K19: The Widowmaker
Directed Kathryn Bigelow
Written by Christopher Kyle
Starring Harrison Ford, Liam Neeson, Peter Sarsgard
Release Date July 19th, 2002
Published July 18th, 2002
Few genres come with an atmosphere built in. Film noirs of the 1950's, with their smoke filled back rooms, guys in trenchcoats and femme fatales, is an example of a genre with built in atmosphere. Another genre with an atmosphere built right into it is the submarine film. When you see a sub movie you’re guaranteed many guys crammed into tight quarters and claustrophobic interiors where the walls are actually coming in on you.
The new Harrison Ford film K-19 expertly takes advantage of the built in atmosphere, using it to crank up the intensity of a film based on real life events.
It's 1961 and the Russians are gearing up to show the Americans they have nuclear strike capability. Unfortunately, according to the captain of the navy's one nuclear class sub, Captain Polenin (Liam Neeson), the boat isn't ready. Despite the boat's obvious technical problems the government orders the ship commissioned in 4 weeks for a run which will lead to the firing of a test missile within range of American spy planes.
Of course if things went as planned there wouldn't be a movie. Captain Polenin's pleas for more time to fix the boat are ignored and Polenin is demoted to executive officer. Polenin is then replaced by Captain Vostokoff (Ford), a Captain known for his party loyalty and connections that are rumored to have earned him the prestigious post. The boat sails even after the ship's nuclear expert is fired for drunkenness and replaced by a green rookie right out the military academy.
Tensions flare between Polenin and Vostikoff after Vostikoff endangers the crew in order to test the boats limits. Unfortunately, the test may have led to the failure of the sub’s nuclear core. There is only one way to fix the reactor, send someone into the reactor itself and fix the problem by hand. Keep in mind we are talking about a nuclear reactor, where radiation can eat right through you. This leads to scenes of compelling bravery all the more sobering knowing that it is based on a true story.
All of these setup scenes are well staged as well as the action sequences which are extremely familiar to us as we near "crush depth". No depth charges though, likely a first for a sub movie. Even as familiar or even clichéd as these scenes are, director Kathryn Bigelow defly handles them, using the dramatic weight of her actors and some impressive special effects that take you outside the boat as if you were hanging onto the side of it.
Indeed Ford and Neeson have some familiar dialogue exchanges, questions of loyalty, competence and motives. Each actor however transcends these problems with their restrained and dignified presence. Ford and Neeson are imposing actors whose authority can be expressed with looks and manner. Peter Sarsgaard plays the green nuclear officer Vadim who, while struggling to hold onto his accent, still delivers a heroic performance.
Give credit to director Bigelow and her crew for casting actors able to garner our sympathy, considering they are portraying our enemies. The history lesson is sobering and the Cold War backdrop is well used to increase the tension. The ending leaves something to be desired as it overstays its welcome, but overall K-19 is a solid, dramatic, history lesson with fantastic performances.