Showing posts with label Roderick Taylor. Show all posts
Showing posts with label Roderick Taylor. Show all posts

Movie Review The Brave One

The Brave One (2007) 

Directed by Neil Jordan 

Written by Roderick Taylor, Bruce A. Taylor, Cynthia Mort

Starring Jodie Foster, Naveen Andrews, Terrence Howard

Release Date September 14th, 2007

Published September 13th, 2007

Few actresses alternate strength and vulnerability as well as Jodie Foster. This two time Oscar winner is one of our finest actresses and even in movies as flawed as Flightplan or her latest effort The Brave One, Foster crafts exceptional performances. Both Flightplan and The Brave One stand Ms. Foster in stories that fail to keep up with her lightning intelligence and powerful screen presence.

Erica Bain (Foster) is one of New York City's more unique characters. She can often be seen walking the streets with a microphone hanging just off the ground as she captures the noises of the city. This is for her weekly radio show in which she tells stories about the city. Erica is a free spirited, funky, hippie chick who is also soon to be married.

Erica and her fiance David (Naveen Andrews) are a perfect couple, madly in love. Their lovers' idyll is shattered just days ahead of their wedding. It seemed so mundane, almost romantic. Out walking their dog, Erica and David enter a tunnel in Central Park, it's just past dusk. Inside a group of thugs have captured their dog and begin menacing the couple in a seeming robbery.

The robbery turns into a murder as David is killed. Erica is left in a coma. When she awakens to find that David is gone she begins a spiral into fear and finally retribution as her journey brings her once again, face to face with David's killers. Along the way she meets Detective Mercer (Terrence Howard) who is investigating David's murder as well as a series of vigilante killings that he feels are related.

Directed by the brilliant Neil Jordan, The Brave One is something of a disappointment. Though Jodie Foster delivers a highly compelling performance, Neil Jordan doesn't seem all that invested in telling this story. Too much of The Brave One is forced by coincidence. The plot has little rhythm, Erica stalks the streets and often finds herself at the wrong place at the wrong time with the right tool and a surprisingly steady hand.

These forced incidents offer Jodie Foster many chances to dig deeper into the psyche of this unique and often spellbinding character. This is a terrific performance that is shamefully at the mercy of a plot that spins an ever more ludicrous yarn all the way to an ending that is false, forced, and terribly unsatisfying unless you are of a simple mind.

Watching Jodie Foster trading acting poses with Terence Howard and Naveen Andrews is nearly enough to overcome the many plot issues of The Brave One. Foster strikes a sexy spark with both actors, though only Andrews gets the intimate scenes, brief glimpses of a sex life that implies this was one truly hot couple. Howard's detective Mercer is as fascinated with the mind of Erica Bain, he listens to her radio show, as he is attracted to her offbeat charms.

The relationship between Erica and Mercer plays out in a series of smoky exchanges in bars and coffee shops. He's clearly hitting on her, she's interested as much in him as she is in getting information on the search for the vigilante killer that is gripping the media. Of course we know who the vigilante is, Erica knows who it is, yet thanks to Terence Howard's terrific performance his detective Mercer is never treated as a fool.

However, Mercer's investigation of the vigilante killer is one of many plot strands that cause the ultimate failure of The Brave One. As scripted by director Neil Jordan and writers Bruce and Roderick Taylor, the investigation culminates with a laughable discovery of evidence that leads to an ending that really is the nail in the coffin of what should be a much better movie

Director Neil Jordan is exceptionally talented but if he is uninspired it really comes out on screen. Jordan is clearly disinterested in The Brave One, though not in capturing his leading lady. Jordan and Foster work well together and Foster really delivers. It is what surrounds Foster, the ever increasingly ludicrous twists and turns of luck and the hand of god, i.e. the director, that keep The Brave One from becoming yet another Jodie Foster classic.

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