Movie Review The House Bunny

The House Bunny (2008)

Directed by Fred Wolf 

Written by Kristen Smith, Karen McCullah Lutz

Starring Anna Faris, Emma Stone, Kat Dennings, Colin Hanks 

Release Date August 22nd, 2008

Published August 21st, 2008 

Anna Faris is a terrifically funny actress. Her work in the first Scary Movie and a cameo in Lost In Translation each looked like star making performances but did not pan out. Faris did terrific work in the indie horror film May but was mostly relegated to small roles in other people's lame comedy efforts (Just Friends, My Super Ex-Girlfriend).

Now with the release of The House Bunny, Faris is getting her due as a leading lady. This vain attempt to recreate the pink hued magic of Legally Blonde is desperate and straining at times but in the end Faris rises above the lameness with a terrifically funny performance.

Shelly (Faris) has long dreamed of becoming a Playboy centerfold. After appearing in a few pictorials, including Girls of the GED, Shelly moved into the Playboy mansion and waited for Hef to make her a centerfold. On her 27th birthday, Shelly was given a huge, celeb filled party but the next morning she was out on her backside.

Kicked out of the mansion for being 27, that's like 50 something in bunny years, Shelly desperately needs a home. What luck then when she stumbles onto a college campus and discovers a misfit sorority house that desperately needs a house mother. The outcasts include Natalie (Emma Stone, Superbad), Mona (Kat Dennings, Charlie Bartlett) and Harmony (Catherine McPhee, American Idol).

The misfit girls and their shabby sorority house are about to be foreclosed on unless they can attract 30 new pledges in the next month. Shelly offers to help with makeovers for the girls and giant parties to attract attention. But, when Hef calls to give Shelly her dream centerfold, Miss November, will she leave her girls behind?

The House Bunny was directed by former SNL sketch writer Fred Wolf. In his directorial debut Wolf shows a near flawless command of the cliché. Wolf nails every well worn trope of the college outsider movie, tossing in a couple of rom-com clichés as well as Colin Hanks joins the cast as Shelly's mismatched love interest.

There is nothing new, original or slightly unfamiliar about The House Bunny. Thus, all of the film's appeal hinges on the star performance of Anna Faris. Lucky for those subjected to this tripe that Faris nearly makes the film watchable. With her stunning physicality, both comedic and otherwise, and her pitch perfect delivery of even the lamest blonde jokes, Faris manages the herculean feat of dragging laughs out from under the banalities.

The House Bunny is not insidiously bad, more innocuously bad. It's not good but not so bad that I can say I hate it. Anna Faris is such a winning presence, such a sunny personality that, for a time, I thought I could actually like the film. However, by the time we reached the obligatory speech to save the sorority house, I was off somewhere else in my mind.

Whether I was remembering an episode of The Office I had just watched or deciding whether to shop for groceries or go do laundry after the movie, I don't recall. Nor do I really recall much beyond the platitudes of The House Bunny.

Movie Review She's the Man

She's The Man (2006) 

Directed by Andy Fickman

Written by Karen McCulloch-Lutz, Kirsten Smith

Starring Amanda Bynes, Channing Tatum, David Cross, Vinnie Jones, Emily Perkins 

Release Date March 17th, 2006

Published March 18th, 2006

Nickelodeon star Amanda Bynes has graduated to the big screen with surprising ease. Her debut feature What A Girl Wants did not exactly set the world on fire but it was an excellent showcase for Amanda Bynes' I Love Lucy meets Sandra Bullock style. Now with her latest flick, She's The Man, Amanda Bynes takes a shot at low grade Shakespeare with a high school take on 12th Night that, like What A Girl Wants, shows Bynes in the best light of her talents, combining goofy charm and physical comedy.

In She's The Man Amanda Bynes stars as Viola who is looking forward to college on a soccer scholarship until her plans are derailed when her school cancels the girls soccer program and refuses to let her try out for the boys team. With her future on the line Viola hatches the kind of wacky scheme that only takes place in the movies.

Viola's brother Sebastian (James Kirk) is a rocker who has decided to run to Europe for a summer tour with his rock band leaving his twin sister behind to cover for him. His disappearance gives Viola the opportunity for a crazy scheme.  Viola decides that she will impersonate  Sebastian at his fancy private school and attempt to make the soccer team. Once established on the team she can reveal her true self and claim her scholarship.

Naturally, complications ensue from the first moment Viola appears on campus. Most problematic for Viola is her new roommate Duke (Channing Tatum), a real hunk who she takes an immediate liking to. Unfortunately, as a guy she cannot pursue him and meanwhile, Duke has developed a crush on Olivia (Laura Ramsey) and enlists his new roommates help in trying to get her attention. This backfires when Olivia takes a shine to Sebastian/Viola.

The story is from Shakespeare's 12th Night but the comedy is straight slapstick. Bynes and company take a beating, falling down, kicking and running into one another. That this physicality is at times quite funny is because Bynes is a skilled physical comedian. She is also quite charming and though we never for a moment buy Viola as Sebastian we enjoy watching Bynes give the role all that she's got.

If the supporting cast shared Bynes' energy, She's The Man really could have been much funnier than it is. Sadly co-stars Channing Tatum and Laura Ramsey lack Bynes talent and charisma and are really just good looking models standing in for real actors. Tatum has his moments of real likability but he never gets beyond his meathead exterior. Ramsey for her part delivers a good hearted effort but seems terribly uncomfortable with the film's physical humor.

What makes She's The Man worth recommending, to less than discerning audiences, is Amanda Bynes whose wide eyed beauty and physical comedy are a winning combination. Bynes is no great dramatist but she has real comic chops and oodles of charisma and that makes up for a lot of the problems of this outlandish take on Shakespeare.

The other reason to see She's The Man is comic David Cross who makes a surprise appearance as the clueless principle of the private school. Cross shines in his gut, twistingly creepy attempts to bond with Sebastian/Viola and even weirder when he attempts to expose the fraud in his midst. Cross is just naturally funny and while teen comedy is not his usual milieu he gives it the old college try and picks up a nice paycheck along the way.

She's The Man is not a movie you are going to remember long after watching it but while it's on it is a charming, inoffensive little teen comedy that showcases the rising talents of young Amanda Bynes. This kid has a bright future ahead of her. She doesn't have the acting chops of Lindsey Lohan or the model good looks of Hillary Duff, rather Amanda Bynes succeeds on tomboy charm and the willingness to take the fall for a laugh. That kind of moxie goes a long way.

Movie Review: Ella Enchanted

Ella Enchanted (2004) 

Directed by Tommy O'Haver

Written by Laurie Craig, Karen McCullah Lutz, Kirsten Smith, Jennifer Heath, Michelle J. Wolf 

Starring Anne Hathaway, Hugh Dancy, Cary Elwes, Vivica A Fox, Minnie Driver, Joanna Lumley

Release Date April 9th, 2004

Published April 8th, 2004

You have to be a man very secure in his manhood to walk into a video store and rent a movie like Ella Enchanted. A lesser man would drag a child with them (niece, cousin, daughter, any girl under the age of 12). So on sheer manhood sacrificing, I deserve some respect. As a critic I say I have to watch it because it's there, but in all honesty I was kind of looking forward to the film. And no pervy insinuations about Anne Hathaway, I was intrigued by the film’s trailer and after seeing the film, I was right to get it.

Anne Hathaway, the rising star of The Princess Diaries (I haven't seen either PD films, this film was hard enough to rent), stars as Ella of Frell, a commoner who at birth is given a unique and horribly thought out gift by her fairy godmother Lucinda (Vivica A. Fox). The gift is obedience. Ella must do anything she is told to do by anyone.

The gift is obviously more of a curse, especially after Ella's mother passes away and commands her never to tell anyone about her "gift", she doesn't want anyone to use it against her. Years later, when Ella's father (Patrick Bergen) remarries to a harridan played by Joanna Lumley, a typecasting that Lumley may never escape, she brings along horrendous daughters who soon discover Ella's secret and begin using it against her.

Regardless of her curse/gift, Ella still grows up independently minded with a surprisingly political spirit. She leads protests on behalf of Ogres, Elves and Giants who have been enslaved by the evil King Edgar (Cary Elwes). Edgar is to give up the crown soon to his nephew Prince Char (Hugh Dancy). Think Prince Harry of England plus a rock star and you'll understand how much the girls of the kingdom love Prince Char. Ella however, as the plot dictates, isn't as impressed.

Ella and Prince Char are soon thrown together and it's dislike at first sight for Ella who believes the Prince is as evil as his uncle. The Prince is soon to win Ella over however and the two go on to fall in love. However there is still the problem of Ella's curse and the Prince's uncle who secretly plots to kill the Prince and remain king. The thrust of the plot is Ella's journey to find her fairy godmother and get her curse lifted and then save the Prince and get married, happily ever after, yada yada yada.

Simply take a little Cinderella with some cliffs notes Shakespeare and you can figure out where this plot is going. What works about Ella Enchanted, based on a popular book series by Gail Carson Levine, is the upbeat fairy tale style of the film. The film is bathed in a magical, pixie dust glow, saturated fantasy colors and modern touches for comic effect. There are malls, bicycles and modern politics. Don't worry it's all handled very lightly. All of it played for witty effect.

Director Tommy O' Haver crafts a wonderfully surreal fairy tale that evokes a live action Shrek in it's magic and whimsical fairy tale aesthete. O'Haver doesn't condescend to his young target audience, his musical choices, Elton John and Queen, are not known to younger viewers but are a treat to audiences who remember them. The songs are also weaved into the plot, the lyrics match the action onscreen, not an original concept but cleverly done.

Anne Hathaway has a terrific comic spirit that shows why those Princess Diaries movies have been so wildly popular. She is a tremendously likable presence onscreen. She is attractive with a mischievous glint in her eye. She has terrific comic chops and shows she's up for anything by singing two songs. Compared to contemporaries like Hillary Duff or the Olson Twins, she is a breath of fresh air.

The discovery here is Director Tommy O'Haver whose breakthrough feature Billy's Hollywood Screen Kiss was a minor gem from 1998 that most people missed. O'Haver has a wonderful comic touch. This is material that could collapse if overdone but O'Haver never let's it get away from him. From the first frame the GGI kingdom grabs your attention, little comic moments float by as the camera floats to Ella's cottage for the first scene.

The Director really helped himself by filling his cast with talented supporting actors like Cary Elwes, who lends the film a little of that Princess Bride karma, Minnie Driver, and Parminder K. Nagra who is a little underused but terrific when she's seen. Hugh Dancy, in his first major role, holds his own opposite Hathaway whose presence could have overwhelmed a lesser actor. Dancy was unrecognizable in his small role in King Arthur so this film is the highlight of his resume.

For what it is, a kid's movie, a movie meant for young girls, Ella Enchanted ranks with the Pixar films in the way it provides thrills for audiences. Ella is not as funny or as artistically accomplished as Pixar's films or Shrek but by the lowered bar for family films that appeal beyond demographic boundaries, you can throw this film in the conversation with Nemo and the rest.