Movie Review The Man from Elysian Fields

The Man from Elysian Fields (2001) 

Directed by George Hickenlooper 

Written by Phillip Jason Lasker

Starring Andy Garcia, James Coburn, Julianna Margulies, Mick Jagger, Olivia Williams 

Release Date September 27th, 2002 

Published May 24th, 2003 

Woman: Are you the man from Elysian Fields?

Man: Is it that obvious?

Just what is this Man From Elysian Fields? Well it's a rare breed of well written, charming, intelligent filmmaking that respects the intelligence and wit of its audience. A film of great wit, that is not afraid to be adult and doesn't compromise itself to the marketplace. Essentially, it's the kind of film I wish there were more of.

The film stars Andy Garcia as Byron Tiller, a down on his luck novelist who spends his free time in bookstores enticing people to buy his novel, a lame thriller called Hitler's Son. Saddened by the fact that after less than a year his book is in the bargain bin, Byron is finally finishing up his second novel. His wife Dena (Julianna Marguilies) is supportive but money is getting tight while she waits for him to finish.

Unfortunately, Byron's publisher doesn't like the new book, which Byron says is about migrant workers. Without a publishing deal, Byron begins searching for a job but finds no one is hiring out-of-work writers.

With no real prospects, Byron finds himself approached in a bar by a stranger named Luther Fox (Mick Jagger. Yes, that Mick Jagger. Is there any other?). Luther claims to have the solution to Byron's problem and gives him a business card for something called Elysian Fields.

Elysian Fields is the cover name for an escort service that pairs men with lonely women to escort them to events when their husbands aren't available and on some occasions sleep with them. Of course, this isn't anything Byron would ever do because he's happily married but when Luther tells him he doesn't have to sleep with the women, he agrees.

After lying to his wife, saying he was spending late nights with hi editor, Byron escorts a gorgeous woman named Andrea Alcott (Olivia Williams) to the opera. Why does a woman as beautiful as Andrea need an escort? Because her husband is dying of diabetes and has agreed to allow her to date. Andrea's husband Tobias (James Coburn) also happens to be an award-winning writer whom Byron has idolized. He doesn't find this out until he is caught sleeping with Andrea and is introduced to the couple’s arrangement.

The set up sounds forced and convenient, only in my feeble explanation. The real joy of The Man From Elysian Fields is in its dialogue and characters, all of whom are well inhabited by one of the best ensemble casts I've seen in a long time. Forget what you think of Mick Jagger as an actor, he gives a stellar performance here as the narrator and devil on Byron's shoulder that slowly becomes his conscience.

Andy Garcia is becoming one of the most reliable actors in Hollywood, consistently seeking out and finding great roles and great scripts. Garcia is aided greatly by a wonderfully sympathetic performance by Julianna Marguilies.

In his final performance before his death in 2002, Oscar winner James Coburn is magnificently witty and gruff. His love story with Williams is tender and believable as written by screenwriter Philip Jayson Lasker. Though some of Coburn's dialogue borders on being too well written Coburn reigns it in with the glint in his eye. It is a little strange to watch the late Coburn portray a character that is dying but the performance is so good that it feels like the perfect coda for his career.

There really is little to complain about in The Man From Elysian Fields. Director George Hickenlooper so elegantly crafts this film that even when it’s at times breezy, it’s acceptable. It's just so well written. It's not laugh out loud funny but intelligently witty. It reminded me of the kind of film Hollywood made during its glory days of the 1950's, though with a story that likely couldn't have been made in the days of the Hays code.

Movie Review: Monsters, Inc.

Monsters, Inc. (2001

Directed by Pete Docter

Written by Andrew Stanton, Daniel Gerson

Starring John Goodman, Billy Crystal, Steve Buscemi, James Coburn 

Release Date November 2nd, 2001 

Published November 2nd, 2001 

What is the future of the animated film?

Many thought we would find out in Final Fantasy, but if beautiful computer graphics over the top of lame spiritual platitude and sci-fi conventions as old as time then animation is in trouble. My hope is the future of animation lies with the brilliant artists at Pixar who with Toy Story and Toy Story 2 and their latest Monsters Inc. are revolutionizing animation the way Disney did with Snow White. 

Monsters Inc. is the story of Sully and Mike a pair of workaday monsters whose job it is to scare children into screaming and thus providing electricity to the city of Monstropolis. Mike and Sully are voiced by Billy Crystal and John Goodman who are so brilliantly matched you would never guessed they have never worked together before. Steve Buscemi provides the voice of Randall the chameleon-like bad guy and Oscar winner James Coburn is there multi-legged boss. All the voicework is flawless with each actor finding exactly the right pitch for there character.

Monsters Inc. is hampered a little by a tendency toward sickening sweetness but the story is so wonderful that the sugar-shock is worth it. 

If you didn't like Toy Story 1 and 2 you don't have a soul, the same could be said if you didn't like Monsters Inc. Forget about that whole animation is for kids stigma and go see this movie and be a kid again. Monsters Inc. is one of the best movies of the year.

Movie Review: The Muppet Movie

The Muppet Movie (1979) 

Directed by James Frawley 

Written by Jerry Juhl, Jack Burns 

Starring Jim Henson, Frank Oz, Dom Deluise, James Coburn, Elliott Gould 

Release Date June 22nd, 1979 

Published August 24th, 2018 (in conjunction with the release of 'The Happy Time Murders) 

There is a reason I love to look back on and remember and write about old movies, they can feel like new again. A great example of that is The Muppet Movie from 1979. I remember being delighted by this movie when I was a very small child, I watched it consistently alongside episodes of The Muppet Show. It was formative for me, elements of my personality and my my humor were formed from watching, Kermit, Miss Piggy and Fozzy.

Jim Henson's love of the absurd became my love for the absurd. Something like Pigs in Space which appears so inconsequential today, was the height of comedy for me as a child and has remained influential for me as I love a big, booming announcer voice and the simple juxtaposition that comes from the idea of pigs piloting a spaceship. Watch it today and you get an even more nuanced gag that plays on the pigs acting like the hammy actors from 50’s and 60’s sci-fi cheapies and, of course, WIlliam Shatner.

The glory of The Muppets is in the clever subtlety. The send up of Hollywood and show business in The Muppets is never mean, it’s wildly clever. Are there digs at the pomposity of showbiz phonies? Of Course, but they are done in the fashion of an elbow in the ribs prodding and not a baseball bat to the head obviousness. Watching The Muppet Movie in the wake of the release of The Happytime Murders helped remind me what a true joy The Muppets are and always have been.

The Muppet Movie sets out to tell the origin story of Kermit and the gang. In lore, Kermit was sitting on a log singing “Rainbow Connection” and playing his banjo when a big Hollywood producer (Dom Deluise) floats up on a boat. The producer is lost and needs to get back to Hollywood but first he tells Kermit that Hollywood is hot to cast frogs for a big movie. Kermit isn’t immediately excited by the prospect of leaving the swamp but he has a desire for some adventure so he gets on his way.

From there it’s a stop at a place called El Sleezo where, after encountering Madeline Kahn, James Coburn and Telly Savalas, Kermit meets his new best friend Fozzy Bear. Fozzy is attempting his stand-up comedy routine and it is not going well so Kermit jumped on stage and still things did not go well. The scene proceeds to a silly conclusion but one that sets the table for the kind of wonderfully slight gags we’re going to enjoy for the rest of the movie.

As Kermit and Fozzy are getting out of town, Kermit is approached by an oily fast food shop owner, played by Charles Durning, and his lackey, played by Austin Pendleton. The fast food man wants Kermit to become the face of his Frog Legs franchise but Kermit recognizes how awful that idea is and he and Fozzy make a hasty escape. Durning and Pendleton follow after and show up when the plot needs kicked along. Eventually we meet the rest of the gang, including Gonzo and Miss Piggy and we get plenty of songs and gags along the way.

The Muppet Movie was directed by James Frawley a surprisingly indistinct director for such a distinctive movie. Frawley’s background is in directing television and in 1979 and even since after The Muppets, Frawley has had nothing to do with The Muppets. With the way he captures the tone and the joy of The Muppets, you might reasonably assume that Frawley was a regular collaborator but he wasn’t, he was just a good hired hand.

It’s likely that Jim Henson stepped to the fore to really direct The Muppet Movie and make sure that it met the expectations of fans. Frawley was perhaps brought on board to assure studio execs that there was an adult in the room while Henson and Frank Oz and the rest set about bringing there silly puppet show to life on the big screen. That’s not to take away from Frawley who I am willing to bet didn’t just stand aside and allow the inmates to run the asylum.

The other part that likely got The Muppet Movie made were the cameos. Big time stars jumped at the chance to be in The Muppet Movie for a bit of business. I mentioned James Coburn, Madeline Kahn, and Dom Deluise already. Charles Durning and Austin Pendleton are actually part of the plot but then there are tiny bits of fun from Richard Pryor, Bob Hope, Mel Brooks, and Steve Martin gets an extended cameo as an angry waiter that is a real show stealer.

There are numerous other cameos as well, watch for Carol Kane’s double cameo, the second time she shows up is one of the most random and hilarious gags in the movie. There is an inventiveness to the humor of The Muppets that is too often forgotten when we remember them as kids entertainers or for their wonderful songs. There is a runner in the movie about Hare Krishna’s that repeatedly gets a laugh, the Carol Kane bit is completely random yet ingenious and the pie gag involving Durning and Pendleton’s villains is wonderfully, brilliantly absurd and well imagined.

Then there are those wonderful songs. Rainbow Connection may be a tad sappy but the way it is introduced and then brought back late in the movie is a fine piece of musical film-making. Movin’ Right Along is one of the most underrated and adorable songs of all time. It’s also an incredible piece of pop song tune-smithing. Paul Williams is rightfully remembered as a genius and while he received an Academy Award for Rainbow Connection, he could have easily received the nomination for any one of the brilliant songs on this soundtrack.

The Happytime Murders, if it accomplishes one thing, it got me to watch The Muppet Movie again. It reminded me of how wonderfully clever and inventive The Muppet Movie is. I know the films are only really related in name to Henson, Jim Henson’s son, Brian directed The Happytime Murders, but they aren’t truly related. The Happytime Murders is comedically sloppy and tonally inept. The Muppet Movie is exactly the opposite and completely hilarious, the films are in two completely different universes.

The Happytime Murders really could have used a James Frawley to reign things in and perhaps make things coherent.