Showing posts with label Jonathan Aibel. Show all posts
Showing posts with label Jonathan Aibel. Show all posts

Movie Review Kung Fu Panda 2

Kung Fu Panda 2 (2011) 

Directed by Jennifer Yuh Nelson

Written by Jonathan Aibel, Glenn Berger 

Starring Jack Black, Angelina Jolie, Lucy Liu, Seth Rogen, David Cross, Jackie Chan, Dustin Hoffman

Release Date May 26th, 2011

Published May 26th, 2011

I long ago discovered that the best thing about the job of film critic is being surprised. It's also the rarest occurrence in the job. Rarely do movies, especially big time, mainstream blockbusters, surprise people whose job it is to write about movies. "Kung Fu Panda 2" surprised me in a big way. The animation, the story and the laughs were each an astonishing improvement over the original.

Roly Poly Kung Fu Master

Jack Black once again provides the voice of Po the panda aka The Dragon Warrior. Now the leader of the vaunted furious five, including Tigress (Angelina Jolie), Crane (David Cross) Monkey (Jackie Chan), Viper (Lucy Liu) and Mantis (Seth Rogen), Po is still a roly poly panda but now he's great at kung fu.

There is still much for Po to learn however, as Master Shifu (Dustin Hoffman) explains; Po now must learn inner peace. Lately, Po has been troubled by nightmares that may actually be memories of his past. Never having known his real parents, Po is suddenly becoming aware of what happened to them and how he ended up in the care of Mr. Ping (James Hong).

A Warrior of Black and White

The key to Po's past happens to coincide deeply with the rise of a new villain in China, a peacock named Shen (Gary Oldman). With his new weapon against Kung Fu, Shen intends to enslave all of China but an old soothsayer (Michelle Yeoh) has predicted his doom at the hands of a warrior of black and white.

Simple Yet Complex

I'll end my plot description there to avoid spoilers. Surprisingly, the creators of "Kung Fu Panda 2" have crafted a plot that requires discretion on the part of critics because the plot has complexity and payoffs that are much more enjoyable the less you know going in. Most kids movies forgo such complications but "Kung Fu Panda 2" writers Jonathan Aibel and Glen Berger along with director Jennifer Yuh have pulled off the remarkably difficult task of crafting a plot that is simple enough for kids to follow yet complex enough to involve adults.

The animation has great depth as well as director Yuh combines modern CG animation with touches of old school, Disney style animation. Avoid the 3D version of "Kung Fu Panda 2" and you will be rewarded with bright, beautiful colors that pop off of the screen in far more dazzling ways than a murky 3D image can deliver.

Kung Fu Panda 2 is Very Funny

I should also mention that "Kung Fu Panda 2" is really funny on top of being an involving story. Jack Black wonderfully inhabits Po and the energy and excitement he brings to each line of dialogue is terrific. What he brings to "Kung Fu Panda 2" that was lacking in the original is a slight touch of sensitivity in his voice that really nails the few really dramatic moments of "Kung Fu Panda 2."

There I go again, selling short comedies. Honestly, "Kung Fu Panda 2" is first and foremost a funny kid's movie. The creators have this time merely added a little sophistication to the storytelling, deepened the character of Po and crafted a back story with real resonance that could sustain yet another sequel.

Dreamworks Animation's Best Movie Yet

"Kung Fu Panda 2" is a wonderful movie. Director Jennifer Yuh and her team have given such careful attention to detail and nuance that they have crafted something far better than you could ever expect of a blockbuster sequel. "Kung Fu Panda 2" is funny and sweet with a big heart and a few honestly moving dramatic moments that recall the best of classic Disney and Pixar animated features and may be the best animated feature thus far crafted by the team at Dreamworks Animation, topping even their delightful "How To Train Your Dragon."

Movie Review Spongebob Squarepants Sponge Out of Water

Spongebob Squarepants Sponge Out of Water (2015) 

Directed by Paul Tibbitt 

Written by Jonathan Aibel, Glenn Berger 

Starring Tom Kenny, Antonio Banderas, Matt Berry 

Release Date February 6th, 2015

Published February 5th, 2015 

How does a film so shamelessly appeal to the tastes of tots and stoners alike and not wind up doomed to be assailed by the culture warriors? By becoming a capitalist commodity first and an anarchic, tripped out, cartoon second. That is the journey of "Spongebob Squarepants" which innocently invaded popular kids culture in the early 2000's and became an unassailable pop titan. 

The freedom of success has allowed this Nickelodeon product to evolve in ways that no one likely imagined. From what was a minor distraction for kiddies a strange cult classic of stoner nostalgia has emerged. Over time the tots who loved Spongebob's seemingly innocent shenanigans were joined in front of the television by their cereal slurping, red-eyed older brother who laughed at the jokes that the little ones just missed. 

Sure, the creators of the series maintain the innocence at the show's heart but their claims to innocence are certainly challenged by a product that has grown increasingly weird in most recent and slightly controversial incarnations. It's a strange evolution that today culminates in the ultimate evidence of the show's sneaky stoner appeal, "The Spongebob Movie: Sponge Out of Water." 

Sure, on the surface this is merely an attempt to return Spongebob Squarepants to the pop ether and make gobs of money while doing it. But, watch the film and the Dali-esque, dizzying imagery comes roaring out at the audience in ways only those on psychotropic stimulants can truly understand. As someone who's never experienced a drug induced freak out, I can only imagine it is something akin to the time travel trip taken in "Sponge Out of Water" by our hero Spongebob and his unlikely pal and former enemy Plankton. 

If you thought Peter Fonda's swirling, twisting vortex freak out in 1969's "The Trip" was trip inducing, wait till you get a load of the wall of sight and sound that takes Spongebob and Plankton through time and space. Only a true stoner, wacked out on the best Maui-Wowie and grooving to Kubrick's "2001" could truly appreciate the sites created herein. I'm not kidding, these scenes are really messed up. 

Things really get tripped out when Spongebob and Plankton, on the run through time and space to escape having been accused of stealing the secret recipe for Krabby Patties, find themselves in a future world run by a talking Dolphin named Bubbles. Bubbles is voiced by the brilliant British comic Matt Berry in full Douglas Reynholm bluster. Throwing Berry into a mix that also includes Antonio Banderas as a pirate named Burger Beard, is really the last piece of evidence needed to prove that the makers of Spongebob are indeed attempting to bridge the gap between Nickelodeon comedy and Cheech and Chong. 

Looking back I realize I am making this sound like a bad thing. In reality, it's more innocuous than anything. Despite the bleating of many conservatives, there isn't anything truly dangerous about stoners. The fact that they can be as entertained as little children by the same form of entertainment is only subversive in the eyes of those who see smoking marijuana as some sort of societal ill. 

There are many more damning things that people could be doing aside from getting baked and watching "The Spongebob Movie: Sponge Out of Water." Things like Sub-Prime Mortgages or murder for hire schemes against their employers or ironically attending WNBA Games are certainly less worthy efforts than getting stoned and laughing hysterically as a talking sponge battles Antonio Banderas as pirate named Burger Beard. 

I guess my main point is that we should just be honest about the appeal of "The Spongebob Movie: Sponge Out of Water" and stop acting like it's just a kids movie. The fact is, Spongebob has a foot firmly planted in two separate but equal satirical worlds that appeal equally and differently to two very specific sets of audiences and there is nothing wrong with that. 

Let's let Spongebob's freak flag fly free and not be so uptight and silly as to believe that just because stoners enjoy a kids show that kids will automatically grow up to be stoners. This isn't a nature or nurture argument over the future of our children, it's just a silly cartoon that happens to be tripping balls and delighting children all at once.

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