Pippa who meets and falls for Herb. 

Though I recount the plot to you in a somewhat linear fashion, writer-director Rebecca Miller, tells the story in a flashback style, cutting between Pippa's life in the retirement community and her life before and during the early parts of her marriage to Herb. The storytelling doesn't really jibe; the past doesn't comment on the present or really explain it. Pippa's memories are sort of random. That's not necessarily a criticism, Pippa is searching her memory for a meaning that is missing from her life and it makes sense that her search is futile.

The story deepens when Pippa meets Chris, the son of one of the other retirees. He has just ended a long relationship and now lives with his mother while working at the 24-hour shop where Pippa sleepwalks. To say what happens between Pippa and Chris would go too far, but I can tell you, it's not entirely what you might expect. That is the wonderful thing about Rebecca Miller's direction in “The Private Lives of Pippa Lee,” she and star Robin Wright Penn avoid typical choices. Penn's performance begins as off-puttingly thin. It grows to an irksome sort of oddity and then blossoms into something strangely, hypnotically fascinating.

If I had walked out half way through “The Private Lives of Pippa Lee” I would say Robin Wright was terrifically awful. However, I stuck with it and eventually I found that even the irritating qualities had an odd fascination. As I got used to Pippa's irritating qualities they began to reveal things about her and I was slowly won over. By the time Pippa makes her dramatic final decision I was totally with her and shocked by how much I was willing to join up for more of her journey.

The movie ends as if it could have gone on for another half hour and been just as intriguing. It's just the right hopeful note and if you can make it to the end, as I did you  will be surprised how satisfying yet abrupt the ending is.

“The Private Lives of Pippa Lee” is a strange and wonderful little movie with a performance by Robin Wright at its center that will divide people in hatred and glowing praise. It's a risky performance and one that will, in the long run, come to define the odd career of Ms. Wright who never quite blossomed into the leading lady so many expected her to be. Instead she is a working actress who’s made daring choices. Daring is the least of what can be said of Robin Wright's performance in “The Private Lives of Pippa Lee.”

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...