Revisiting Tobe Hooper’s The Funhouse – A Carnival of Horror and Disappointment Date: May 14, 2025

“A Carnival of Missed Opportunities: Revisiting Tobe Hooper’s Uneven Cult Slasher”

Tobe Hooper is one of my favorite horror filmmakers of all time. The Texas Chainsaw Massacre isn’t just a masterpiece—it’s a cultural landmark. But not every great director bats a thousand, and The Funhouse (1981) is proof of that.

In my latest review, I dive into this peculiar carnival-set slasher, now considered a cult classic by some, but still a tough sell for me. While the final act brings some much-needed energy and gore, the road there is long, meandering, and far too slow. It’s a film full of missed potential, weighed down by thin characters and a script that stalls for far too long.

That said, The Funhouse is far from worthless. Hooper’s love of old-school horror shows through in nods to Frankenstein, Psycho, Freaks, and more. There’s even an early homage to Halloween. It’s a movie that wants to be both a tribute and a terror ride—but struggles to deliver on either.

You can hear more of my thoughts on The Funhouse in the newest episode of the I Hate Critics Movie Review Podcast, available wherever you get your podcasts. We also upload full episodes to our YouTube channel and post trailers, movie news, and more on Facebook.

Read the full review on Vocal: [Horror.Media]

Follow me on Twitter: @PodcastSean

Find the podcast on Twitter: @CriticsPod and anywhere you listen to podcasts. 

Let me know what you think of The Funhouse. Cult classic? Underrated gem? Or a swing and a miss from one of horror’s most important voices?

The Return of I Hate Critics

The Everyone's a Critic Podcast is going back in time. Back to the time we were known as I Hate Critics. Yes, we are bringing back our original name. Why? Because it just feels right. We want to refresh the brand and with our new additions, Jeff, Amy, and M.J all working to freshen up what Bob and Sean have been doing for more than a decade now, it feels right to revisit the origins of the podcast. We began the show based on the idea of film fans, Bob and Josh, getting the chance to question, quarrel and converse with a person who had earned the title of professional film critic. 

We began the I Hate Critics Podcast based on the premise that I got into film criticism out of a genuine love for writing about movies and the belief that I would be cool if I was a film critic. I was never cool growing up, I thought that having a cool job would make me cool by association. I was wrong. What I experienced in earning my professional title and membership in the then Broadcast Film Critics Association, now the Critics Choice Association, was proudly telling people I met that I was a film critic and being met with more hostility and derisiveness than I was fully prepared for. 

"I never agree with critics." "I don't listen to the critics." Or "Critics hate everything." These are the statements that met me every time I introduced myself and was asked about my chosen profession. I genuinely thought I was going to be cool if I told people I was a film critic. Instead, I found most people eager to tell me I was wrong and that they hated the critics. Thus, I Hate Critics was born. It's a chance for film fans to confront a film critic and force him to defend his position. However, it evolved quickly as Bob, Josh, and myself became close friends. It became less about challenging me as a critic and more about sharing a mutual love of movies. 

That was at the heart of changing the name to Everyone's a Critic. We wanted to create a community that was safe for all opinions. We wanted to be inclusive and that was great for a long time. We enjoyed a place of positivity and inclusion. Lately however, the tide has turned and once again, film criticism is in the crosshairs. Film Critics have been trying to defend the profession against the encroachment of so called 'influencer culture.' There is a tide of opinion that rages against Critics and is forcing critics to defend their positions. That's a good thing in many ways, critics should be challenged. 

Find my full length article at Geeks.Media